Hey, did you know The Dark Knight Rises, the epic conclusion to Christopher Nolan‘s Batman Trilogy, is coming out July 20? Of course you did. You’re probably got the Blu-rays of Batman Begins and The Dark Knight all lined up to rewatch in anticipation of the event. However, don’t jump the gun on the home viewing just yet. AMC Theaters has just announced they’ll be re-screening both those films on July 19 leading up to the midnight screening of The Dark Knight Rises on July 20. Tickets go on sale June 11. Read more after the jump. Read More »
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Want to see the soundtrack cover for The Dark Knight Rises? How long is the movie rumored to be? What’s the latest on Dredd? How about Iron Man 3 filming? When did Ryan Reynolds say R.I.P.D. finally finished filming? Why was there a protest outside Marvel Studios? Is The Grey a prequel to Batman Begins? Read about all this and more in today’s Superhero Bits. Read More »
As we all patiently wait for July and The Dark Knight Rises, odds are many of us will dust off that Blu-ray of The Dark Knight and give it a spin. Or seven. Christopher Nolan‘s second Batman film is so dense, there are new things to discover on each and every viewing. One example could be the intricacies of the score by Hans Zimmer and James Newton Howard. Where did they get all that wonderful noise? One /Film reader thinks he found out.
After the jump, watch a video that believes to have found a hidden inspiration for Zimmer and Newton Howard’s score to The Dark Knight. Read More »
As Hollywood has gone 3D crazy, some filmmakers are embracing an entirely different experience — IMAX. Brad Bird‘s Mission: Impossible — Ghost Protocol, in theaters now, features 23-minutes shot with 15-perf 70mm IMAX cameras. The much anticipated The Dark Knight Rises will feature nearly 50 minutes of full IMAX footage. There is no denying that the IMAX shot footage looks breathtaking, and having the image expand to the full IMAX screen results in an experience unlike anything else.
So the question is: Do you know where to experience these films in full 70mm IMAX? Or have you been watching Digital IMAX, known to most film geeks as “LIEmax”? Because the difference can be EVERYTHING. We will explain the difference, chronicle the history, and answer the question in this week’s edition of Q&A!
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Posted on Tuesday, November 29th, 2011 by Angie Han
From the earliest installments of his “[the films of]” project, I’ve noticed /Film commenters wondering if and when Kees van Dijkhuizen would get around to spotlighting Christopher Nolan. The British director inspires fervent devotion from movie geeks as few other filmmakers do, thanks to his wildly ambitious imagination, his masterful storytelling, and his eye for cool beauty, and van Dijkhuizen notes that he’s received “hundreds, literally hundreds of requests” for a video showcasing Nolan’s unique style.
Now, for the eleventh installment of his yearlong, twelve-part montage series, van Dijkhuizen has finally released “[the films of] Christopher Nolan,” with a sleek stylishness that serves fitting tribute to the Dark Knight director. Watch the video after the jump.
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Posted on Saturday, September 24th, 2011 by David Chen
The /Filmcast: After Dark is a recording of what happens right after The /Filmcast is over, when the kids have gone to bed and the guys feel free to speak whatever is on their minds. In other words, it’s the leftover and disorganized ramblings, mindfarts, and brain diarrhea from The /Filmcast, all in one convenient audio file. In this episode, David Chen, Devindra Hardawar, and Adam Quigley discuss whether or not the action from The Dark Knight actually makes sense and debate whether/how our history of racist cartoons should be released. Special guest Tasha Robinson joins us from AV Club. Click here to watch Jim Emerson’s Dark Knight dissection and also be sure to check out Joseph Kahn’s response.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. We’ll be back on Slashfilm’s live page on Sunday (9/25) at 10 PM EST / 7 PM PST to hear us discuss Moneyball.
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Some fans consider negative comments about The Dark Knight totally blasphemous. Christopher Nolan‘s 2008 mega-blockbuster has reached the kind of untouchable status where it’s not only considered by many to be the best superhero movie of all time, some even consider it one of the best movies of all time. I think it definitely warrants mention in the superhero argument but, personally, don’t think it even comes close to the second column. Neither does critic Jim Emerson, apparently, who has just debuted a new feature on Indiewire called In The Cut where he breaks down action scenes shot by shot trying to figure out what the filmmaker did right and wrong.
His first deconstruction is the chase sequence in The Dark Knight where Harvey Dent is transferred between jails. According to Emerson, “We notice lapses in visual logic whether our brains register them consciously or not. I found this sequence utterly baffling the first time I saw it, and every subsequent time. At last, I now know exactly why.”
Find out why after the break. Read More »
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Want to pitch a superhero movie to Guillermo Del Toro? Is Pittsburgh ready for The Dark Knight Rises? What does Chris Evans think of his suit in The Avengers? How about Chris Hemsworth‘s thoughts on a new director coming on board Thor 2? Read all this, and get some fashion tips, in today’s Superhero Bits. Read More »