When you look at how director Edgar Wright presented Scott Pilgrim vs the World for the big screen, you would think that the film adaptation of Bryan Lee O’Malley‘s graphic novel series would be pretty loyal to the source material. For the most part, that’s true. But since the screenplay by Michael Bacall went into development shortly after the release of the first volume in the book series, there was a time when the books were being released while the screenplay was being written.
Beyond that, since films rarely are able to directly translate a book to the big screen, there are plenty of differences between the Scott Pilgrim vs the World movie and the books that inspired it. Thankfully, a new video essay runs through all the Scott Pilgrim book differences, and you can watch it below. Read More »
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Posted on Tuesday, February 9th, 2016 by Angie Han
In the spirit of Valentine’s Day, the Honest Trailers team is taking on one of the internet’s favorite love stories: Scott Pilgrim vs. The World. And it will probably not surprise you too much to discover that, like so many other movie romances we hold near and dear to our hearts, it completely falls apart under a bit of real-world scrutiny.
Or, in the blunt words of the Honest Trailer narrator, that it’s “two hours of pure nerd wish-fullfillment” in which every character but Knives is secretly “a horrible garbage person.” But hey, they do really love Edgar Wright‘s slick, video game-inspired style. Watch the Scott Pilgrim Honest Trailer after the jump. Read More »
A lens flare is something that happens all the time in photography and filmmaking, simply because of how light travels through and reflects inside of a lens. But any good photographer or cinematographer knows how to use it effectively so it’s not just an accident. After all, lens flares can be avoided, but in films such as Scott Pilgrim vs. The World, There Will Be Blood, Looper, Gravity, The Wolf of Wall Street, Guardians of the Galaxy and more, they make some shots look fantastic.
A new lens flare supercut runs through dozens of movies featuring the side effect of bright light shining into the lens. Some are better than others, but it just goes to show you how abundant they are. And before anyone tries to make a joke: No, this isn’t just footage from J.J. Abrams movies. Read More »
Last week, the fantastic adaptation of Me and Earl an the Dying Girl hit theaters in a limited run, and this week the lively Dope also arrives on the big screen. Both are spectacular coming of age tales from two very different sides of the spectrum, but they both have wonderful young characters, engaging relationships, and are special in their own ways.
And with these two magnificent coming of age movies hitting the big screen recently, we thought it was a good time to look back at some of the great films to come out of this subgenre. But since everyone has gushed over films like Stand by Me, The Breakfast Club and Say Anything for years, I decided to put a more modern focus on coming of age films by counting down my picks for the Top 25 Best Coming of Age Movies of the Past 25 Years. That means you won’t find anything on here from before 1990. Do your favorite movies make the cut?
Check out my list of the Top 25 Best Coming of Age Films of the Past 25 Years after the jump! Read More »
Who doesn’t love a good video essay, especially when it’s timely and eye-opening? Enter Tony Zhou, who ade an 8-minute video called “Edgar Wright – How To Do Visual Comedy.” The thesis here is basically that most mainstream comedy is directed in a very lazy way. There are close-ups of people talking, recognizable landmarks, pop music playing, and other such staple elements. For his own films, on the other hand, Wright comes up with fun, innovative ways to portray scenes other movies would do simply. This energy and pizazz naturally creatures humor in the filmmaking, instead of just relying on a screenplay.
This thesis is especially interesting considering the rumors of Wright’s departure from Ant-Man over creative differences. Did Marvel and Disney not trust Wright would make Ant-Man everything they wanted it to be? Check out the video Edgar Wright comedy below. Read More »
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Posted on Wednesday, January 29th, 2014 by David Chen
The first time I saw Edgar Wright’s Shaun of the Dead, I was blown away by the close-ups. They seemed to bombard me at every turn in the film, their rapid-fire nature grabbing me by the metaphorical collar and pulling me face first into the next scene. Wright went on to make several more films which make ingenious use of the close-up, and I became so intrigued by these shots. What was Wright’s purpose for them in each film? Why did he seem to employ them so copiously? How did he fit them into his shooting schedule?
Edgar Wright generously agreed to chat with me at length on this topic. I edited our conversation into a video essay exploring the art of close-ups. Check it out after the jump and be sure to pick up Edgar’s The World’s End on Blu-Ray when you get the chance.
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Posted on Monday, December 16th, 2013 by David Chen
When Edgar Wright’s Scott Pilgrim vs. The World debuted in 2010, I’ll admit it: I didn’t quite know what to make of it. Wright’s Shaun of the Dead and Hot Fuzz were clearly send-ups of their respective genres, but Pilgrim defied my expectations. Part videogame movie, part comic-book movie, and part coming-of-age story, Pilgrim, based on Bryan Lee O’Malley’s award-winning graphic novel series, was a bold, singular creation that unfortunately never truly found its audience during its theatrical release.
In the intervening years, my appreciation of the film has grown considerably. After the jump, you can see my newest video essay analyzing the film and pointing out some of its hidden gems. Feel free to share your thoughts on Scott Pilgrim vs. The World in the comments.
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In just over one week, Edgar Wright‘s fourth feature film, The World’s End, hits theaters in the US. That’s as good an excuse as any to look back at Wright’s previous films and celebrate our shared love of them. Those films, of course, are Shaun of the Dead, Hot Fuzz and Scott Pilgrim vs. The World. There’s also the amazing TV show Spaced that acted as a precursor to those films.
Wright’s work has been immortalized in various media (such as Mondo posters, original paintings, and gig posters) and Gallery 1988 West in Los Angeles is doing all that and then some. On Tuesday August 20, they’re hosting The Official Edgar Wright Art Show and we’re happy to share a pretty healthy sampling of works that’ll be on display including a few exclusive debuts. Read More »
Kevin Tong‘s Sights Unseen art exhibit is like when Carrie goes nuts on Homeland and puts up a huge bulletin board of work. It’s overwhelming and blinding, but totally genius. Tong, one of the most well-respected and talented screenprint artists working today, has created an exhibit not just for movie fans. It’s for everyone.
Comprised of over 200 drawings from the entire course of Tong’s career, the exhibit hits like a ton of bricks. It’s difficult to believe he’s assembled this much work in one space. As you begin to explore the nooks and crannies of the gallery, you’ll find beautiful movie pieces, music pieces and more general art pieces that Tong created on the way to larger, more commercial work. It’s one of those exhibits fans will have to explore again and again because they’ll find something new and exciting every single time through.
Tong has done movie posters for Mondo, Gallery 1988, Spoke Art, worked for bands like Phish, The Black Keys, Bon Iver and many more. But all of it started with these drawings and seeing them as a whole is not only to see the arc of an artist’s career, it spotlights an evolving style and ideas that are radically out of the box.
Sights Unseen is currently on display at the Phone Booth Gallery in Long Beach, CA through April 3. Below, we’ve captured just a few of the movie and pop culture related pieces. Read More »