Posted on Thursday, February 28th, 2013 by Angie Han
Joe Wright certainly has a thing for literary adaptations, as evidenced by his films Pride & Prejudice, Atonement, and Anna Karenina. Now he’s looking to direct yet another book-inspired movie, but this one moves him back to the present day and into a whole other genre. Wright has just been attached to direct Focus Features’ The Ocean at the End of the Lane, based on an upcoming novel by Neil Gaiman
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Posted on Friday, January 18th, 2013 by Angie Han
Steven Spielberg and Tom Hanks are heading back to World War II on HBO for a third time. We first got wind of another follow-up to Band of Brothers and The Pacific back in October, when HBO executives Michael Lombardo and Richard Plepler told press they were considering a third miniseries in a similar vein. At the time, we knew only that the new show would focus on aerial battles over the Pacific. Now the subject matter is coming into clearer focus as the project has secured the rights to Donald L. Miller‘s book Masters of the Air: America’s Bomber Boys Who Fought the Air War Against Nazi Germany. Read more after the jump.
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When filming a major Hollywood movie at one of the busiest locations on the planet, a photo or two is bound to leak out. That’s just happened with Saving Mr. Banks. Tom Hanks, who plays Walt Disney in the film, has been spotted in character during filming at Disneyland in Anaheim, California. The film, which will be released December 20, 2013, tells the story of Disney’s 14-year effort to convince Mary Poppins author P.L. Travers to turn over the rights to her book. Emma Thompson plays Travers, and she’s been spotted by photographers, too.
Directed by John Lee Hancock, Saving Mr. Banks co-stars Colin Farrell, Paul Giamatti, Bradley Whitford and Jason Schwartzman. After the jump, see several images of Hanks, Thompson and the filming and read some of Hanks’ thoughts on the Disney character. Read More »
With six stories spanning nearly three hours, told by an ensemble cast and three directors, the sheer amount of information presented by and discussions one can have about Cloud Atlas is staggering. Co-writers and directors Tom Tykwer, Andy and Lana Wachowski took David Mitchell‘s novel, which nests six stories within each other, and broke it down into one forward-flowing mosaic. Set in several time periods from the 1800s through the 2300s, the film blends genres and tones to show the human soul moving from century to century, and explore how our actions in one life might affect the next.
And that’s just a very superficial interpretation. There’s much, much more to the movie, which is why it’s one of the year’s best.
As one might expect on a production so massive, there are tons of bits of behind the scenes trivia and on-screen secrets. Were there additional stories meant for the film or novel? Were the directors ever on set together? How did characters get cast? Which actress thought she’d be fired? And what exactly happens at the end of the film? We’ve complied 15 things you probably didn’t know, or notice about Cloud Atlas. After the jump, read all about them. Read More »
Editor’s Note: This is the fourth and final part of /Film’s interview with Andy Wachowski, Lana Wachowski and Tom Tykwer, the writers and directors of Cloud Atlas. Read part one here, part two here and part three here. The full interview will be published tomorrow, the day the film opens.
All of the major actors in Cloud Atlas play at least four roles. A few play as many as six. Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Ben Whishaw, Doona Bae, Hugh Grant, James D’Arcy and Keith David all have multiple personalities to portray. Some significant, others less so, and they’re not always the same race or sex as the actor in the role.
So in the film, you’ll get to see Halle Berry as an Asian man and a white German woman. Hugo Weaving is a hulking female nurse; Jim Sturgess is a Korean crime fighter; and Ben Whishaw is a loving wife. In doing this, co-writers and directors Andy Wachowski, Lana Wachowski and Tom Tykwer were able to visually display the movement and evolution of the human soul across eternity and also play against segregated acting conventions Hollywood has employed for years. They believe actors should not be pidgeonholed by their race or sex and, after the jump, the three filmmakers discuss not only that, but how the process was liberating for their actors.
After the jump, read the fourth part of my interview with the team behind Cloud Atlas. Read More »
In 2011, before shooting his new movie Flight, which is playing film festivals now, Robert Zemeckis started considering a new film with Tom Hanks. Major Matt Mason is co-written by Hanks and Graham Yost, and is called “a live-action family film about space adventure.”
We haven’t heard much about the project since then, but now with Zemeckis bringing Flight into theaters, Hanks is talking about the space-bound movie once again. Looks like the project may actually go ahead, with independent financing as the financial fuel. Read More »
Posted on Monday, September 24th, 2012 by Angie Han
Given the sprawling scope and staggering ambition of the Andy and Lana Wachowski and Tom Tykwer‘s Cloud Atlas, it seems only appropriate that the movie open on some of the largest screens in the world. IMAX has announced that the epic saga will hit their super-sized screens next month, on the same day as Cloud Atlas‘ regular, non-IMAX release. It’s worth pointing out, however, that Cloud Atlas was not shot in native IMAX but is being digitally remastered for the release.
Still, whether you plan to see it on the big screen or the extra-big one, Cloud Atlas looks like one of this fall’s most intriguing offerings. To pique viewer interest, Warner Bros. has just unveiled the first TV spot for the movie. While the previously released extended and theatrical trailers underscored the movie’s more emotional themes, the new 30-second spot cuts straight to the sci-fi action goodness. Watch it after the jump.
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Posted on Friday, September 14th, 2012 by Angie Han
It’s not remotely fair to call a film Oscar bait when it’s not even close to shooting, but when a project combines an Oscar-winning director, two Oscar-winning stars, and a World War II premise, it’s tough not to wonder whether little gold men are in its future.
The Artist director Michel Hazanavicius has entered talks for In the Garden of Beasts, based on a book by Devil in the White City author Erik Larson. Tom Hanks has been attached to star and produce since last year, but the project’s only now picking up steam as Hanks has been tied up in other projects. That means casting is now underway as well, and producers currently have their eye on Natalie Portman to play Hanks’ daughter. More after the jump.
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