Briefly: Here’s the award nomination for for those whose interest in film runs just a bit deeper than others. Today the American Society of Cinematographers (ASC) announced its nominees for Best Cinematography of 2011. The nominees are: Guillaume Schiffman (The Artist), Jeff Cronenweth (The Girl with the Dragon Tattoo), Robert Richardson (Hugo), Hoyte van Hoytema (Tinker Tailor Soldier Spy), and Emmanuel Lubezki (The Tree of Life).
One film not on the list, War Horse, shot by Janusz Kaminski, seems like an obvious snub. But Kaminski resigned from the ASC several years ago, so he wouldn’t have been nominated for any award by the group. Discuss among yourselves whether Jeff Cronenweth (who also shot The Social Network and Fight Club) would have nabbed the nomination had Kaminski been eligible.
The ASC will announce the winner of the award for best cinematography in 2011 on February 12, and that winner will very likely go on to win the Oscar for Best Cinematography as well.
Please Recommend /Film on Facebook
It’s official: 2012 is the year we all learn to pronounce ‘Hazanavicius.’ That’s because Michel Hazanavicius, director of The Artist, is one of the five people nominated for the Award for Outstanding Directorial Achievement in Feature Film by the Directors Guild of America (DGA). The DGA award nominees almost always mirror the Oscar ballot for Best Director, so between this and the PGA nominations announced last week we’ve basically got the final Oscar contention list locked down.
The full nomination list for the DGA awards is Woody Allen (Midnight in Paris), David Fincher (The Girl With the Dragon Tattoo), Michel Hazanavicius (The Artist), Alexander Payne (The Descendants), and Martin Scorsese (Hugo). Read More »
Here’s a minor update to Sony’s continuing plans to adapt Stieg Larsson‘s Millennium Trilogy. US box office is low, if holding relatively steady, for David Fincher‘s version of The Girl With the Dragon Tattoo. As the movie has opened outside the US, foreign returns have been low, too. Foreign box office has become the salvation of many a film in the last few years, but even with those numbers factored in, Dragon Tattoo has earned only $100m worldwide so far — not even close to breaking even once promo costs are taken into account.
But Sony reportedly expects the movie t0 make $300m when all is said and done, and that’s enough to follow through with the sequels. Read More »
Over the last couple weeks, one studio announcement has been conspicuously absent.
With the launch of most major film franchises — that is, the opening of a film that is envisioned as a gateway to more of the same — it doesn’t take long at all for studios to greenlight the second entry. With films based on existing properties like comic books, that announcement can come before even the end of the first film’s opening weekend. Studio accounting, shady as it is, has been refined to a science, and Thursday, Friday and Saturday numbers are often all that it takes when the time comes to pull the trigger on a sequel, or to put the gun against the temple of the young franchise.
So where’s the press release announcing that David Fincher will direct The Girl With the Dragon Tattoo sequel The Girl Who Played With Fire for Sony/Columbia? It hasn’t hit yet. But Sony says the film is still in development and that it will get made. We’ve known that Steven Zaillian is busy on the screenplay, and there has been vague talk of shooting the second and third films back to back. But will David Fincher direct? Read More »
Here’s your best indicator yet as to what the crop of nominations for the Best Picture Oscar is likely to be. The Producers Guild of America (PGA) has announced its nominations for 2011 awards, which will be doled out on January 21.
The ten films nominated for the PGA’s top honor include expected pictures such as The Artist, The Descendants and War Horse. There are no real surprises, but the growing Oscar chances for The Help won’t be hurt by getting a PGA nomination (would be slightly wild to see Chris Columbus, a producer on The Help, with an Oscar), and Woody Allen’s Midnight in Paris makes an appearance on the list, too. There are a couple surprises, though, in the form of Bridesmaids and The Girl With the Dragon Tattoo — the Judd Apatow and Scott Rudin effects in full force there. With 5-10 Best Picture nominations possible for this year’s Oscars, most of the films in the PGA’s top list are likely to end up in the race.
The full PGA press release, with the full slate of nominations, is below. Documentary and animation nominations are there, too, though the slate of nominations in each category is more or less exactly what you’d expect to see at this point. Read More »
Posted on Wednesday, December 28th, 2011 by Angie Han
Maybe it’s just because I got a cat this year — the first living, breathing creature I’ve owned since I failed to keep a hamster alive circa 1995 — but I couldn’t help noticing that the films of 2011 featured some damn great animals. Some were the stars of their films, like Rango (Johnny Depp) in Rango, while others played second fiddle to less interesting, or at least less adorable, human stars, like Rosie (Tai) in Water for Elephants, but all deserve special mention in my book.
And yeah, okay, the fact that they also serve as a convenient excuse to post cute animal photos during a slow news week happens to a nice little bonus as well. Read on after the jump.
Read More »
Posted on Thursday, December 22nd, 2011 by David Chen
In this episode, Dave Chen, Devindra Hardawar, Angie Han, and Adam Quigley discuss The Girl with the Dragon Tattoo (2011). Do screenwriter Steven Zaillian and director David Fincher find something profound or interesting to add to the pulpy source material? Tune in to find out!
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Live broadcasts will resume in 2012.
Download or Play Now in your Browser:
Subscribe to the /Filmcast:
(This review originally ran last week when Sony lifted the review embargo, but we’re running it again today to coincide with the film’s wide opening.)
Something at the center of Stieg Larsson’s Millennium novels has captured the attention of millions. Actually, make that ‘someone.’ The first novel, Män som hatar kvinnor (Men Who Hate Women, softened to The Girl With the Dragon Tattoo in many countries) spins around an unlikely nucleus: counterculture heroine Lisbeth Salander, a determined outsider possessed of keen investigative skills, a vengeful spirit and a strong sense of fairness. In the 2009 Swedish film adaptation, Noomi Rapace played Salander as a character just different enough to be a forceful vision, and familiar enough to become nearly iconic. But the film in which she lives is a routine potboiler of a thriller.
The directly translated Swedish title is promising in a way, as ‘men who hate women’ hints at a thriller that will use the conventions of a serial killer story to explore the ways in which abuse and violence shape people and their relationships to one another. The first film didn’t skimp on the intersection of sex, power and violence, as a dethroned magazine publisher is hired to discover the truth about the murder of an industrial magnate’s niece, but it was never any good at getting under the skin of the story.
Enter David Fincher and screenwriter Steven Zaillian with their own take on The Girl With the Dragon Tattoo. Fincher also doesn’t skimp on sex and violence, and in the middle of his dark, frosty film is a strange but tightly controlled performance from Rooney Mara as Salander. This film trims minor players and subplots to focus, in a slightly more effective manner, on these characters who have been molded by violence. And yet it remains merely a routine thriller. The Girl With the Dragon Tattoo is a technically proficient piece of work, but it is almost as bloodless as an old murder victim. Read More »
Cool Posts From Around the Web: