That shot above is the first desolate look at Tom Hanks in A Hologram for the King, which is the new film from Tom Tykwer. Hanks had a big role in Tykwer’s last film, too, which was the Wachowski siblings collaboration Cloud Atlas. Hanks’ company Playtone produced this new movie, along with a couple other companies, and it is being shown to distributors at Cannes. Read More »
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We’re back in a familiar position: scanning a set of potential projects for Steven Spielberg, trying to figure out which he’ll do next. There are a couple of possible options that have been kicking around for a while, such as the sci-fi action film Robopocalypse and the Spanish conquistador drama Montezuma. Just last week there was news that Spielberg is developing a religious drama called The Kidnapping of Edgardo Mortara, from Lincoln and Munich writer Tony Kushner.
Now there’s a new project: an untitled true-life Cold War drama with Tom Hanks attached to star. Read More »
Saving Mr. Banks wasn’t the runaway award contender Disney hoped for, but a newly found deleted scene sure looks like it was. Featuring Tom Hanks, Emma Thompson and Paul Giamatti, it’s a pretty revealing and well-acted scene that probably gave away too much too soon for director John Lee Hancock. Still, if you want to see almost the entire conflict of the movie condensed into a two-minute scene, this will do it. Check out this Saving Mr Banks deleted scene below. Read More »
Posted on Monday, March 3rd, 2014 by Angie Han
For the last few years, one of the highlights of the Academy Awards night has been what comes after the Academy Awards. Namely, Jimmy Kimmel‘s post-Oscar spoof of Hollywood filmmaking at its grandest. This year was no exception.
After knocking it out of the park two years in a row with Movie: The Movie and its inevitable sequel, he switched gears this year to bring us highfalutin Oscar bait trailers starring the likes of Meryl Streep, Tom Hanks, Joseph Gordon-Levitt, and Ben Kingsley… based on the likes of YouTube classics “David After Dentist,” “Keyboard Cat,” and “Charlie Bit My Finger.” Check ’em all out after the jump.
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It’s a Walt Disney movie, set at Disney, about Walt Disney. There’s all kinds of meta going on in John Lee Hancock‘s Saving Mr. Banks, a dramatization of the events that lead the film Mary Poppins to the big screen. Golden Globe nominee Emma Thompson plays author PL Travers and Tom Hanks plays Walt Disney, who courted Travers for the rights to the character for years. To up the film’s authenticity, much of it was shot on location where the events actually happened, including Walt Disney Studios in Burbank, CA and Disneyland in Anaheim, CA.
Below, watch a video of how the film recreated Disneyland of 1961 at Disneyland of 2013. Plus, you can see featurettes on the story, music and Hanks himself. Read More »
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If all the Marvel, Lucasfilm, Pixar, animation and theme park coverage weren’t hints enough, we here at /Film are Disney fans. Big time. So a film like Saving Mr. Banks, which is about Walt Disney’s struggle to make one of the studio’s greatest films, Mary Poppins, is right in our wheelhouse. The film opens December 20 and will play the AFI Fest presented by Audi this weekend. Peter Sciretta and I were lucky enough not only to see the film before that festival date, but to see it at the Walt Disney Studios in Burbank, CA, where about 45% of the movie was shot and actually took place.
So while this film, which stars Emma Thompson, Tom Hanks, Colin Farrell, Paul Giamatti, Bradley Whitford, BJ Novak and Jason Schwartzman, might not seem like the typical film for us to do a video blog for, we couldn’t pass up the opportunity to give our opinion of a Disney film which the Walt Disney Company made in the place Walt Disney actually had these experiences. Read More »
Disney has three big films coming out this holiday season, but only one is about the company itself. That’s Saving Mr. Banks, the true story of Walt Disney’s courting of author P.L. Travers for the rights to her book, Mary Poppins. Directed by John Lee Hancock (The Blind Side), the film features Tom Hanks as Disney and Emma Thompson as Travers. It opens December 13 in the U.S. but had its world premiere this weekend at the London Film Festival.
So how is it? The first reviews are out and while everyone seems to agree there’s plenty of Disney magic, and some people even smell Oscars, a few don’t necessarily think it works. Read a bunch of reviews below. Read More »
Posted on Wednesday, October 16th, 2013 by Angie Han
You’d think an actor as popular, talented, and versatile as Tom Hanks would have his pick of the roles, and it’s true he’s had some interesting parts over the years. He’s been a soldier, an astronaut, a cowboy, a ship captain, and an entertainment mogul. He has two Academy Awards, and three additional nominations on top of that.
But in a recent interview, Hanks reveals that the one job he can’t seem to get is as a comic book superhero. “God, I want to throw a shield at somebody,” he said. He named The Flash as a dream role, but said he’d also be up for playing a Batman villain. Hit the jump to read Hanks’ comments.
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At this point, there probably aren’t many people who expect a feature film to be a 100% accurate depiction of events, even when it proclaims that it is based on a true story. The idea of dramatic license is well-understood, but there’s always a related question: when does dramatic license steer a project too far away from reality?
It’s one thing to make a film based on disputed story accounts, as is the case with The Fifth Estate, which subject Julian Assange has disowned as “based on a deceitful book by someone who has a vendetta against me and my organisation [sic].” But is it another to remap events so broadly that they deviate wildly from fact, even if the intent behind the changes is good?
In Captain Phillips, Paul Greengrass and screenwriter Billy Ray, along with the cast and crew, use the story of the hijacking of the ship Maersk Alabama to tell a story about two men who represent different lives and cultures. It’s a great story, and it uses the story of Captain Phillips and the Maersk Alabama to raise very specific points and questions. But there’s one problem: some of the ship’s crew says the film doesn’t represent Phillips properly, and it paints a very incorrect picture of events. Read More »