Who doesn’t love a good video essay, especially when it’s timely and eye-opening? Enter Tony Zhou, who ade an 8-minute video called “Edgar Wright – How To Do Visual Comedy.” The thesis here is basically that most mainstream comedy is directed in a very lazy way. There are close-ups of people talking, recognizable landmarks, pop music playing, and other such staple elements. For his own films, on the other hand, Wright comes up with fun, innovative ways to portray scenes other movies would do simply. This energy and pizazz naturally creatures humor in the filmmaking, instead of just relying on a screenplay.
This thesis is especially interesting considering the rumors of Wright’s departure from Ant-Man over creative differences. Did Marvel and Disney not trust Wright would make Ant-Man everything they wanted it to be? Check out the video Edgar Wright comedy below. Read More »
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Edgar Wright‘s The World End opened in August 2013. Rewind two years before that to the time when the film was early in development, and he and co-writer Simon Pegg basically had the whole thing figured out. Pegg took to Twitter to post an awesome close-up of his and Wright’s rough, very early outline from August 2011. That’s a small version above, the close-up is below. Read More »
Posted on Wednesday, January 29th, 2014 by David Chen
The first time I saw Edgar Wright’s Shaun of the Dead, I was blown away by the close-ups. They seemed to bombard me at every turn in the film, their rapid-fire nature grabbing me by the metaphorical collar and pulling me face first into the next scene. Wright went on to make several more films which make ingenious use of the close-up, and I became so intrigued by these shots. What was Wright’s purpose for them in each film? Why did he seem to employ them so copiously? How did he fit them into his shooting schedule?
Edgar Wright generously agreed to chat with me at length on this topic. I edited our conversation into a video essay exploring the art of close-ups. Check it out after the jump and be sure to pick up Edgar’s The World’s End on Blu-Ray when you get the chance.
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Posted on Tuesday, January 7th, 2014 by Angie Han
No year in cinema ever shapes up exactly the way we’d expect. In fact, it’d be boring if one did. Still, when faced with the promise of a whole new year of movies, I can’t help try and predict which ones I’ll love or hate. I put my best guesses in list form last year, and I did it again this year.
Now, in the spirit of journalistic integrity (or, less charitably, critical solipsism), it’s time for me to look back at my most anticipated films of 2013 and see just how reality measured up to expectation. Hit the jump to see how great or terrible I was at guessing what’d be my favorite films of 2013.
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As the new year begins, it’s nice to have films to look forward to. Which is why we write lists of our own, personal, most anticipated films. Even more so than a top 10 list, anticipated lists showcase a writer’s personality. In an ideal world, these 10 movies would be 10 of our favorites when the year is over. More often than not though, the films we’re excited about are not the best we see. Most of the time, there are some really bad calls. Occasionally there are some really good calls. Which is why I like to own up to my list from the previous year and critique myself.
How right, or wrong, was I about my most anticipated films of 2013? Find out below. Read More »
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Posted on Monday, December 30th, 2013 by Angie Han
Thanksgiving was over a month ago, but now seems as good a time as any to thank the cinema gods for the fantastic films we got in 2013. With the usual caveats that this is more of a personal “favorites” list than an objective “best of” list, and that there are plenty of great films that weren’t included for the simple and shameful reason that I never got around to seeing them, here are the movies that made me laugh, howl, jump, and/or weep over the last twelve months.
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The three films and one TV show from Edgar Wright, Simon Pegg, and Nick Frost are notable for their entertaining engagement of well-known genre ideas, and for the way that they subvert some of the typical uses of those ideas to examine friendship and personal growth.
But, let’s face it, the films resonate with audiences at first blush in large part because Pegg and Frost and the rest of the casts of each project clearly have a great time working together. Here’s a set of outtakes from The World’s End that puts you in some of the more lighthearted moments on the set of Wright’s conclusion to the “Three Flavors Cornetto Trilogy.” Read More »
Posted on Thursday, August 29th, 2013 by Angie Han
How can you get “The Ultimate Insidious Experience”? Find out after the jump. Also:
- Daniel Craig wants more “irony” in Bond 24
- How did Shaun of the Dead inspire The World’s End?
- The Scorpion King 4 is a thing that is happening
- The new Transformers 4 logo has claw marks
- Toys R Us is ready for the influx of Dinobots toys
- Vin Diesel flirts and fights in new clips from Riddick
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In part one of my interview with Edgar Wright, Simon Pegg and Nick Frost, we talked about how The World’s End began. In part two, we’re going to talk about how it ends.
Hopefully, lots of you caught part three of the Three Flavors Cornetto Trilogy this past weekend. If you did, you might have walked out of the theater exhilarated, but filled with questions about some huge decisions the filmmakers made in the film’s final moments.
Well now, you can read – in their own words – why they made the decisions they did, how it all came about and what it means to them. Suffice to say, if you haven’t seen The World’s End, click “Bookmark” at the top of your browser and come back because there are major spoilers coming. If you have seen the film, let’s boo boo. Read More »