the hungry review

The Lamentable Tragedy of Titus Andronicus is one of the harder-to-adapt Shakespeare plays. Its ultra-violence can border on self-parody if mishandled, and losing that element of the story leaves it somewhat limp. Even when juggled deftly, it’s simply grotesque. Though as with any transposition of the Bard to a modern setting – in this case, New Delhi – it’s the adaptation of context that seems to matter most.

Enter Bornilla Chatterjee’s The Hungry, Andronicus loosely set against family industrialism in northern India. The Andronicus’s and Goths are now the Ahujas and Joshis, agrarian business partners entangled in political corruption on the eve of a family wedding. The play’s basic framework remains, a cyclical revenge saga (minus the rape), though its characters are combined for an easier follow.

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