stallone-wright-trivia

There are a couple of small pieces of trivia that cropped up this week, none really worth a headline of their own, but entertaining enough that I’ve crammed a couple together here. One comes from the deep history of Sylvester Stallone, who talks about an audition he once had in front of George Lucas. The other tells of a set of films that could have borne Edgar Wright’s name, had things been a little bit different. Read More »

.

Please Recommend /Film on Facebook

slashfilmcast550

crazies-final-smallIn this week’s episode of the /Filmcast, David Chen, Devindra Hardawar, and Adam Quigley try to figure out what Kevin Smith was going for in Cop Out, assess the career of David Goyer, and shower praise on Triangle, The Last Airbender, and the Muppet movies. Special guest Laremy Legel joins us from Film.com.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next week on Sunday night at 9 PM EST / 6 PM PST at Slashfilm’s live page as we review Alice in Wonderland.

Download or Play Now in your Browser:

Subscribe to the /Filmcast:


Read More »

slashfilmcast550

crazies-final-smallThe /Filmcast: After Dark is a recording of what happens right after The /Filmcast is over, when the kids have gone to bed and the guys feel free to speak whatever is on their minds. In other words, it’s the leftover and disorganized ramblings, mindfarts, and brain diarrhea from The /Filmcast, all in one convenient audio file. In this episode, David Chen, Devindra Hardawar, and Adam Quigley are joined by Breck Eisner, director of The Crazies, to discuss the phenomenon of remakes, the benefits of 3D, and Eisner’s upcoming planned Flash Gordon remake. C. Robert Cargill from Aint It Cool News also stays with us to share his views on The Hurt Locker. The Crazies is out in theaters today.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next week at Slashfilm’s live page as we review The Crazies.

Download or Play Now in your Browser:

Subscribe to the /Filmcast:


Overture Films has sent us three exclsuive photos from Breck Eisner‘s remake of The Crazies, starring Timothy Olyphant, Radha Mitchell, Danielle Panabaker and Joe Anderson. I also heard a rumor that Eisner might be a guest on an upcoming edition of the /Filmcast. Check out the photos after the jump.

Read More »

The Crazies Movie Trailer #3

the_crazies

The third (and presumably last) trailer for Breck Eisner’s The Crazies has hit, and this one is all about being short and sweet. We covered the first trailer back in October (which featured the Gary Jules cover of “Mad World”), and the second in December, which went a bit more in depth with the setup. The film tells the tale of a small town whose population has been turned into crazy killing machines by some sort of unknown toxin. It stars Timothy Olyphant as a small town sheriff who is trying to survive against the hordes of insane civilians and violent military retaliation, along with his pregnant wife (Radha Mitchell).

Read More »

crazies_shutterisland_daybreakers_staycool

We don’t have as many big new posters dropping at the end of the year as we do trailers, but a few new images have cropped up for films that premiere early in 2010. It’s mostly horror and thriller stuff, but then there’s a new image for the Mark and Michael Polish movie Stay Cool, the existence of which I’d completely forgotten. (And, no, that’s not another film in line with Get Shorty and Be Cool.) See all the images after the break.

Edit: You may see a so-called teaser poster for Predators lurking around today, but it’s just a temp image cobbled together for an international website showing Fox’s upcoming slate. It’s not a legit teaser. We’ll run the real thing when it arrives.

Read More »

Cool Posts From Around the Web:

the_crazies_trailer_1

The first trailer for Breck Eisner‘s The Crazies was pretty good, but with one significant misstep: it made heavy use of the song ‘Mad World’, which for the next decade should be considered as owned lock, stock and barrel by Donnie Darko. That aside, the trailer had a fairly intriguing vibe.

This second trailer omits the song, thankfully, and is a bit more straightforward. It gets into a lot less plot, jumping in when things are already going off the rails in a small town. There’s more of a slasher vibe to this cut, which I’m guessing is a deliberate move to skew the film as something more simple than it actually is. Read More »

The Crazies Movie Trailer

the_crazies_trailer_1

Whomever edited that great ‘No Signal’ montage of cell phone failure in horror movies did so too soon. There’s a primo example of it right here in the new trailer for The Crazies, directed by Breck Eisner (Sahara director and Micheal Esiner’s son) and loosely based on George Romero‘s 1973 thriller. Perhaps very loosely based? Though there’s a definite Romero vibe to this trailer, the basic character set is a bit different from the original and the overall feel is (unsurprisingly) of a modern studio horror film rather than the independent, homegrown original. Read More »

Set Visit: The Crazies

The Crazies

Remakes get a bad rap amongst filmgoers, and understandably so. Instead of attempting to fulfill the potential hinted at in failed or dated movie projects, Hollywood has proven time and time again that the sole purpose of most remakes is to cash in on the success of the near faultless original films. Occasionally though, there’s a glimmer of hope. A quick glance at two of the best horror films the genre has to offer—The Thing and The Fly—clearly demonstrates that technological advances in filmmaking can be used to more effectively convey an older film’s story. While those films were remakes of ’50s cinema, we’ve also seen a vast of array of ’70s remakes—Dawn of the Dead, The Hills Have Eyes, The Last House on the Left—that have proven to be worthy modern takes on dated (albeit classic) material.

The Crazies, due out September 25, is the latest remake to attempt to join the ranks of those films. Based on the cult classic directed and co-written by George Romero, the film tells the story of a small town struck by insanity when an unknown toxin starts turning its happy, law-abiding citizens into mindless killing machines. Trying desperately to survive both the infected populace and the subsequent military response, the town’s Sherrif (Timothy Olyphant), his pregnant wife (Radha Mitchell), his deputy (Joe Anderson), and an assistant at the medical center (Danielle Panabaker) find themselves forced to band together if they ever intend on getting out of the town alive.

Last week I was granted the opportunity to visit the film’s set at Peach County High School in Georgia, where the crew was getting prepped for a lengthy night shoot. Once there, we first spent some time speaking to director Breck Eisner (Sahara), who explained his stance on remaking the film.

Honestly, any time you do a remake or a reimagining, and this is definitely more of a reimagining than a remake, you want to have target aspects of the movie that they didn’t have access to when they first made it. My theory on remaking movies or reimagining movies is that there should be something that they weren’t able to do the first time around. That you can do differently. So it’s not like just redoing Psycho or redoing a perfect movie, it’s redoing something that had limitations. One of big limitations for [George] Romero was obviously budget. I think he had 200 grand or 275 grand to make the entire movie. We’re obviously spending more money than that—it’s not a big budget movie, but we have better assets so we can represent the government as the scale of the force that it needs to be in a movie like this that is oppressive and realistic for us.

We spent the rest of the evening having the end of that comment proven to us, as we ventured next to a massive field on the outskirts of the high school. Read More »

Click Here To Read Older Movie News