The Tobolowsky Files Ep. 65 – All In

armscrossed

We’re all gamblers. The only difference is that some of us know what a sure thing looks like.

The Tobolowsky Files is a podcast from the people who brought you the /Filmcast, featuring a series of stories about life, love, and the entertainment industry, as told by legendary character actor Stephen Tobolowsky. You can e-mail Stephen at stephentobolowsky(AT)gmail(DOT)com.
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Making a Movie: Tech Rehearsal

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Making a Movie” is a series of columns that chronicles our attempt to make, market, and distribute a film with Stephen Tobolowsky in 2014

Last night was our tech rehearsal and full run-through for the concert film we’re shooting with Stephen Tobolowsky. We had a documentary crew on-site to shoot an official “making of” short film, but I also threw together a quick video on my Panasonic GH4 just to give you some idea of the complexity of what we’re attempting this evening. You can find this video after the jump.

You can still buy tickets for tonight’s show. Hope to see some of you there!
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Tobo Interview 3

UPDATE: I made a mistake on which cameras will be our primary cameras. They are actually Sony HSC-100′s. I’ve updated the post below.

Making a Movie” is a series of columns that chronicles our attempt to make, market, and distribute a film with Stephen Tobolowsky in 2014

We’re just a few days away from our live performance of The Tobolowsky Files at the Moore Theatre, and its accompanying film shoot. Sales are going briskly, but if you’re local to Seattle, I hope you’ll find the time to buy some tickets and join us on Saturday.

I’ve performed with Stephen several times already and it’s always been a great experience. But setting up these live shows, advertising them, and getting butts in seats has always been quite a challenge. This time around, we’re actually adding an HD multi-cam shoot to it, exponentially increasing the complexity of the event. Hit the jump to learn more about how we plan to pull this off.
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Making a Movie: How to Build a Kickstarter

Primary Instinct

Making a Movie” is a series of columns that chronicles our attempt to make, market, and distribute a film with Stephen Tobolowsky in 2014

Thanks to you guys, we met our Kickstarter goal in just 12 days. Our Kickstarter project now has just a few hours left to go (you can still back us by clicking here), but we are well into pre-production for our upcoming shoot.

Our Kickstarter project took me roughly six weeks of work to create. Looking back, there are a lot of things I would’ve done differently. After the jump, I share some learnings I’ve had throughout this process. I also had the chance to chat with Cesar Kuriyama and Matt Reynolds, both of whom had great success with their respective Kickstarter projects. Cesar successfully funded his 1SecondEveryday app and Matt got his film, The Great Chicken Wing Huntfinanced. A podcast recording of our chat can be found below.
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Groundhog Day Live Read

10,000 years. That’s how long Phil Connors was stuck in Groundhog Day. At least, that’s what writers Harold Ramis and Danny Rubin said in an early draft of the now classic 1993 film. That revelation was later cut out, along with a lot of other things, to make the film we know and love.

But on March 20, Jason Reitman presented that early draft as part of his Film Independent at LACMA Live Read series. On a night dedicated to Ramis, the Groundhog Day co-writer and director, Reitman brought together a small but perfect cast to read through the script. That cast included Jason Bateman as Phil, Elizabeth Reeser as Rita, Jeffery Ross as Larry, Mae Whitman as Nancy, and Stephen Tobolowsky as Ned, the role he originated.

That balance of familiarity from Tobolowsky, coupled with a fresh but perfectly poignant take from Bateman, made Groundhog Day one of the best live reads to come out of the series to date. Read More »

Teaser

Making a Movie” is a series of columns that chronicles our attempt to make, market, and distribute a film with Stephen Tobolowsky in 2014. Our Kickstarter is still live and you can support our film project by going here.

I set out to make a movie with Stephen Tobolowsky this year because I realized that I had a healthy working relationship with one of the greatest character actors of all time, and I had a job that allows me to be relatively free for most weekends (thus giving me the free time to develop/shoot the footage we might need to assemble a film). Initially, my plan was to teach myself how to shoot and edit video to the point where Stephen and I could just make the film ourselves. While I’ve made some progress on that front, I quickly realized that even if I did get good at these things, I’d still need a crapton of help to make the type of movie I wanted to. So I decided we needed to work with a production company to make this movie happen.

The company we’re now working with, Super Frog Saves Tokyo, embodies everything we want in a production house. They are small, scrappy, internet-savvy, and they know how to put together great videos. After the jump, see a teaser trailer they made for our upcoming Kickstarter film. Note that this was not made using Kickstarter funds, but by Super Frog as a fun creative exercise in how we might position/market the film.
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Ratfunerals

Here is the “Million Dollar Rabbit”, Thistle. Is he really worth that much? The truth is he is probably worth more.

We’re making a Tobolowsky Files movie! Back us at theprimaryinstinct.com.

The Tobolowsky Files is a podcast from the people who brought you the /Filmcast, featuring a series of stories about life, love, and the entertainment industry, as told by legendary character actor Stephen Tobolowsky. You can e-mail Stephen at stephentobolowsky(AT)gmail(DOT)com.

Read More »

Making a Movie: My First Day On Set

Stephen Kickstarter 4

Making a Movie” is a series of columns that chronicles our attempt to make, market, and distribute a film with Stephen Tobolowsky in 2014. Our Kickstarter is still live and you can support our film project by going here.

On Wednesday, I woke up at 5:30 AM and spent the whole day shooting test footage for the film I’m working on with Stephen Tobolowsky. We had an ambitious schedule: between the hours of 8 a.m. and 3 p.m., we were going to take one of Stephen’s stories and shoot different segments of it in four different locations (we plan to edit them together to form a single cohesive story). Later, at 8 p.m., Stephen performed a 45-minute story in front of a crowd of two dozen people in a local coffee shop, which we also filmed. Depending on how all the footage turns out, we may incorporate it into the final film.

I can now say that I have tasted the life of a filmmaker (actually, not even a full taste – more like an amuse-bouche) and it is definitely challenging as all get out.
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