Twenty-five years ago, I have the distinct memory of opening my local newspaper, turning to the movie page, and pointing to the words “Top Gun.” Even at six years old, the power of producers Don Simpson and Jerry Bruckheimer was hard to deny and my grandfather took me to see Maverick, Goose, Iceman, Slider and the rest in the soon-to-be-classic fighter pilot action film. Since then, I – like some of us – have probably seen the movie 100 times. It’s now at a point where certain line deliveries or off camera dialogue really make me laugh and Quentin Tarantino’s dissection of the film as a homosexual metaphor has crystallized. Basically, Top Gun has become a hilariously awesome microcosm of cold war blockbuster filmmaking with some really weird subtext.
Even so, until last night I hadn’t seen the film on the big screen since that first screening 25 years ago. I must say, seeing Tony Scott‘s film projected on the big screen was fantastic. Watching the stunt work, camera moves and editing of the flight sequences on such a grand scale was radically different from watching the movie on TNT. Top Gun was, and always will be, meant to be seen on the big screen.
Now, everyone has a chance to share that experience and wallow in nostalgia. To celebrate its 25th anniversary, AMC is hosting two screening of the Tom Cruise classic on April 30 and May 2. Find out where and more info after the break. Read More »
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Ladies and gentleman, there are some real, honest to God problems with the movie business. That’s pretty obvious from the huge void of original content that’s being released by Hollywood in the coming months, including a record breaking 27 sequels in 2011 alone. And while we all know this problem exists, the genesis of how and why it’s happening, and a possible solution, are concepts few of us have the wealth of knowledge and experience to fathom.
In a new GQ column called The Day the Movies Died, author and former Entertainment Weekly executive editor Mark Harris does just that. He weaves a story from Top Gun to Inception to Stretch Armstrong of how Hollywood went wrong and – SPOILER ALERT – why it might not ever get fixed. Harris’s article should be required reading for anyone who cares about movies in today’s society. Read a short excerpt and find the link to the full article after the jump. Read More »
Tony Scott has really made it. In a news report broadcast on China’s state-run CCTV about an air force training exercise, there was a brief shot of an exploding aircraft. The shot is cut into the video to seem as if it is part of the footage shot for the segment, with the explosion being the result of a live fire exercise. But it is really from the final battle scene in the 1986 film Top Gun. Read More »
What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 33 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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Even as a kid, two films I never thought I’d see sequels to were Top Gun and Who Framed Roger Rabbit? Both Eighties hits certainly could have continued with their storylines but there wasn’t a need because each wrapped up in a cohesive and satisfying way. In fact, if it wasn’t for each film working so well, neither would have reached the “New Classic” status they currently enjoy. But of course, in today’s no-new-idea Hollywood, each film is getting sequelized over twenty years after release and the only thing fans can hang their hat on is that the original filmmakers – Tony Scott and Robert Zemeckis – are part of the process. Both recently spoke about the very latest on each film and when you get to hear from the big men themselves, it’s worth listening. We’ve got the updates after the break. Read More »
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Tony Scott has a mile-high stack of projects on his plate and seems about as interested in talking Top Gun as Fred Phelps is in reasonable discourse, but that might not stop Paramount from trying to light a fire under him to make Top Gun 2. Word now is that, after years of rumors that would (hopefully) put Tom Cruise back in the cockpit, Paramount is pitching Jerry Bruckheimer, Tony Scott and Tom Cruise on the sequel. Quick, before the ’80s nostalgia wave becomes a ’90s nostalgia wave! Otherwise they’ll have to sequelize Days of Thunder instead. Read More »
If you read /Film on a regular basis, you know that we love cool movie posters. And out of everyone on the site, I think I’m probably the most obsessed. I’m always scouring galleries and websites for awesome posters based on pop culture to add to my ever growing addiction collection. So, I’m really digging this set of posters called Dress the Part. It’s 10 posters of some of your favorite films, but solely of famous fashion from the film. Included in the set are American Psycho, Anchorman: The Legend of Ron Burgundy, Dumb and Dumber, Fear and Loathing In Las Vegas, Shaun of the Dead, Superman, The Shining, The Usual Suspects, Top Gun, and Wall Street. You can check out all the posters, designed by MoxyCreative with illustration credits to James Alexander Mathers and Andrew Lau, after the jump and even find out where to buy them. Read More »
Greg Berlanti is the co-writer/producer on The Green Lantern and The Flash, the latter of which he’s also a potential director. He recently directed his second film, Life as We Know It, and has been making the press rounds to promote it. Naturally, everyone is more interested to learn about his work on Green Lantern and Flash than Hollywood’s latest Katherine Heigl romantic comedy, so he’s being pressed for as much as info as he’s willing to divulge.
Some of what he had to say might surprise you. Read More »
If the ’80s gave a sniffling speech at the Decade Achievement Awards, Harold Faltermeyer and his scores would be thanked somewhere after Shigeru Miyamoto and Super Mario Bros. and Magic Johnson’s Lakers. A classically trained German composer with an affinity for rock and disco, Faltermeyer got his start in Hollywood assisting mustachioed electro-don Georgio Moroder on soundtracks for Oliver Stone’s provocative Midnight Express and Adrian Lyne’s jail-bait fave Foxes. With the release of Beverly Hills Cop in 1984, everyone acknowledges how Faltermeyer’s theme song, “Axel F,” hopped into bed with America’s zeitgeist like few songs before or since. The track’s equation of urgent nightlife synths plus cool-black-dude drum effects, then buffered to an upbeat Cali finish, not only paralleled the confident, crowd-pleaser m.o. of sure-shot producers Jerry Bruckheimer and Don Simpson, it embodied and celebrated it.
Soon following “Axel F,” Faltermeyer crafted incredibly memorable and fun themes/scores for Fletch and Top Gun, rising to the occasion by sonically matching the unmatched charisma of Chevy Chase and Tom Cruise on screen in the mid ’80s. Reflecting on the three themes today, not to mention his work on actioners The Running Man and Tango & Cash, it’s difficult to express how Faltermeyer shaped the way audiences then and now remember the ’80s as a time of just-plain-exciting innocence and excess, a time when the buddy-cop formula and toothy superstar grins felt fresh. It’s this feeling and nostalgia Kevin Smith is paying pop-homage to with Cop Out, another bid for a mainstream hit from the ’90s slacker auteur starring Bruce Willis and Tracy Morgan. Smith personally requested Faltermeyer—who’s remained inactive on major soundtracks since the ’92 copper Kuffs—score the film with his signature sound. The catchy result is felt by several critics to be the best thing about the action-comedy. (Stream it here.)
In an interview with /Film, Faltermeyer talked about his creative process and about “crazy shit” including the late Don Simpson’s finesse with a Ferrari.
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