Director Errol Morris has made a career out of solving mysteries, which comes as no surprise since the man used to be a private detective. Whether he was exonerating Randall Dale Adams in The Thin Blue Line or unraveling a sordid sex tale in Tabloid, Morris has deftly used his subjects to provide gripping accounts of situations that have been wrapped in intrigue and ambiguity.

In his book, Believing is Seeing, Morris turns his attention to the art of photography.  In a series of photographic whodunnits, Morris explores the truth-telling capacity of photos. His conclusion? “Photographs don’t have truth value.”

I had a chance to sit down with Morris in his Cambridge, MA office during his recent book tour and chat extensively with him about the nature of photography, the plausibility of re-enactments, and Joyce McKinney’s controversial reaction to Tabloid. After the break, read highlights of my discussion with Morris. Below, you can also download and listen to the entire hour-long interview I had with him. You can buy his book at Amazon or in bookstores. Tabloid is now also for sale on DVD.

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This week, Dave Chen, Devindra Hardawar and Adam Quigley chat about the fall of Netflix, enjoy the listlessness of The Trip, debate the impressiveness of The Last Exorcism, and try to figure out who would pay $60 for Tower Heist. Special guest Matt Patches joins us from

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This is one of the best trailers I’ve seen so far this year. The Errol Morris documentary Tabloid chronicles a very strange subject: Joyce McKinney, who became a tabloid fixture in the UK in 1977 when accused of kidnapping and raping a Mormon missionary named Kirk Anderson. It was called ‘The Case of the Manacled Mormon,’ and now famed documentarian Errol Morris explores the story in his own polished style.

Tabloid appeared at Telluride and TIFF last year and SXSW this year, and Sundance Selects will release it in July. The trailer gives out an incredible amount of information in a very entertaining and, yes, tabloid manner. Check it out after the break. Read More »

SXSW Film Festival Announces 2011 Features Lineup

The South by Southwest Film Festival has announced their features lineup for the 2011’s Festival, which will take place March 11th to the 19th in Austin Texas. Read the full press release after the jump.

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We’re just a few days away from the start of the 2011 Sundance Film Festival, but distributors are already scooping up films left and right. Three were acquired Tuesday and two were grabbed a few days ago. A&E IndieFilms picked up the rights to the Roger Corman documentary Corman’s World: Exploits of a Hollywood Rebel, Sony Pictures Classics locked up the rights to Take Shelter starring Michael Shannon, HBO Films nabbed the rights to the opening night documentary Project Nim (seen above) from the team behind the Oscar-winner Man on Wire, IFC Films got the low-budget comedy Uncle Kent and Roadside Attractions will release The Music Never Stopped starring J.K. Simmons.

Finally while it’s not playing at Sundance, Sundance Selects acquired Errol Morris’s latest called Tabloid. Read more about each film after the jump. Read More »


A couple weeks ago, the Toronto International Film Festival announced their line-up of Galas and Special Presentations (aka the major films premiering at the festival). The list of films included Robert Redford‘s The Conspirator; George Hickenlooper‘s Casino Jack, The Bang Bang Club, starring Ryan Phillippe, Barney’s Version, starring Paul Giamatti, Darren Aronofsky‘s Black Swan, Ben Affleck‘s The Town, Alejandro Gonzalez Innarittu‘s Biutiful, Sylvain Chomet‘s The Illusionist, Kim Jee-woon‘s I Saw the Devil and Michael Winterbottom‘s The Trip.

Today the festival announced their documentary selections, which include Errol MorrisTabloid, Thom Zimny‘s Bruce Springsteen doc The Promise: The Making of Darkness on the Edge of Town, Kim Longinotto‘s Pink Saris, and Werner Herzog‘s 3-D cave drawing documentary Cave of Forgotten Dreams. Hit the jump to see the full TIFF documentary line-up.

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If you follow Errol Morris on Twitter, you’ll know that he’s been finishing up a new film called Tabloid. For the most part, we haven’t known much about what the film covers, as he’s been quite oblique in referencing the project. But the simple fact of Morris making a new movie is exciting enough. The man hasn’t made a bad documentary (OK, his dramatic feature The Dark Wind isn’t so hot) and many of his films hold well-earned spots on best-of lists for the year of their release.

Now we know a bit more about Tabloid, and if the pieces are coming together as appears to be the case, then it might be one to please audiences who take more to the quirky, focused portraits Morris sometimes creates. Read More »