Who doesn’t love a good video essay, especially when it’s timely and eye-opening? Enter Tony Zhou, who ade an 8-minute video called “Edgar Wright – How To Do Visual Comedy.” The thesis here is basically that most mainstream comedy is directed in a very lazy way. There are close-ups of people talking, recognizable landmarks, pop music playing, and other such staple elements. For his own films, on the other hand, Wright comes up with fun, innovative ways to portray scenes other movies would do simply. This energy and pizazz naturally creatures humor in the filmmaking, instead of just relying on a screenplay.
This thesis is especially interesting considering the rumors of Wright’s departure from Ant-Man over creative differences. Did Marvel and Disney not trust Wright would make Ant-Man everything they wanted it to be? Check out the video Edgar Wright comedy below. Read More »
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Posted on Wednesday, January 29th, 2014 by David Chen
The first time I saw Edgar Wright’s Shaun of the Dead, I was blown away by the close-ups. They seemed to bombard me at every turn in the film, their rapid-fire nature grabbing me by the metaphorical collar and pulling me face first into the next scene. Wright went on to make several more films which make ingenious use of the close-up, and I became so intrigued by these shots. What was Wright’s purpose for them in each film? Why did he seem to employ them so copiously? How did he fit them into his shooting schedule?
Edgar Wright generously agreed to chat with me at length on this topic. I edited our conversation into a video essay exploring the art of close-ups. Check it out after the jump and be sure to pick up Edgar’s The World’s End on Blu-Ray when you get the chance.
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Posted on Monday, December 16th, 2013 by David Chen
When Edgar Wright’s Scott Pilgrim vs. The World debuted in 2010, I’ll admit it: I didn’t quite know what to make of it. Wright’s Shaun of the Dead and Hot Fuzz were clearly send-ups of their respective genres, but Pilgrim defied my expectations. Part videogame movie, part comic-book movie, and part coming-of-age story, Pilgrim, based on Bryan Lee O’Malley’s award-winning graphic novel series, was a bold, singular creation that unfortunately never truly found its audience during its theatrical release.
In the intervening years, my appreciation of the film has grown considerably. After the jump, you can see my newest video essay analyzing the film and pointing out some of its hidden gems. Feel free to share your thoughts on Scott Pilgrim vs. The World in the comments.
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In just over one week, Edgar Wright‘s fourth feature film, The World’s End, hits theaters in the US. That’s as good an excuse as any to look back at Wright’s previous films and celebrate our shared love of them. Those films, of course, are Shaun of the Dead, Hot Fuzz and Scott Pilgrim vs. The World. There’s also the amazing TV show Spaced that acted as a precursor to those films.
Wright’s work has been immortalized in various media (such as Mondo posters, original paintings, and gig posters) and Gallery 1988 West in Los Angeles is doing all that and then some. On Tuesday August 20, they’re hosting The Official Edgar Wright Art Show and we’re happy to share a pretty healthy sampling of works that’ll be on display including a few exclusive debuts. Read More »
Kevin Tong‘s Sights Unseen art exhibit is like when Carrie goes nuts on Homeland and puts up a huge bulletin board of work. It’s overwhelming and blinding, but totally genius. Tong, one of the most well-respected and talented screenprint artists working today, has created an exhibit not just for movie fans. It’s for everyone.
Comprised of over 200 drawings from the entire course of Tong’s career, the exhibit hits like a ton of bricks. It’s difficult to believe he’s assembled this much work in one space. As you begin to explore the nooks and crannies of the gallery, you’ll find beautiful movie pieces, music pieces and more general art pieces that Tong created on the way to larger, more commercial work. It’s one of those exhibits fans will have to explore again and again because they’ll find something new and exciting every single time through.
Tong has done movie posters for Mondo, Gallery 1988, Spoke Art, worked for bands like Phish, The Black Keys, Bon Iver and many more. But all of it started with these drawings and seeing them as a whole is not only to see the arc of an artist’s career, it spotlights an evolving style and ideas that are radically out of the box.
Sights Unseen is currently on display at the Phone Booth Gallery in Long Beach, CA through April 3. Below, we’ve captured just a few of the movie and pop culture related pieces. Read More »
This post really doesn’t need much set up. Mondo has commissioned awesome artist Kevin Tong to do a poster for a triple bill of Edgar Wright films happening this weekend in Austin. Meaning, one Mondo poster includes Shaun of the Dead, Hot Fuzz and Scott Pilgrim vs. the World. Is it better than Alex Pardee or DKNG’s poster on the same subject? It’s debatable. But they’re all sick. Check it out after the jump. Read More »
Honesty isn’t always fun, but in environments where it is a rare commodity honesty can provide entertainment like nothing else. Ronald Meyer is the head of Universal Studios. He’s a US Marine who co-founded the Creative Artists Agency (CAA) in 1975 and became president of Universal in 1995. He has held that post ever since, through six regime changes. He’s doing something right, even when he does things wrong.
The question is, which of these things was wrong: making Land of the Lost, The Wolfman and Cowboys & Aliens, or publicly admitting that the movies were mistakes? While appearing at the Savannah Film Festival, Meyer talked with surprising candor about Universal’s recent fortunes and the state of the studio’s business today. The quotes in the headline are just the beginning. Read More »
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Someone must have put in a cheat code because Scott Pilgrim vs. The World just got unlimited lives. Though you can watch Edgar Wright‘s awesome adaptation of Bryan Lee O’Malley‘s comic book anytime you want on Blu-ray, or cable for that matter, the film will now play on the big screen every single month at the New Beverly Cinema in Los Angeles, CA.
The theater, which is co-owned by Quentin Tarantino (and had Wright as programmer for a month last year), is the place Scott Pilgrim had its midnight-movie birth with a series of sold out screenings. Starting in September, the film is starring an open-ended Rocky Horror Picture Show-esque residency. Read more after the break. Read More »