Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?

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/Filmcast Ep. 133 – Dogtooth

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This week, David Chen, Devindra Hardawar, and Adam Quigley assess this year’s Superbowl film spots, praise the merits of Tarsem’s The Fall, and discuss how much truth a movie needs to have to be considered legitimate.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us for our next live broadcast on Sunday, February 13 at Slashfilm’s live page at 10 PM EST / 7 PM PST, where we’ll be reviewing The Eagle.

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