It has been a lot busier here at Telluride this year than I’ve expected, which has prevented me from finding enough time to write about some of the film’s I’ve screened. I’ve been trying to keep the video blog reactions coming, as they are much easier to record in the 20-30 minute gap between films. I’d prefer to call them reactions over reviews because they basically capture our unedited thoughts immediately after seeing a film, before we’ve really had a chance to really think about it. Below you will find the newest video blog, a reaction to the behind the scenes Disney documentary Waking Sleeping Beauty (you can red my written review here) rand the big screen adaptation of The Road. Regular guest star Alex from FirstShowing joins in once again. Watch the video embedded after the jump.
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John Hillcoat‘s adaptation of Cormac McCarthy‘s novel The Road, starring Viggo Mortensen and Codi Smit-McPhee, is finally starting to be seen. The picture screened for some press in New York City earlier this week, and is now getting decidedly mixed critical notes out of the Venice Film Festival. Now five clips from the film are online, comprising about twelve minutes of footage. See them all after the break (if you just can’t wait for the film). Read More »
Moviehole reports than in a pull-out section of the Melbourne, Australia paper The Herald-Sun young actor Kodi Smit-McPhee (seen alongside Eric Bana in Romulus, My Father and co-star of The Road) mentioned that he was up for one of the two lead roles in the American remake of Let the Right One In. Moviehole doesn’t provide any transcribed quotes, but paraphrases Smit-McPhee saying that his chances are ‘looking good’. Read More »
Dimension Films has finally released a movie trailer for John Hillcoat‘s feature film adaption of Cormac McCarthy’s novel The Road. Earlier this week Esquire Magazine published a review of the film, calling it “The Most Important Film of The Year.”
The film tells the story of a man (Viggo Mortensen) and his young son (Kodi Smit McPhee.) traveling through a desperate, post-apocalyptic world. The flap jacket on the book describes the setting as “burned America.”The film co-stars Robert Duvall and Charlize Theron, and Guy Pearce.
As expected, the trailer is really playing up the post-apocalyptic imagery and more genre/thriller elements. Watch the trailer after the jump and tell me what you think in the comments below.
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Esquire Magazine’s Tom Chiarella has posted the first review of John Hillcoat‘s feature film adaption of Cormac McCarthy’s novel The Road, and calls it “The most important movie of the year.” Here are a couple excerpts:
“The Road is no tease. It is a brilliantly directed adaptation of a beloved novel, a delicate and anachronistically loving look at the immodest and brutish end of us all. You want them to get there, you want them to get there, you want them to get there — and yet you do not want it, any of it, to end.”
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Dimension Films and 2929 Productions have finally announced that they will be releasing John Hillcoat‘s adaptation of the Cormac McCarthy novel The Road, on October 16th 2009.
The film was originally set to debut during the 2008 Oscar season, but was supposedly pulled due to visual effects issues. Many speculated that the Weinsteins were starting to doubt the dark film’s award potential. Many had expected the film to be dumped in the first quarter dumping ground, but an October release shows that the studio still has some confidence in potential award consideration.
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Who knows if and when we’ll ever finally get to see the movie adaptation of Cormac McCarthy’s The Road (IMDB currently lists an October 2009 release date), but to hold you over until then, check out the Stlye Frames that Production designer Chris Kennedy created for the film which were posted on Flickr by Hugh Marchant.
For those of you who don’t know, Style Frames are kinda like rough concept art for movies. They are meant to evoke a feeling, tone or look, rather than being referenced for particular moments in a film. Head on over to Flickr to see them all.
Paramount has made a surprise decision to move the Robert Downey Jr / Jamie Foxx film The Soloist back to March 13th 2009. The film was originally scheduled to hit theater in late November, just in time for Award consideration. Paramount was pressured by Viacom to cut costs for the fourth quarter of 2008, and The Soloist was cut. Apparently the film isn’t testing well anyways. [Variety, Wells]
As a result, the studio will now be pushing Robert Downey Jr. for Best Supporting Actor for his performance as “the dude playin’ the dude, disguised as another dude” in Tropic Thunder. But will the Academy seriously consider Downey Jr’s performance as a method actor who becomes black for a movie role? [Firstshowing]
The Weinstein Co has (not so) quietly shifted the Viggo Mortensen apocalyptic thriller The Road from it’s scheduled Novemeber 14th release date, back to at least December, if not 2009. Executives are scheduled to meet with the film’s producer’s on Thursday to discuss if the film will be released this year. [THR]
Paramount is also delaying the Paramount Vantage Edward Zwick-directed Daniel Craig-starrer WWII film Defiance until December 31st. The film was oriignally scheduled to hit theaters on December 12th. The new date will allow the film to qualify for award consideration. [deadline]
And Warner Bros has given Guy Ritchie’s Sherlock Holmes a release date: November 20th 2009. The studio has also shifted the Jaume Collet-Serra thriller The Orphan to July 24th 2009. [SHH and Shock]
Dimension Films has released new production photos for John Hillcoat‘s upcoming adaptation of Cormac McCarthy‘s best-selling, Pulitzer Prize-winning novel, The Road in USA Today.
Academy Award nominee Viggo Mortensen, Academy Award winners Robert Duvall and Charlize Theron, Guy Pearce and 12-year-old Kodi Smit McPhee star in the the story of a man (Mortensen) and his young son (Smit-McPhee) traveling through a desperate, post-apocalyptic world. The flap jacket on the book describes the setting as “burned America”.
“Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.”
And where do you find this post-apocalyptic burned America? In Pittsburgh of course. Hillcoat didn’t want to go the CGI route, and instead found abandoned coal fields, a deserted amusement park and an 8-mile stretch of closed freeway (some of which is seen above) in and around Pittsburgh. The photos look fanatically bleak.
The Road is scheduled to hit theaters in New York and Los Angeles in mid November and expand on November 26th 2008.