It can’t be easy watching a movie about your life. Some people get extremely agitated when pivotal parts of their favorite book aren’t in the film adaptation, so imagine what’d be like for those people seeing an unfaithful or highly dramatized version of their own life shown on the big screen. The movie, especially if it’s popular, is going to be associated with their image forever. Not all audience members leave a theater saying, “I bet that one scene was dramatized for storytelling purposes,” so, if the portrait of its subject is unflattering or inaccurate, that can’t feel great for the subject.
Many folks featured in bio movies have felt left the theater not feeling so hot on how they’ve been depicted, while others have been pleased with the results. Learn about a few biopic reactions from the subjects after the jump.
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I’ve rarely felt this annoyed in a movie theater. Next to me, during a screening of Steve Jobs, an elderly couple loudly whispers comments to each other every few minutes. With each line of dialogue they distract me from basking in, the more frustrated I grow. I’m afraid to ask them to keep quiet — not because I care how they’ll react, but out of fear of missing another line from the movie.
Aaron Sorkin writes anti-bathroom break movies. You don’t want to miss a scene or a line of his, especially in the case of his latest piece of work, the breathless, unrelentingly paced, and intricately structured Steve Jobs. By now, such an exciting piece of drama seems like a foregone conclusion from one of Hollywood’s most prolific, acclaimed, and all-around successful screenwriters. But past and present interviews with him have revealed not only how he pulls off these feats of genius, but how to start if you’re trying to create your own.
After the jump, learn writing tips from Steve Jobs screenwriter Aaron Sorkin.
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Hey there! We haven’t been properly introduced. I’m Ethan Anderton. Back in May, I joined the /Film crew as the Weekend Editor, and while some of you have gotten to know me and my film tastes over the past few months, I never got a chance to truly arrive here at the site like our new writers Jack Giroux and Jacob Hall.
Therefore, I figured I’d follow suit by delivering my own favorite films of all time. These are the movies that have stuck with me over the years, some more recently than others, and have defined and changed my life in a variety of ways. Read More »
Just recently we featured a quick little edit of some footage from the Batman v. Superman: Dawn of Justice trailer where Bruce Wayne witnesses the final battle from the end of Man of Steel. But now the DC Comics superhero match-up gets a whole new face…literally.
YouTube user and TV writer David Elmaleh has created a mash-up of Batman v. Superman and The Social Network, which features the DC Comics cinematic universe’s new Lex Luthor (Jesse Eisenberg) in the lead role. The battle for Facebook between Mark Zuckerberg and The Winklevoss twins has never been so epic, and the David Fincher movie looks like a true battle for the ages.
Watch the Batman v Superman Social Network trailer mash-up after the jump! Read More »
Posted on Friday, November 7th, 2014 by Angie Han
Way back when The Social Network was about to come out, there was all this talk about how Mark Zuckerberg was pissed off about it and never planned to see it. But he did, and he’s spoken out a few times about how inaccurate it was. Now he’s gotten even more in-depth with his thoughts, frankly admitting that he found the whole thing “kind of hurtful.”
Read the reaction from Mark Zuckerberg on The Social Network after the jump.
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David Fincher began his directorial career making music videos for some of the biggest talents in pop music. Beginning with Alien³ in 1992, his work in features has combined a drive for technical achievement off-screen with a consistently recognizable interest in detail-oriented obsession on-screen. He is a consummate craftsman, but one with an uncanny ability to lay his finger right on the cultural pulse. Together, those talents result in films which have gone beyond reflecting cultural attitudes, to defining them.
With the release of his latest film, Gone Girl, we’ve taken the opportunity to revisit the director’s narrative works on film. (And, briefly, in television.) Below is a list of the films of David Fincher ranked by achievement. It’s a highly subjective effort, we realize. Where does Gone Girl fit in alongside Fight Club, Se7en, The Social Network, and Zodiac? What stands out as the best film in his career to date, and what virtues can we find even in his least successful efforts? As you’d expect with Fincher, the answer to that last question is a lot more detailed than it would be for many other filmmakers. Compare our list with your own after reading further.
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Daniel Silva has edited a 17-minute tribute to filmmaker David Fincher, artfully splicing together the director’s nine feature films including Se7en, The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network and The Girl with the Dragon Tattoo. This video tribute does not include Fincher’s Alien 3 (because, you know why), his 1985 documentary The Beat of the Live Drum (probably because it isnt a narrative feature film) or his upcoming film Gone Girl. The edit is not just a music video like most of the tribute videos you see these days, including lengthy bits of scenes. That said, the short does include “Closer” by Nine Inch Nails and “Oraculum” by Trent Reznor & Atticus Ross. Watch Daniel Silva’s The Films of David Fincher now embedded after the jump.
Think about Facebook, iPods, iTunes — all things you might use every single day. They all have seeds in the “little program that could,” called Napster. Co-created by Shawn Fanning and Sean Parker in the late 1990s, the file-sharing service/social network was not only ahead of its time technologically and socially, it completely changed how the public consumes media. If it wasn’t for Fanning and Parker, who knows how long it would have taken for corporations to allow you to download music on your computer or rent one of their movies without leaving your house.
All this is at the center of Downloaded, a brand-new documentary by Alex Winter. Winter (seen above with Fanning and Parker) is best known as an actor (Lost Boys, Bill and Ted) but has been directing for some time. With Downloaded, he tackles a massive topic with authority and energy, telling the story of Napster from its earliest moments through its culture peak and long term fallout. It world premieres this week at South by Southwest in Austin and will be released by VH1 Rock Docs. After that, you’ll be able to see it on demand and online.
We spoke to Winter about Downloaded and found out it was a project he’d been developing for long time before it evolved into its current state. He talked about trying to focus such a huge topic, culling together a huge wealth of media and, of course, The Lost Boys and Bill and Ted 3. Read the interview below. Read More »
As part of the screening put together in relation to the SXSW Title Design Competition, Ian Albinson from the website The Art of the Title Sequence put together a nice two and a half minute compendium of excellent film titles. (That features an occasional piece of television, too.) For any long-time film lover, this little video will probably elicit quite a few responses simply on the strength of the title cards on display. I queued several films to re-watch after exposure to just a few seconds of their titles.
Check out the collection after the jump. Read More »