One of the most prestigious film festivals in North America, the Toronto Film Festival, has begun to announce its line up for 2013. The event takes place September 5-15 and as usual, the line-up includes pretty much every highly-anticipated awards contender scheduled for release through the end of the year.
Just a few examples are the Jackie Brown prequel Life of Crime, Matthew McConaughey in Dallas Buyers Club, the star-studded August: Osage County, Idris Elba in Mandela: Long Walk To Freedom, Steve McQueen’s 12 Years A Slave, the West Memphis Three film Devil’s Knot (above), Jason Reitman’s latest Labor Day, Jason Bateman’s debut Bad Words, Ron Howard’s Rush, the Wikileaks film The Fifth Estate, Mike Myers’ documentary Supermench, Matthew Weiner’s You Are Here, Hugh Jackman in Prisoners, Keanu Reeves’ Man of Tai Chi and Alfonso Cuaron’s space drama, Gravity.
And they haven’t even finished announcing everything. Below, read everything in this first wave. Read More »
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Briefly: Paul Haggis is looking to follow his thriller The Next Three Days with a drama called Third Person, and he is assembling an impressive cast for the film. Offers are out to Liam Neeson and Olivia Wilde (both of whom had small roles in The Next Three Days) and now Haggis says the production is also in talks with Mila Kunis, Casey Affleck, James Franco and Moran Atias to fill out the rest of the film’s major roles. Read More »
Briefly: Paul Haggis had been just another go-to TV writer/director until he wrote and directed 2004′s Crash, which became the most polarizing Best Picture Oscar winner in years. His work hasn’t been as able to rile people up since then. Now he’s planning a picture that, based on a brief description, calls up a few images of Crash more than anything he’s done since, but doesn’t sound likely to draw the same fire.
Mr. Haggis has been booked to write and rumored to direct the TV-to-screen version of The Equalizer, but now he says he’s been working on a script called Third Person, featuring “an ensemble drama about three couples around the globe.”
The writer/director told the LA Times that Third Person is based in the intent “to do a serious story about modern relationships set against scenic locales (New York and Rome are two of them) and to develop each character as much as possible — which is why he is keeping the plotlines to three instead of the roughly half-dozen in Crash.” Asked about the similarity between the vague plot description and films like the fluffy ensemble romance Valentine’s Day he says it is a bit like that sort of film, “but darker. Much, much darker.”
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