Ari Folman‘s film The Congress is a strange and dazzling wonder in which Robin Wright (played by Robin Wright) sells her likeness to a movie studio. She gives up the rights to her name, image, and voice, and in return is given some measure of security for her family. The film tells this story through an unusual framework in which the transforming “reality” of Robin’s life — and the ways in which it is sold to an audience — is eventually envisioned through wildly imaginative animation. After playing festivals last year, the film will be released later this year in the US by Drafthouse, and we have the first US Congress trailer below. Keep an eye out for animated Tom Cruise.
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The Alamo Drafthouse have announced they will be taking Austin’s Fantastic Fest on tour, showing movies from the festival at all Alamo Drafthouse markets over three weekends in November. Films include Big Bad Wolves, Borgman, Cheap Thrills, Confession of Murder, The Congress, Grand Piano, Journey to the West: Conquering The Demons, and Why Don’t You Play In Hell. Tickets are now available on the Alamo website. After the jump you can learn more and read the press release announcement.
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“A middle school student prone to wild daydreams devotes his waking hours to stretching and flexibility exercises with the ultimate goal of one day being able to lick his own penis.” Yes, Fantastic Fest 2013 is quickly approaching and the second wave of programming has just been announced.
That graphic description is of a Japanese film called Maruyama The Middle Schooler and it’s a great example of the kind of madness audiences can expect to see on screen from September 19-26 at Alamo Drafthouse Lakeline in Austin, Texas. Other films announced in this second wave include Elijah Wood and John Cusack in Grand Piano, Ben Wheatley‘s A Field in England, Robin Wright in The Congress (above), the David Cronenberg-narrated documentary Tales From the Organ Trade, Alex de la Iglesia‘s Witching and Bitching and many other potentially crazy genre films. Read the full list and see some images below. Read More »
Though most of us haven’t had a chance to see the film yet, hopefully you remember Ari Folman‘s movie The Congress. After years of development, the movie premiered at Cannes back in May, and scored a US distribution deal from Drafthouse Films. The movie features Robin Wright as an actress who sells her likeness to a film studio, and Folman uses live-action scenes and some really wild animated sequences to explore her life. (Paul Giamatti, Jon Hamm, Kodi Smit-McPhee, Harvey Keitel and Danny Huston also star.)
The first trailer for the film was pretty mind-blowing, and now we’ve got two featurettes that explore specific parts of the film in just a bit more depth. They’re both quite short, but one shows one of the film’s dystopic visions, and how that slipstreams from live-action into animation. The other shows the basic elements of constructing the set for Wright’s character’s house.
The dystopian glimpse is the one you’ll really want to check out, since it shows off some new animation. Check out both below. Read More »
Drafthouse Films has been on a roll out of Cannes. The relatively new distributor bought both Nothing Bad Can Happen and the very weird, appealing Borgman (trailer here) at the festival.
Now Drafthouse has partnered with Films We Like to pick up North American distribution rights to Ari Folman‘s The Congress. The film stars Robin Wright as a version of herself; in the film she’s an actress who sells her digital likeness to a movie studio. The film opens with live-action scenes, but quickly goes into animated flights of wild imagination. Paul Giamatti, Jon Hamm, Kodi Smit-McPhee, Harvey Keitel and Danny Huston also star.
Drafthouse will handle the film in the US and Films We Like will take care of Canadian distibution. Sadly we have to wait until 2014 for the theatrical and VOD release. Check out the trailer below. Read More »
We’ve been waiting for The Congress, the new film from Waltz With Bashir director Ari Folman, for what feels like a very long time. (In reality, only since 2009.) The film is loosely based upon a story by science fiction grandmaster Stanislaw Lem, but has been adapted to very specifically suit cinema.
The live-action/animated hybrid features Robin Wright as an actress — actually as Robin Wright — whose career is being pronounced dead. And so she sells her likeness to a firm that uses her as a sample source. Wright playing a version of herself is already fairly strange, but then there are the ways that filmmakers use her likeness, which are really out there.
We’ve seen glimpses of the film’s animation before, but what we see here is far beyond what we’ve had a look at in the past. The animation is beautiful, but it’s the combination of everything that makes this look like one of the most visually commanding movies of the year. Will the script be as compelling? Get a taste in the trailer below. Read More »
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We’ve been tracking Ari Folman‘s film The Congress for three years. That’s because Folman’s last film was Waltz With Bashir, a great animated look at a soldier’s unreliable perspective on war. The Congress is something quite different, however. Based on a story by noted speculative fiction author Stanislaw Lem, this one features Robin Wright, Kodi Smit-McPhee, Paul Giamatti and Danny Huston in a story — greatly reworked from Lem’s text — about an actress who makes a deal that changes her future in ways she could never predict.
It is a sci-fi story, of sorts, and the film is being constructed in an usual manner. There is a big live-action component, but a good amount of the movie will be animated. A new interview with Folman makes the film sound like it is on track, but taking time to complete. Read More »