Buried director Rodrigo Cortés will next direct Sigourney Weaver in Red Lights, in which she’ll play Margaret Matheson, “a para-psychologist who attempts to debunk a very reputable psychic who has just returned to the limelight after 30 years.” What are the chances her character is named after author Richard Matheson? Pretty good. Cortés told Bloody Disgusting the film is “”about how the brain does not give a true picture of reality.”
After the break, new talent for The Thing and The Help (can we combine those into one film, The Helpful Thing?) and two roles for True Blood‘s Grant Bowler. Read More »
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I was thrilled a couple weeks ago to see that Oren Moverman will rewrite and direct Rampart, based on a story and script by James Ellroy. The film covers the scandal that engulfed the Rampart Division of the LAPD in the ’90s and now, perhaps appropriately, Ice Cube is in the cast. The guy went from being a full-on anti-authority spokesman to reformed family man and comedy filmmaker, and now he’s going back to the subject of crooked cops.
The irony is that Cube will play a cop in the film — he’s the homicide detective that investigates a dirty Rampart cop played by Woody Harrelson. Ben Foster is in the film, as well, but we don’t yet know his part. [Deadline]
After the break, Bryce Dallas Howard joins Viola Davis in The Help and Paul Reubens gets blue. Read More »
A day can’t go by in the past week without another name being added to the cast of the comedy/satire Butter. Now it’s Hugh Jackman‘s turn. He’ll be “an old flame” for Jennifer Garner‘s character. Not sure how large a role this will be, but I like the idea of Jackman turning up in smaller parts here and there, such as in Wayne Wang’s The Snow Flower and the Secret Fan and Lee Daniels’ Selma. [Variety]
After the break, Viola Davis and Toni Collette have new projects, and a new film for Green Lantern co-star Blake Lively. Read More »
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Emma Stone (Superbad, Zombieland) is in early talks to star in the big screen adaptation of Kathryn Stockett‘s best-selling novel The Help for DreamWorks. The story follows a black maid in 1960’s Mississippi who breaks “the unspoken code of behavior governing Southern households” when she speaks candidly about her experiences. Tate Taylor, a childhood friend of the author, will make his feature directorial debut from his own screenplay adaptation.
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