Proving that just because you can doesn’t mean you should, the new green-band trailer for That’s My Boy drops much of the cursing, nudity, and bodily fluids that comprised last week’s red-band trailer, and is, frankly, all the better for it. The jokes are still pretty hit or miss, but the fact that it has jokes at all — rather than just a lengthy string of “fucks” — makes this cut a vast improvement over the last one.

Adam Sandler stars as Donny, the ne’er-do-well father of Todd (Andy Samberg). When Donny realizes he’s deeply in debt, he reunites with his son, now a successful hedge-fund manager, and butts heads with his future daughter-in-law (Leighton Meester). Watch the trailer after the jump.

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The first red-band trailer has dropped for Adam Sandler and Andy Samberg‘s That’s My Boy, formerly titled I Hate You Dad. Sandler plays an aging party boy and horrible father who falls into deep debt. He decides to move in with his more tightly wound son (Samberg), who’s on the verge of getting married, to a character played by Leighton Meester.

The script comes from Happy Endings creator David Caspe, with a rewrite by Ken Marino and David Wain, which is promising; the fact that it was directed by Mr. Popper’s Penguins writers Sean Anders and John Morris and produced by Sandler’s Happy Madison is somewhat less so. Watch the (NSFW) video after the jump.

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Now that Peter and Bobby Farrelly are almost done with their long dreamed-of film reincarnation of The Three Stooges, they’re turning their thoughts to the future. The brothers have another TV show in the works, but for their next feature film it sounds like they might revive their 1994 hit Dumb and Dumber. Screenwriters have been hired to write a sequel that will hopefully reunite Jim Carrey and Jeff Daniels in their original roles. Read More »

Susan Sarandon Cast in ‘I Hate You, Dad’

Briefly: Adam Sandler is going to play dad to SNL’s Andy Samberg in I Hate You, Dad, and now the same movie is going to see him eventually shacked up with hot teacher Mary McGarricle, played by Susan Sarandon. Sean Anders and John Morris are directing the film, which is about ” a father (Sandler) who moves in on the eve of the wedding of his son (Samberg) and promptly begins feuding with the bride-to-be.” A few more details are after the break. Read More »

carla-gugino-penguins

Briefly: Jim Carrey is starring in an adaptation of the childrens book Mr. Popper’s Penguins, which is set to shoot in New York. (Based on some photos I saw yesterday, the film may be shooting now, or very soon.) And now Carla Gugino has taken up a role in the picture.

Variety summarizes the film’s plot, slightly altered from that of the book (of course) as “Mr. Popper is a high-powered, New York buisnessman who suddenly inherits six penguins. Taking care of the animals is no easy matter, and he quickly hits major hurtles, both at home and at work. But along the way, he learns the value of family and friendship–human and otherwise.”

We don’t know Gugino’s role, but it is reasonable to expect she’ll be the female lead / love interest. Nice bump for Gugino if the film turns out well. Mark Waters is directing based on a script by Jared Stern, who rewrote the Sean Anders and John Morris script. There was a point where Noah Baumbach and Ben Stiller were looking to make the film, but if you’re recalling that info, they’ve moved on.

Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?

Read More »

Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?

Read More »

Hard to believe that a Kirk Cameron ichthys affair and Disaster Movie will ultimately out gross Sex Drive. After this weekend’s $3 million take, the /Film championed comedy is destined to join the “funny is funny” cult ranks of PCU and Grandma’s Boy. In a smart move, Summit Entertainment, soon to be fat off Twilight, isn’t letting writer/director Sean Anders and co-writer John Morris get away. They’ve signed the duo for an untitled second film, and the premise dances upon a rainbow…

The untitled project concerns a slacker college student who has a child with a one-night stand and is then forced to care for the baby after the mother is killed in a car crash.

In continuing with their previous flick’s auto-related title/pun, might we distastefully suggest Whiplash? The Hollywood Reporter implies that the duo will switch directing duties, with Anders said to be helming…except that Anders directed Sex Drive, so maybe they mean Morris? We’ll try to clear this up. Update: Anders is once the director and co-writer.

I thought it worth randomly mentioning that Nikki Finke‘s industry sources have referred to the $25 million Sex Drive as “a huge disaster,” and—clearly not having seen the film—she adds, “Forget [the film] because everyone else has (and should have).” Why the heavy scorn? The lady likes to bet (and probably needs a good laff), so how about this: I’ll personally pay for her ticket and Red Vines, and if she doesn’t LOL once, I’ll also offer to show up at her apartment in my bathrobe and give her a back massage. Unlike Harvey Weinstein’s $1 millie offer, I’ll make good.

Discuss: So who’s already offended by the premise for Anders’s and Morris’s follow-up?

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