David Fincher began his directorial career making music videos for some of the biggest talents in pop music. Beginning with Alien³ in 1992, his work in features has combined a drive for technical achievement off-screen with a consistently recognizable interest in detail-oriented obsession on-screen. He is a consummate craftsman, but one with an uncanny ability to lay his finger right on the cultural pulse. Together, those talents result in films which have gone beyond reflecting cultural attitudes, to defining them.
With the release of his latest film, Gone Girl, we’ve taken the opportunity to revisit the director’s narrative works on film. (And, briefly, in television.) Below is a list of the films of David Fincher ranked by achievement. It’s a highly subjective effort, we realize. Where does Gone Girl fit in alongside Fight Club, Se7en, The Social Network, and Zodiac? What stands out as the best film in his career to date, and what virtues can we find even in his least successful efforts? As you’d expect with Fincher, the answer to that last question is a lot more detailed than it would be for many other filmmakers. Compare our list with your own after reading further.
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Daniel Silva has edited a 17-minute tribute to filmmaker David Fincher, artfully splicing together the director’s nine feature films including Se7en, The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network and The Girl with the Dragon Tattoo. This video tribute does not include Fincher’s Alien 3 (because, you know why), his 1985 documentary The Beat of the Live Drum (probably because it isnt a narrative feature film) or his upcoming film Gone Girl. The edit is not just a music video like most of the tribute videos you see these days, including lengthy bits of scenes. That said, the short does include “Closer” by Nine Inch Nails and “Oraculum” by Trent Reznor & Atticus Ross. Watch Daniel Silva’s The Films of David Fincher now embedded after the jump.
James Franco is in talks to star in MGM’s big screen adaptation of the bestselling book The Game: Penetrating the Secret Society of Pickup Artists by Neil Strauss. Franco would not be playing the Strauss character however, but instead the chatacter of Mystery, a master pick-up artist who teaches Neil the tricks of the trade and introduces him into the world of “the game.” Some of you might recall that the real life Mystery starred in a VH1 reality series spawned by the success of the book called “The Pick-Up Artist”.
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David Levien and Brian Koppleman made a name for themselves with the script for Rounders, then wrote (among other things) the scripts for Steven Soderbergh’s Ocean’s Thirteen and The Girlfriend Experience, and wrote and directed the Michael Douglas film Solitary Man. Now they are set to write and direct an adaptation of the Neil Strauss pick-up bible The Game: Penetrating the Secret Society of Pickup Artists. Read More »
In 2005, Columbia Pictures acquired the film rights to Neil Strauss‘ bestselling pickup book The Game: Penetrating The Secret Society of Pickup Artists, and About A Boy director/screenwriter Chris Weitz was at one point attached to direct. The option expired, and rights returned to Strauss. Now Variety is reporting that Academy Award-winning USC grad Ari Sandel (West Bank Story) is in talks to direct the big screen adaptation for Lionsgate with Spyglass financing and Depth of Field producing. Due Date scribe Adam Sztykiel is rewriting Dan Weiss‘ script.
For those of you who are chuckling about the idea of a handbook for pickup artists being adapted into a big screen movie, that isn’t exactly the case.
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Dutch Southern has a new t-shirt called “Product Placement”, a design created by Josh Eacret.
It’s a tribute to the fake products and companies found in movies, and to the filmmakers who didn’t want to sell out or get sued by real corporations. Each logo is accurately recreated in painstakingly detail by Josh Eacret’s hand.
After the jump you can find a complete listing of the fictional companies listed, and which movies they appeared in.
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Posted on Wednesday, August 12th, 2009 by David Chen
In this week’s episode of the /Filmcast, Dave Chen, Devindra Hardawar and Adam Quigley compare the Watchmen: Director’s Cut with the theatrical version, get excited about the distribution prospects for Matthew Vaughn’s Kick-Ass, and remember the passing of a great talent. Special guest Matt Singer joins us from IFC News.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next Monday at 9 PM EST / 6 PM PST at Slashfilm’s live page as we review District 9.
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Some free stuff showed up in the mail and we decided to review it. Well, in one case, we let some guy down the street review the stuff, but we still kept the stuff. – Regards, the /Film Cool Stuff Dept.
[adult swim] sent me these $75 pants from their new “Finer Things” line. Wait, I’m not bragging. I’m not even sure what I’m typing because I’ve never reviewed pants. Thinking back, the closest pants-related thing I have ever reviewed (until these $75 pants) was Cabin Boy, which famously co-starred David Letterman, who owns Worldwide Pants, which is worth about 7.5-$75 million without fact-checking. Yeah, these pants, they arrived at my door, and they are navy, with bright pink, intricately stitched (by Williams Street interns?) Mooninites all over them. It’s really something; almost like a low-bit invasion on cotton or a cotton-candy-colored bout of formication. Per the pants’ Mooninite pattern, it stars the alien-slash-mistaken-terrorism mascot named Err from Aqua Teen Hunger Force. The full meatwad of the review after the jump. Read More »
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