Steven Spielberg and Warner Bros. have been doing a slow dance towards one another over the last couple months.

The film potentially bringing the two parties together has been the Moses biopic Gods and Kings, which may turn out ot be a lot more like Saving Private Ryan than we would have previously expected. And while there isn’t a signed deal in place at this point, things are continuing to move forward. Right now, it looks like the next week could see the completion of a deal that will put Spielberg in the director’s chair for the film by April or May 2013, after he’s done with Robopocalypse. Read More »

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50/50: A great 2011 movie and also the odds George Lucas gives that a person would survive if they were in a lead refrigerator during a nuclear blast.

We refer, of course, to the now infamous scene early in Steven Spielberg‘s 2008 film Indiana Jones and the Kingdom of the Crystal Skull where Jones shields himself from a nuclear blast inside a refrigerator. The scene is so outrageous (or enraging, depending on who you talk to) the phrase “nuke the fridge” replaced Happy Days’ “jump the shark” as the way to describe a moment where a story finally goes from being good to bad.

In a New York Times article, one you’re going to be reading a lot about in the coming days, Lucas takes responsiblity for the scene and says, nay, insists there’s a 50/50 chance, if nuking the fridge was real, Indiana Jones could have survived. But is that what’s really important, George? Read more below. Read More »

Is it Halloween already? Today’s TV Bits is dark and spooky, as it deals with vampires, zombies, murderers, and other scary creatures. (Insert your own joke about some of Star Wars‘ CGI characters being their own brand of horrifying here.) After the jump:

  • Rick McCallum talks about the Star Wars TV show (again)
  • ABC releases a trailer for Oren Peli’s The River
  • NBC picks up Dracula from Black List writer Cole Haddon
  • Golden Globe winner Jessica Lange ponders a return to FX’s American Horror Story
  • AMC announces the Season 2 premiere of The Killing and orders an extra dose of The Walking Dead

Read More »

It’s not so unexpected for a hit movie to get a sequel a year or two out, but it’s also becoming increasingly common for franchises to pick up with the characters again ten or even twenty years after the last installment. In this edition of Sequel Bits, we have a handful of possible upcoming projects that look back to the ’80s and ’90s for inspiration. After the jump:

  • Tim Burton considers getting involved with Beetlejuice 2
  • Steven Spielberg won’t be directing Jurassic Park 4
  • Edward Burns could revisit his debut The Brothers McMullan, twenty years later
  • Peter Facinelli discusses the possibility (or lack thereof) of a Can’t Hardly Wait 2

Read More »

Technically, I guess the PG-13 Grown Ups doesn’t really qualify as a kids’ film, so its sequel probably won’t either. But since that movie centered around five grown men acting like children, I’ll say that that this Sequel Bits is all about the young’uns. After the jump:

  • Jessica Chastain and Bryan Cranston somehow cram Madagascar 3 into their very, very busy schedules
  • Steven Spielberg talks The Adventures of Tintin 2 and 3
  • To the surprise of no one, Antonio Banderas would like to do a Puss in Boots 2
  • Adam Sandler’s Grown Ups 2 gets a summer 2013 release date

Read More »

Debate has gone on for months over whether or not Andy Serkis should be nominated for an Oscar for his work in Rise of the Planet of the Apes. The issue at hand isn’t the work done by Serkis, which is clearly strong. It is the fact that he did that work on set but isn’t actually seen in the film, as his physical presence is painted out and replaced with the all-CGI ape Caesar.

The problem, inasmuch as there is one, is that some people have a difficult time seeing through that wash of pixels to understand the work that Serkis did for the film. But a new clip shows a full scene as captured by cameras on set, with Serkis performing as Caesar, and then presents the same scene with his CG alter-ego in place. If you had any doubts about what sort of work Serkis did for the role, this will erase them. Read More »

Life is good when the wait is short for a new Steven Spielberg movie. The Oscar-winning director left three years gaps between new films in 2005, 2008 and 2011 but when he came back, we got a double dose: War Horse and The Adventures of Tintin. The wait won’t be nearly as long for the next two. He’s already well into shooting Lincoln, which is aimed at a late 2012 release date and once he’s done with that, he’ll head to Canada to shoot his July 2013 release Robopocalypse, based on the book by Daniel H. Wilson.

Spielberg recently spoke to a London magazine about his 2011 movies and while he wasn’t too open about his 2012 movie, he was willing to spill about Robopocalypse. Read his quotes regarding the themes of the film and when it’ll be set after the jump. Read More »

It’s official: 2012 is the year we all learn to pronounce ‘Hazanavicius.’ That’s because Michel Hazanavicius, director of The Artist, is one of the five people nominated for the Award for Outstanding Directorial Achievement in Feature Film by the Directors Guild of America (DGA). The DGA award nominees almost always mirror the Oscar ballot for Best Director, so between this and the PGA nominations announced last week we’ve basically got the final Oscar contention list locked down.

The full nomination list for the DGA awards is Woody Allen (Midnight in Paris), David Fincher (The Girl With the Dragon Tattoo), Michel Hazanavicius (The Artist), Alexander Payne (The Descendants), and Martin Scorsese (Hugo). Read More »

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