Usually when an actor says he’s interested in a role, it’s little more than talk. As a rule, few actors are ever going to turn town a role via an interview, and even when they specify something they want to play, that doesn’t mean it is anywhere close to happening.
But when an actor who is also a producer says he’s “aggressively pursuing” a role, that’s different. That’s how Jamie Foxx talked about the comic book character Spawn in an interview at Comic Con. The character is a soldier murdered and condemned to hell, who is able to return to Earth as a “hellspawn,” a role against which he ultimately rebels. The character anchored a 1997 film starring Michael Jai White — the first major film featuring a black superhero as the lead — but creator Todd McFarlane wants to reboot Spawn in a new movie form.
Put Foxx’s comment together with a past tease from McFarlane about having an Oscar-winning actor attached to the role for a reboot, and a picture starts to form.
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Posted on Monday, February 25th, 2013 by Angie Han
Remakes of decades-old films are a common sight at the multiplex these days, but even by those standards Identity Films and Flat Penny Films are reaching pretty far back. The two companies have just acquired the rights to Howard Lindsay and Russel Crouse‘s Pulitzer Prize-winning play State of the Union, which was adapted into a movie by Frank Capra in 1948.
That picture starred Spencer Tracy as a presidential candidate backed by a newspaper magnate, played by Angela Lansbury. Katharine Hepburn portrayed Tracy’s estranged wife. While State of the Union isn’t really considered a career highlight for any of them, they still leave some big shoes for the new cast to fill. [Variety]
After the jump, things take a turn for the spooky with new Carrie and Evil Dead images.
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Why did Ron Perlman recently dress up like Hellboy? Want to see behind the scenes photos of Christopher Nolan on the set of The Dark Knight Rises? Is there a way to get your phone synced up with Man of Steel content right now? Which problem occurred during the first Dark Knight Rises press screening? How much might Scarlett Johansson make when she returns for The Avengers 2? Did The Amazing Spider-Man have a good weekend at the box office? What honor was bestowed upon Christopher Nolan this weekend? And can you purchase Todd McFarlane‘s original art for Spider-Man #1? Read about all this and more in today’s Superhero Bits. Read More »
Todd McFarlane is about to cross the two-hundred issue line with Spawn — hell of an achievement for a non-Marvel or DC book, no matter what you think of the title. That sort of longevity arguably affords him some indulgence to talk up another Spawn film. There’s obviously an audience for the book, and consequently there could be one for another film.
And, much to my surprise, as he talks about what he wants out of another movie, I find myself agreeing with him. It’s easy to dismiss Mr. McFarlane as an egocentric blowhard (I’ve certainly done it more often than not) and, while I’ve never bought into his vision of Spawn per se, I can’t deny that his description of a low-budged, constrained comic book film is more appealing than many other comic-related pitches out there. Read More »
Two years and one day ago, Peter told you about Warner Bros. intention to bring a new version of The Wizard of Oz to the big screen. The studio had licensed Todd McFarlane‘s Twisted Land of Oz action figure series, which portrays Dorothy as something of a bondage fanatic and the Tin Woodsman as the frightening man-chine at the head of this post, and set Josh Olson about writing a screenplay. At that time Olson was quoted as saying:
I want this to be Harry Potter dark, not Se7en dark.
Since then… nothing. Today, though, the story has resurfaced in a British newspaper. Does this mean that we’re on the verge of seeing this project come into the light?
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The next sentence should be considered an open letter to Todd McFarlane. Todd, please don’t ever change; your massive ego and grandiose plans never fail to entertain us. According to MTV, McFarlane has Leonardo DiCaprio in mind to head up the cast of the new Spawn film. Not as Spawn, because that would just be ridiculous, but as the guy chasing Spawn. Wait, it gets better. “It’s not a big special-effects movie,” says McFarlane, “it’s a character movie, so I could shoot it in 40-50 days and you don’t have to budget that much time.” He even refers to the potential project as a “Godfather-type movie”. Still not amused? There’s more after the jump. Read More »
It’s been a week of reboot news, and tonight is no different. Comic book artist/writer turned entrepreneur Todd McFarlane tells IESB that he’s got “five offers on the table” for a new Spawn movie, ranging from big studio to smaller scale. Todd says that he’s leaning towards the latter, which would “keep it down, keep it dark, keep it grungy”, comparing his idea to “The Departed with something moving in the shadows.”
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A couple weeks ago we told you that Warner Bros and Village Roadshow Pictures bought the rights to make a movie based on Todd McFarlane’s revisionist take on L. Frank Baum’s The Wizard of Oz will be titled “OZ”. Well, IGN spoke with McFarlane about the new movie project and it was revealed that Michael Bay was originally somehow attached to the project.
“I came up with this huge, massive Lord of the Rings epic. It actually got fairly tight and succinct.”"We actually went in there and for a while had Michael Bay going around with me pitching it,” revealed McFarlane. “We had props, visuals, toys, storyboards, postersâ€¦ I made little models of the city. I think it overwhelmed them. They said that they needed 20 minutes for a pitch and I was like, ‘I need at least an hour and fifteen. I’m going to act out this whole movie and show you the whole thing because this movie is going to cost at least $140 million to make. I don’t want you to not know what you’re buying.’”
It took a long while until one of the movie studios actually bit. And McFarlane also says that the movie will probably be a lot lighter than the original concept seen in the action figure line.
“If you’re asking someone for $140 million, they’re completely the client. So you get to this moment in life whereâ€¦ they’re not making the movie exactly that I would have made, but they’re making something. And you have to go is that something better than, even if you had the power to insist it your way, not making it,” he explained. “There are those moments where you just have to compromise a bit and go this is a collaborative effort and here’s what the studio wants. It is dark and moody, but it’s always been a PG-13 movie. You might not see that in the toys because the toys weren’t built with that PG-13 in mind. The bondage Dorothy, in my pitch, is literally an eight second scene. Just one scene of her in that.”
“There’s a lot of money on the table and they have to get what they want, but that said, we’ve seen a marked movement in films with The Grudge, The Ring and The Lord of the Rings. Those are PG-13 movies, but to me they’re right up against that R edge in terms of tonality. So you can still do dark and do PG-13. In three years, if we ever make it, whoever’s in charge at that point will have much more control than I will. I’ll be there as a producer and have my input, but I’ll just cross my fingers.”
A History of Violence screenwriter Josh Olsen is working on the script. I’m very excited about this project, I hope that the studio doesn’t soften the tone that much. I think an R-Rated version of OZ would be more appealing just in the fact that it would be completely different from the original tale. The closer you get to PG, the closer the story will probably resemble the original stories. I wish we lived in a world where it was more important to create something creative and original, and not just something that will sell to the mass audiences.Â I would have loved to see a R-Rated Michael Bay version of the Wizard of Oz. But I’m probably in the minority.
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