The best movie posters transport us into their world. In a single image, they sum up the characters, settings and emotions of a two hour movie. Most posters do this pretty easily, with a crucial image or actor from the movie, but others take the long way. For example, by literally mapping out the entire path of every character in a movie in one image.
Philadelphia based artist Andrew DeGraff does exactly that. He watches a movie, hand draws and paints all the locations, then guides each character via a specifically colored line, from location to location. At the end, you’re left with a stunningly detailed representation of an entire movie. Andrew DeGraff maps the movies.
In the past, DeGraff has done this with the Star Wars trilogy, the Indiana Jones trilogy and more. Saturday March 29, he’ll open his second solo show at Gallery 1988 in Los Angeles called Cartography. This time, he’s mapped out films such as the Lord of the Rings trilogy, The Princess Bride, The Breakfast Club, Alien, The Shining, and Star Trek II: The Wrath of Khan. Below, see a few of the images from the show and read more about DeGraff’s process.
UPDATE: We’ve added an exclusive reveal of Back to the Future and a hi-res version of Lord of the Rings. Read More »
Posted on Thursday, September 19th, 2013 by Angie Han
Thirty-three years after its release, The Shining is regarded by most cinephiles and horror junkies as one of the all-time highlights of the genre. But there are a still a few who don’t agree with that assessment, and one of them is a guy who knows the story better than anyone.
In a recent interview, Stephen King, who wrote the original source material, stated that he regards Stanley Kubrick‘s film as “cold.” In addition, he takes particular issue with the portrayal of Shelley Duvall‘s character Wendy Torrance, whom he believes to be “”one of the most misogynistic characters ever put on film.” Strong words, those. Hit the jump to read his comments.
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Posted on Monday, June 24th, 2013 by Angie Han
Feast your eyes on posters for Riddick, Planes, and Percy Jackson: Sea of Monsters in today’s Sequel Bits. Also after the jump:
- Brad Pitt thinks a World War Z sequel has potential
- Jerry Bruckheimer talks Pirates 5 and Top Gun 2
- Don’t believe those Transformers 4 title rumors, says Michael Bay
- Jason Statham is “really excited” about Fast & Furious 7
- Stephen King is too scared to write an It sequel
- … but you can see the book trailer for The Shining sequel now
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The Shining has had quite the resurgence in the past few months. Rodney Ascher’s Room 237 is certainly one factor. Another, bigger motivator is Stephen King himself, who is currently working on a Shining sequel novel called Doctor Sleep. Warner Bros., which owns the rights to the Stanley Kubrick film, surely sees this as a perfect time to dust off last year’s idea for a prequel to the Kubrick film, giving it a title and going out to a big time writer.
The proposed prequel is called The Overlook Hotel, and Glen Mazzara, who was the showrunner on The Walking Dead for the last two years, is in talks to write it. Read More »
There’s no denying that Stanley Kubrick’s The Shining is a film begging for discussion. A story that seems straightforward on the surface is littered with curious scenes and subliminal suggestions, and wraps up with a final shot that is curiously awesome. Even knowing that, though, you may have no idea how deep the discussions about The Shining can possibly go.
Rodney Ascher‘s brilliant documentary, Room 237, does a fantastic job delving into some of the most fascinating, crazy, and perhaps even true interpretations of the 1980 film. It entertains theories about the relationship of The Shining to Native Americans, the moon landing, super imposition, and oedipal readings. Since premiering at Sundance in 2012, the film has been riding a wave of good buzz and controversy on its way to release on VOD today.
We spoke to the Ascher about that controversy. In addition, our conversation with the director touched on the method of piecing together a the film entirely composted of archival footage, backlash from the Kubrick or Stephen King camps, whether he could do a sequel and much more. Read More »
Have you ever flipped your TV to a movie and been delighted it was one of those presentations with facts that pop up on the screen? If so, you might want to know about a new site just launched that provides that sort of presentation all the time.
The site is called Yeah! and is run by AMC Networks, which own AMC, IFC, Sundance Channel, WE tv and IFC Films. Basically, the site allows you to stream movies like Scream, Reservoir Dogs, 300, The Terminator, Clerks, A Nightmare on Elm Street, Pulp Fiction, and This is Spinal Tap. Along with each film are 400-500 pieces of new, original context and facts that appear on the screen during the film. Check out a video and read more below. Read More »
One of the better movie posters ever made is the Saul Bass design for Stanley Kubrick‘s The Shining. The eye-catching yellow sheet with a horrified, pixelated face was one of the strangest things I’d seen in my young life when I first encountered it in a theater before The Shining opened. It remains a landmark of simple, effective design.
So it makes sense that the doc Room 237, from first-timer Rodney Ascher, would get a poster that ehoes the Bass design. Room 237 features five theories that explore what Kubrick really meant to say in his Stephen King adaptation. The first US teaser for the film referenced a teaser for Kubrick’s movie, and now the poster design follows suit. Check it out below, side by side with the Bass original. Read More »
Kevin Tong‘s Sights Unseen art exhibit is like when Carrie goes nuts on Homeland and puts up a huge bulletin board of work. It’s overwhelming and blinding, but totally genius. Tong, one of the most well-respected and talented screenprint artists working today, has created an exhibit not just for movie fans. It’s for everyone.
Comprised of over 200 drawings from the entire course of Tong’s career, the exhibit hits like a ton of bricks. It’s difficult to believe he’s assembled this much work in one space. As you begin to explore the nooks and crannies of the gallery, you’ll find beautiful movie pieces, music pieces and more general art pieces that Tong created on the way to larger, more commercial work. It’s one of those exhibits fans will have to explore again and again because they’ll find something new and exciting every single time through.
Tong has done movie posters for Mondo, Gallery 1988, Spoke Art, worked for bands like Phish, The Black Keys, Bon Iver and many more. But all of it started with these drawings and seeing them as a whole is not only to see the arc of an artist’s career, it spotlights an evolving style and ideas that are radically out of the box.
Sights Unseen is currently on display at the Phone Booth Gallery in Long Beach, CA through April 3. Below, we’ve captured just a few of the movie and pop culture related pieces. Read More »
Cool Posts From Around the Web:
An audience favorite film at Sundance and Fantastic Fest 2012 was Room 237, the documentary from Rodney Ascher that attempts to detail and unpack the various secrets of Stanley Kubrick‘s The Shining. What messages did he code into the movie? (If any?) Is The Shining just a great horror movie, or does it really feature a hidden conversation about the genocide of Native Americans? That notion is just one of the theories in Room 237.
IFC picked up the film and will release it later this year as part of its IFC Midnight label. The first US trailer is out (the one we posted last year has been pulled) and it is an appropriately simple thing. It won’t take you long to figure out where this one is going, especially if you’re familiar with the teaser for The Shining, but that doesn’t make the payoff any less entertaining when it happens. Read More »
These days, animation isn’t as defined by age as it once was. Once upon a time, a Disney movie was only thought to be for kids. But recently, Pixar has tackled mature themes, the humor of South Park has become a cultural institution, Star Wars is an animated TV series, comic book characters have cartoons and thanks to genres like anime, R-rated animation isn’t an oxymoron.
Enter Justin White, an up and coming artist made popular through sites like Threadless. He’s decided to take that thought one step further and turn some of your favorite live action movies and TV shows in to animation. His first solo show is called Rated G and opens at Gallery 1988 Melrose, in Los Angeles on Friday. We’re proud to exclusively the entire show.
White’s familiar yet flithy animated style has reimagined scenes from 30 films and shows never meant for animation. Films like Fight Club, Fargo, Casablanca, The Breakfast Club, Oldboy, Kindergarden Cop, Alien, Reservoir Dogs, There Will Be Blood and a whole lot more have been reimagined as high quality animation cels. He even tackled TV shows like Community, The Office, Breaking Bad and more.
After the jump check out all 30 images from the show and find out when and how you can grab them. Read More »