Posted on Friday, June 1st, 2012 by Angie Han
Among today’s TV-related odds and ends:
- See photos of the Mockingbird Lane set under construction
- AMC announces a Walking Dead marathon, releases new still
- Everyone’s favorite show, The Wire, gets an oral history
- Thomas Jane joins Frank Darabont‘s L.A. Noir on TNT
- Tina Majorino boards HBO’s True Blood for Season 5
- Will Dexter Season 7 pick up where Season 6 left off?
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Fans of The Wire jump at the chance to wax poetic about what some consider television’s all-time best show and this post is no different. A video has come online detailing the visual style of David Simon‘s landmark HBO drama which, if you’re familiar with the show, is kind of surprising. Ask anyone what they love about The Wire and “visual style” probably won’t make the top ten. The style, if it can even be called that at times, is largely clinical and straightforward, a crutch for the pitch perfect dialogue, characters and story. Or so we’re lead to believe.
In this 30 minute video essay, Erlend Lavik hypothesizes the visual style of The Wire is much more significant and impressive than generally considered. Check it out below. Read More »
For my money, The Wire is the best show to ever grace a television screen. I’ve watched I Love Lucy, The Honeymooners, Seinfeld, M*A*S*H, The Sopranos, and I still think the The Wire towers above them all. For five amazing seasons, series creator David Simon created an intense, detailed and eye-opening cross-section of Baltimore’s beating heart by focusing on law enforcement, the drug trade, politics, education, shipping and the press. Praise for the show is almost universal, save for the Emmy voters who never gave The Wire a single award. And though it ended in 2008, fans still dream about the unlikely possibility of the show returning.
Among those fans is Attorney General Eric Holder who, last week, demanded that Simon and co-creator Ed Burns make another season. Or at least a movie. Friday, Simon responded to Holder with a simple request. He’ll do it, but first the Department of Justice must “reconsider and address its continuing prosecution of our misguided, destructive and dehumanising drug prohibition.” Point, Simon. Read the full quotes after the break. Read More »
Posted on Tuesday, April 26th, 2011 by Angie Han
If you’ve been paying attention to /Film, you’re probably already aware that we heart artist Tim Doyle — we’re huge fans of his distinctive style, as well as his obvious love of cinema. Most recently, we showcased a series of Quentin Tarantino-inspired pieces that were displayed earlier this month at the Bold Hype Gallery in New York City. Now, Doyle’s taking on Stanley Kubrick and HBO’s The Wire in some new posters — check them out after the jump.
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The key to great analysis is often imagination. That’s what sets apart “When It’s Not Your Turn”: The Quintessentially Victorian Vision of Ogden’s “The Wire,” an article which purports to be an examination of the great literary text The Wire, if it had been published as a serialized Victorian novel. The article acts as if The Wire was written by Horatio Bucklesby Ogden, a contemporary of Charles Dickens, and goes on to examine the content in an appropriate manner. There are even reproduced pages of text and era-appropriate illustrations by Joy Delyria.
This isn’t a parody of the show, but a way of looking at it that requires a small leap of imagination. It’s pretty great stuff, and we’ve got a bit more info after the break. Read More »
A simple — yet very effective — teaser for David Simon’s (The Wire, Generation Kill) new HBO series Treme has just popped online. Even at a mere fourty-seven seconds, it’s already giving me goosebumps. Hunter has covered some statements from Simon about the series last month. Here’s a primer: Treme is about a group of musicians and other folks living in the Treme neighborhood of post-Katrina New Orleans. The Wire’s Wendell Pierce, a New Orleans native, will play an accomplished jazz trombonist, and Clark Peters will portray the leader of a Mardi Gras Indian tribe. The rest of the cast includes Steve Zahn, John Goodman, and Melissa Leo.
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There is little doubt in the minds of many critics and cultured viewers that any single season of The Wire would be perched near or atop the best films of the decade if it qualified. In a new eight-page interview with Vice, the writer and creator behind all five seasons of the HBO series, David Simon, offers characteristically solid, amusing no-bullshit insight into how The Wire was created.
Even post-finale, any casual conversation about The Wire is akin to slitting open the belly of a five-headed Jaws, and Simon dives in afresh. The series’ overarching theme, he says, is that, “Human beings—in [America] in particular—are worth less and less.” He also extends on why Charles Dickens “punked out” and why seasons weren’t set aside to tackle immigration and health care. What’s the main thematic difference between The Wire and his new, New Orleans set HBO series, Treme? Simon’s impassioned explanation, after the jump…
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Cool Posts From Around the Web:
If you’ve listened to the /Filmcast, then you’ve probably heard Adam, Devindra or David rave on and on about the television series The Wire. Last month we posted a video containing “the 100 greatest quotes from The Wire.” But it turns out the series has so many great quotes that a sequel was created — hh2edits has put together another compilation montage containing “the other 100 greatest quotes” from all five seasons of the series. I must warn you, this obviously contains spoilers… so if you haven’t completed the series, you might not want to watch the video embedded after the jump.
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