These days, animation isn’t as defined by age as it once was. Once upon a time, a Disney movie was only thought to be for kids. But recently, Pixar has tackled mature themes, the humor of South Park has become a cultural institution, Star Wars is an animated TV series, comic book characters have cartoons and thanks to genres like anime, R-rated animation isn’t an oxymoron.
Enter Justin White, an up and coming artist made popular through sites like Threadless. He’s decided to take that thought one step further and turn some of your favorite live action movies and TV shows in to animation. His first solo show is called Rated G and opens at Gallery 1988 Melrose, in Los Angeles on Friday. We’re proud to exclusively the entire show.
White’s familiar yet flithy animated style has reimagined scenes from 30 films and shows never meant for animation. Films like Fight Club, Fargo, Casablanca, The Breakfast Club, Oldboy, Kindergarden Cop, Alien, Reservoir Dogs, There Will Be Blood and a whole lot more have been reimagined as high quality animation cels. He even tackled TV shows like Community, The Office, Breaking Bad and more.
After the jump check out all 30 images from the show and find out when and how you can grab them. Read More »
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Posted on Monday, October 29th, 2012 by Angie Han
The horror genre is obviously great for instilling lifelong phobias in little kids or giving your date an excuse to snuggle in closer during the scary bits. But did you know that all that terror can also do wonders for your waistline? So claims one recent study, which found that 90 minutes of a scary movie could burn as many calories as a half-hour walk.
I can’t promise you that the research is scientifically sound and peer reviewed and all that stuff, so you should take the results with a grain of salt. As far as excuses to go to skip the gym and catch up on American Horror Story instead, though, you could do way worse. Hit the jump to read more and find out exactly which titles offer the best non-workouts.
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Here’s a good bit of trivia appropriate for Halloween: as some people may know, Stanley Kubrick did not create the photo seen at the very end of The Shining. Given the general attention to detail lavished by the director upon his projects, one would assume that the photo was crafted expressly for the film. But the photo was, for the most part, actually a picture from 1923, with Jack Nicholson‘s head added.
A page of a photo retouching book published in 1985 now reveals the original image, before Nicholson was comped in, and on the left side of the image above you can see the original, unknown man who became the stand-in for Nicholson’s afterlife image. Read More »
Posted on Tuesday, September 18th, 2012 by Angie Han
None of these updates are all that major, but there are a lot of them so let’s get right to it. After the jump:
- Channing Tatum won’t direct Magic Mike 2 just yet
- Stephen King‘s The Shining (book) sequel gets dated
- Jude Law is totally up for more Sherlock Holmes
- Karen Allen reiterates Indy 5 is up to George Lucas
- Seth MacFarlane is “thinking about” a sequel to Ted
- Men in Black 3 and the trilogy hit Blu-ray / DVD this fall
- Rosario Dawson says Sin City 2 will shoot in November
- Super Troopers 2 hits legal trouble; Pot Quest still simmering
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I haven’t been to every film festival in the world, but I can’t imagine many being more fun than Fantastic Fest. For one week in Austin, TX the coolest genre films in the world screen along with some of the sickest, most inventive parties all for a passionate, excited audience. The 2012 edition takes place September 20-27 and while we knew Frankenweenie was going to open the fest, now we have the “first wave” of films.
Some of the obvious standouts are: Lionsgate’s awesome action film Dredd 3D; the amazing documentary Room 237 (playing along with The Shining, which is perfect); and Quentin Dupieux’s latest, hilarious film, Wrong. After the jump, read about all the films in the first wave, which also include movies about a sniper attacking a building, a woman resurrecting her dead husband, and killer sushi monsters. Read More »
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At this point there’s nothing that anyone can do to The Shining on screen that Stephen King hasn’t already done himself. (See the TV series adaptation of his novel, scripted by King, which leaves out few of the novel’s details, and misses most of Stanley Kubrick’s chilling effect.)
So the idea of a prequel is just one of those shrugs, an idea that seems terrible at first, but which experience suggests will very likely be forgotten a few minutes after it is released. Nevertheless, Warner Bros. has been talking to a producing trio about coming up with a story to explain some of what happened before Kubrick’s movie. Read More »
Posted on Friday, February 24th, 2012 by Angie Han
Happy Friday! Today’s Sequel Bits involves three comedies of varying degrees of hilarity, plus a spooky-sounding book. After the jump:
- David Wain can’t guarantee a sequel to Wet Hot American Summer 2, but he’s working on it
- Ed Helms doesn’t really know when The Hangover Part III will get going
- Shawn Levy could “very possibly” be directing Night at the Museum 3
- Stephen King reads the first chapter of Dr. Sleep, a sequel to The Shining
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For film fans, one of the most enticing films coming out of the 2012 Sundance Film Festival was Room 237, an experimental documentary directed by Rodney Ascher which explores wild theories buried deep in Stanley Kubrick‘s masterpiece The Shining. It made my best of the fest but there were doubts fans would ever get to see it because of all the licensed footage in the film.
Apparently, that’s not an issue as IFC Films has acquired the awesome film and will release it theatrically and on VOD later this year. Read more after the jump. Read More »
If Stanley Kubrick were still alive, Room 237 would make him extremely happy. Directed by Rodney Ascher, the experimental documentary gives the legendary filmmaker a ton of credit, maybe too much at times, as it explores several wild, and not so wild, theories about his 1980 horror masterpiece The Shining.
Some theories, such as the suggestion that the film is a metaphor for the murder of Native Americans, are almost plausible. Others, like that insinuation that Kubrick made the film to clue everyone in that he faked the footage of the Moon landing, are much less believable. But no matter the case, Ascher’s film is a fascinating, funny and incredibly well made ode to a film that’s obviously way more dense than most of us give it credit for. The documentary is an absolute must-see.
Room 237 played as part of the New Frontier category of the 2012 Sundance Film Festival and, after the jump, you can check on the poster and read more about it. Read More »