Let’s hope this isn’t a sign of things to come in regards to the Academy Awards for Paul Thomas Anderson‘s There Will Be Blood: Jonny Greenwood‘s feted instrumental soundtrack for the film, seen as a shoe-in for Best Original Score, has been officially disqualified. The reason? The score contains preexisting music. Red Carpet District reports that Greenwood’s score contains “35 minutes of original recordings and roughly 46 minutes of pre-existing work (including selections from the works of Arvo PÃ¤rt, as well as pieces in the public domain, such as Johannes Brahms’ “Concerto in D Major”).Â Peripheral augmentation to the score included sporadic but minimal useage (15 minutes) of the artist’s 2006 composition “Popcorn Superhet Receiver.”
While I downloaded the soundtrack and admire it, I admit that the above details regarding source material eluded me. Rules are rules; even though I’m sure some die-hard Radiohead and PTA fans can’t be talked into coming down from their anger trees right now. What’s more surprising is the supreme suddenness of the Academy’s announcement, with Greenwood learning the decision via an official letter on January 17th, and the studio, Paramount Vantage, two days later. In comparison, Paramount Vantage says they learned that the soundtrack for their Into the Wild was also ineligible (due toÂ predominant use of songs) much further in advance. And it sounds as if the studio would have appealed the TWBB decision if they had the proper time.
Right when the impossibly important category starts to attract the attention and interest of a younger demographic, poof! Maybe it’s time to reinstate the “Adaptation and Song Scores” category, which has been off the ballots since 1984?
Â Â Â Source Link: Variety /LAT
Posted on Wednesday, January 16th, 2008 by Elaine Mak
Paul Thomas Anderson’s There Will Be Blood is one of the best movies I’ve seen in a long time.Â It’s a Hitchcockish film set during the early 20th century about Daniel Plainview (Daniel Day-Lewis), a silver miner turned oil tycoon that uproots his son H.W (Dillon Freasier), and sets off for Little Boston, where he hears that oil practically seeps from the earth.Â Â Plainview begins to grow his fortune by scheming his way into cheaply buying the land from the residents of Little Boston.Â He starts by buying up the home of preacher Eli Sunday’s family, and moves on to obtain the rest of the town.Â Plainview’s wave of luck soon wanes as the film progresses, and his true character slowly surfaces.
The first thing I noticed about There Will Be Blood was the sound design.Â It’s something that many filmmakers don’t focus on anymore, but can really make a film stand out.Â There is no dialogue for the entire opening of the film, but every sound heard is meticulously placed.Â I loved the ominous feel of every scene, brought on by both the superb filmmaking, as well as the flawless acting.Â Keeping the film interesting, each character has something about them that the audience can’t quite figure out.Â The psychology of the film is unique and Anderson’s pacing and attention to detail are, as always, as perfect as perfect gets.
There Will Be Blood is an example of great American filmmaking, and will undoubtedly fit Anderson in between Orson Welles and Kubrick in film school curriculums of the future.
/Film Rating: 10 out of 10
Â It was bound to happen sooner or later…
John C. Reilly, one of Paul Thomas Anderson’s regulars (also known as the PTA players) recently told the story of how he talked himself out of being in one of the best films of the year – There Will Be Blood.
“Paul and I talked a lot about it. He wrote me a part for the movie, and I said, ‘Don’t put me in there just because you think you have to, because we’re friends. Put me in there if I’m the right guy to be in there.’ And he thought about it, and he was like, ‘You know what? You’re right. You just talked yourself out of a part.’
Reilly admits that while he is sorry for not taking the part, he’s glad for his close friend’s accomplishment.
“I was really glad. That movie just seems so seamless. It just seems like he discovered this real place.”
Now the question is, what part would Reilly have played if he had accepted the role?
Want some Holiday reading? The screenplay for Paul Thomas Anderson’s There Will Be Blood is finally online at Paramount Vantage’s For Your Consideration page.
Paul Thomas Anderson and Daniel Day-Lewis did an extensive 56-minute interview with Charlie Rose about There Will Be Blood. Watch it below.
One of the best movies of the year is, without a doubt, Paul Thomas Anderson’s There Will Be Blood. No question – this film is a modern cinematic masterpiece.
Blood hits theaters in New York City and Los Angeles on December 26th, and will expand during January. Not willing to wait that long? Paul Thomas Anderson has a special Christmas Gift for film fanatics around the country. Watch this video he cut together for fans:
[flv:http://media2.slashfilm.com/slashfilm/trailers/therewillbeblood-sneak.flv 420 256]
That’s right, There Will Be Blood will have special Midnight sneak preview screenings on Saturday December 29th in 14 select cities.
Boston, MA – AMC Loews Boston Common 19
Chicago, IL – AMC River East 21
Minneapolis, MN – Lagoon Cinema
San Diego, CA
Tickets are already on sale in some of the cities listed above. Buy soon, get there early, because … THERE WILL BE BLOOD!
Paramount Vantage has provided us with video interviews with the stars of one of the best films of 2007 – Paul Thomas Anderson’s There Will Be Blood. Watch below as Daniel Day Lewis and Paul Dano talk about this new film classic. It’s amazing how much different Daniel is from the characters he creates.
[flv:http://media2.slashfilm.com/slashfilm/trailers/bloodlewis.flv 470 264]
[flv:http://media2.slashfilm.com/slashfilm/trailers/blooddano.flv 470 264]
There Will Be Blood hits theaters beginning December 26th.
Cool Posts From Around the Web:
On Saturday, the American Film Institute picked its Top Ten American Films of 2007. The list is available below in alphabetical order:
- Before the Devil Knows You’re Dead
- The Diving Bell and the Butterfly
- Into the Wild
- Knocked Up
- Michael Clayton
- No Country for Old Men
- The Savages
- There Will Be Blood
I tend to agree with this list more than I agreed with the Golden Globe nominations. I’m not sure if “Before the Devil Knows You’re Dead” deserves to be up there, and while The Savages is a great movie, I’m not sure if it deserves to be in the top 10.
Fox Searchlight’s Once would have been my choice. errr I forgot the AFI list only includes American films. I’m glad to see that AFI included my favorite comedies of the year: Juno and Knocked Up. And why has everyone forgotten about David Fincher’s Zodiac?
Here are AFI’s Top 10 lists from the last six years:
- 2006: Babel, Borat, The Devil Wears Prada, Dreamgirls, Half Nelson, Happy Feet, Inside Man, Letters From Iwo Jima, Little Miss Sunshine, United 93.
- 2005: Brokeback Mountain, Capote, Crash, The 40-Year-Old Virgin, Good Night And Good Luck, A History of Violence, King Kong, Munich, The Squid and the Whale, Syriana.
- 2004: The Aviator, Collateral, Eternal Sunshine of the Spotless Mind, Friday Night Lights, The Incredibles, Kinsey, Maria Full of Grace, Million Dollar Baby, Sideways, Spider-Man 2
- 2003: American Splendor, Finding Nemo, The Human Stain, In America, The Last Samurai, The Lord of the Rings: The Return of the King, Lost in Translation, Master and Commander, Monster, Mystic River
- 2002: About a Boy, About Schmidt, Adaptation, Antwone Fisher, Chicago, Frida, Gangs of New York, The Hours, The Lord of the Rings: The Two Towers, The Quiet American
- 2001: A Beautiful Mind, Black Hawk Down, In The Bedroom, The Lord of the Rings: The Fellowship of the Ring, The Man Who Wasn’t There, Memento, Monster’s Ball, Moulin Rouge, Muholland Drive, Shrek
- 2000: Almost Famous, Before Night Falls, Best In Show, Erin Brockovich, Gladiator, High Fidelity, Requiem For A Dream, Traffic, Wonder Boys, You Can Count on Me.
What is the best movie soundtrack of the year? It’s a tie between Jason Reitman’s Juno which features some really cool indie folk rock from Kimya Dawson, and Paul Thomas Anderson’s There Will Be Blood, which features an experimental original score by Radiohead’s Jonny Greenwood. I highly recommend both.
Juno is available now digitally through iTunes, and will be released in stores on January 15th 2008. You can preorder it on Amazon. The soundtrack features:
1. All I Want Is You, Barry Louis Polisar
2. Rollercoaster (instrumental), Kimya Dawson
3. A Well Respected Man, The Kinks
4. Dearest, Buddy Holly
5. Up The Spout, Mateo Messina
6. Tire Swing, Kimya Dawson
7. Piazza, New York Catcher, Belle & Sebastian
8. Loose Lips, Kimya Dawson
9. Superstar, Sonic Youth
10. Sleep (instrumental), Kimya Dawson
11. Expectations, Belle & Sebastian
12. All The Young Dudes, Mott The Hoople
13. So Nice So Smart, Kimya Dawson
14. Sea of Love, Cat Power
15. Tree Hugger, Antsy Pants
16. I’m Sticking With You, Velvet Underground
17. Anyone Else but You, The Moldy Peaches
18. Vampire, Antsy Pants
19. Anyone Else but You, Juno and Bleeker
There Will Be Blood Soundtrack will hit store shelves on December 18, 2007. You can preorder the soundtrack on Amazon. Listen to a few of Jonny Greenwood’s tracks online. Here is the tracklisting:
1. Open Spaces (4:00)
2. Future Markets (2:44)
3. Prospectors Arrive (4:40)
4. Eat Him By His Own Light (3:36)
5. Henry Plainview (4:14)
6. There Will Be Blood (2:08)
7. Oil (3:04)
8. Proven Lands (4:49)
9. HW / Hope of New Fields (2:29)
10. Smear (9:58)
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