Marvel Phase 3 Kevin Feige

Today in Hollywood Disney held a Marvel Event to announce their plans for phase 3 of the Marvel Cinematic Universe. I was in attendance at the El Capitan Theatre on Hollywood Blvd for the announcements, which have already been covered elsewhere on the site.

After the event was over and the fans in attendance were escorted out of the theatre, Marvel Studios head Kevin Feige gave a 20 minute question and answer session answering all of the press’ questions about the newly revealed Marvel Phase 3 slate and even some answers that extend beyond that (phase 4, 5…etc). I was able to record the entire question and answer session on video using my IPhone, and have uploaded the entire thing for you to watch. So hit the jump now to watch Kevin Feige answer all your questions about Marvel Phase 3 and beyond.
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This story and podcast was published on May 17th 2012, just after the release of Joss Whedon’s The Avengers. I thought it would be fun to take a look back at our predictions from 27 months ago to see how things are panning out for phase two and three of the Marvel Cinematic Universe. Some of the predictions seem obvious in hindsight, like Germain predicting that Thanos wouldn’t be the villain of Avengers 2 and Jeff foreseeing that Thanos’ appearance during the Avengers end credits stinger was probably a set-up for another film, Guardians of the Galaxy. But one must remember this was recorded before a Guardians of the Galaxy movie was even announced, which happened months later at 2012 San Diego Comic-Con. Enjoy!

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Jonathan Levine, the director of The Wackness, All The Boys Love Mandy Lane and the upcoming dramedy Live With It, has submitted his list of the top 10 movies of 2010. Levine’s list is the most unique I’ve seen from a filmmaker this year, including a few selections I haven’t seen on any filmmaker or critic top ten list this year. Read the list after the jump.

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This Week in DVD & Blu-ray is a column that compiles all the latest info regarding new DVD and Blu-ray releases, sales, and exclusive deals from stores including Target, Best Buy and Fry’s.

Buy It

MOTHER
At a certain point, after watching so many movies for so long, you sometimes forget that films can still surprise you. I had no idea what to expect when Mother started, and every time I thought I was starting to figure it out, the film took me to new and disturbing places I could have never anticipated. As with Bong Joon-ho’s Memories of Murder, the film has an oft-used murder mystery police procedural format, but through its unconventional protagonist and off-kilter tone it finds new life in a tired formula. Unlike most murder mysteries, it finds just the right emotional and thematic satisfaction in both of its plot threads: the present mother-son story that’s the basis for the movie, and the past mother-daughter story being investigated. Joon-ho’s ability to balance this bleak, solemn material with these raw moments of physical comedy is unmatched—perhaps because no other filmmaker would even think to try. What limits should one assume for a movie in which characters are at risk of being kicked in the face at any moment? Hardly any, it would seem; Mother is only limited by its need to tell a great story.
Available on Blu-ray? Yes.
Notable Extras: Blu-ray – Making-of featurettes (“Music Score”, “Supporting Actors”, “Cinematography”, “Production Design”, “A Look at Actress Kim Hye-ja”, “Behind the Scenes”).

BEST DVD PRICE
Target Best Buy Fry’s
$21.29 $24.99 N/A
Amazon – $21.49
BEST BLU-RAY PRICE
Target Best Buy Fry’s
$22.89 $24.99 N/A
Amazon – $26.49

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Video Blog: The Future of Marvel Movies

marvel film logo

Earlier today, Hayley Atwell was cast as the female lead in The First Avenger: Captain America. When geek news like this breaks, I’ll often talk to Steve from Collider on the phone and we’ll tell each other what we think. It’s conversations like these that originally led to us to record our first video blogs. After a few minutes of talking this afternoon, we realized with the recent announcement of Joss Whedon on The Avengers movie, we both had a lot to say about not only Captain America and The Avengers, but the future of Marvel movies and the choices the studio has made and might make in the future.

So we recorded a video blog on the future of the Marvel movie universe. Some of the things we discussed were Marvel casting and directorial choices thus far, the pros and cons of Joss Whedon, casting unknowns versus movie stars, what’s up with Ant-Man and is Edgar Wright going to direct it, is Marvel being cheap with their actors and directors, did Jon Favreau get offered Avengers, Thor talk, The Runaways talk, will the merger of Marvel and Disney lead to a Pixar Marvel movie, why hasn’t someone hired Brian K. Vaughan to direct a movie, and Frosty pitches a television show concept called The Marvel Universe , which would be a perfect fit on ABC.

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Peter Sollett to Direct Marvel’s Runaways?

runaways_marvel-cover

Over the past year, as we’ve reported on Floria Sigismondi’s film about the girl-group The Runaways, a great many comments have been irritated that the film in question wasn’t the planned project based on Marvel’s comic of the same name.

Now The Runaways, the Marvel version, is finally moving forward. There’s a report that the studio is in negotiations with Nick and Norah’s Infinite Playlist director Peter Sollett to take the reins of the adaptation. Read More »

marisa_runaways

Any straight guy who sees The Runaways will have difficulty standing up to go text outside, what with a 15-year-old Dakota Fanning seducing Japan in a bustier, snorting coke, and tonguing KStew. I mean, what does it all mean? And it’s only moderately less awkward discussing the burgeoning sexuality and punk hedonism of young girls with another guy. So, rather than compute my feelings about the rock biopic into a traditional review, I decided to ask a female’s opinion. /Film could not be more psyched to discourse on The Runaways with NYC-based author Marisa Meltzer, whose swell new book, Girl Power, is about the history and culture of female rockers.

Hunter Stephenson: Following the press screening for The Runaways, I was surprised to hear you loved the film. Having written a book on the legacies and challenges of females in punk, rock, and pop music from the ’70s onward, what real insight does the movie offer on the subject?

Marisa Meltzer: I guess I should admit that I’m a person who is very easily entertained. When you throw in platforms, teenage makeout sessions, and The Stooges on the soundtrack, I’m willing to overlook the film’s flaws. And there are certainly flaws: too much exposition, terrible character development of the other band members, narrative cliches. But I think one important thing to remember is that there really aren’t that many stories being told about women in music—and directed by a woman, no less!—so I’m excited when anyone throws me a bone. I think it’s important for people, especially young women, who might go see The Runaways to realize that girls playing rock music wasn’t always a given, and that their gender was way more of a barrier just a few decades ago than it is now.

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michael-shannon

In the new rock biopic, The Runaways, a glum Kristen Stewart sits poolside, suckling vodka from a water pistol before pushing it suggestively down the front of her stomach. In a separate scene, she coaches a bathing teenage band mate on how to get wet using a mental image of Farrah Fawcett and a shower head. And then there’s co-star Dakota Fanning, better known as Hollywood’s 15-year-old precocious precious, who hoovers enough blow on an airplane to soar with Kenny Powers. These scenes are presented as the on-tour lifestyle of the titular ‘70s all-girl rock band, assembled and curated by the group’s wiry and rude L.A. producer, a man named Kim Fowley. Foreseeing the popularity of The Runaways for their jail-bait appropriation of the aggression, punk music, and horniness typically associated with adolescent males, Fowley had no qualms with solidifying a legacy by way of the girls’ quicksilver paths to self-destruction.

Actor Michael Shannon plays Fowley with a commitment and intensity welcome and familiar to any viewer who saw his performance in the new Southern indie classic Shotgun Stories or as the best part of Revolutionary Road (which earned him an Oscar nom for Best Supporting Actor). In recent days, Fowley has come out in support of Shannon’s performance, calling him the Christopher Walken of a generation. Given Shannon’s unflattering if amusing portrayal of the guy as an id swimming in midnight oil and the naivety of young girls, the endorsement is mildly surprising. But the comparison is astute. After interviewing the actor this week in a hotel in NYC, I couldn’t shake similar comparisons with the cornhusk steeliness and alertness of a 30something David Letterman and the seen-a-lot-of-shit-ness of Ray Liotta. In our below interview, Shannon discussed the contradictions of Fowley, HBO’s forthcoming Martin Scorsese series Boardwalk Empire, and the time he hid in a doghouse.

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