The Black List has been released. The annual list is compiled with a poll of 300 (up from last year’s 250) development executives and high-level assistants, and contains a ranking of the hot screenplays making the rounds in Hollywoodland, which were written in, or are somehow uniquely associated with, 2010 and will not be released in theaters during this calendar year. Basically, the black list contains the hottest projects in Hollywood that you haven’t heard of yet.
Note: The headline is a slightly inaccurate, because a lot of these screenplays have already been acquired (six of the top ten listed), a bunch are in production now, and some have even finished production. One of this year’s top ten screenplays, J.C. Chandor‘s Margin Call, about the last 24 hours at now-defunct investment bank Lehman Brothers is already in the can and set to premiere at the 2011 Sundance Film Festival with Chandor at the helm and Kevin Spacey and Paul Bettany star. The top screenplay om the list, College Republicans, already has Shia LaBeouf and Paul Dano attached to star.
Started in 2005 by a young executive at Leonardo DiCaprio’s production company Appian Way, who polled 90+ peers to send him their 10 favorite new unproduced screenplays to read over the holidays. The underground list was e-mailed around and quickly became a Hollywood phenomenon. To give you an idea, the top three entries of the 2005 list where Things We Lost in the Fire, Juno, and Lars and the Real Girl. However it should be noted that a warning appears at the beginning of the list:
“THE BLACK LIST is not a “best of” list. It is, at best, a “most liked” list.”
Also, it should be noted that many people in recent years have begun accuse participants for pushing their own/friends clients.
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This week Universal Pictures got the urge to fill out the company’s calendar for the next couple of years. Yesterday we heard that the studio has dated Judd Apatow’s as-yet-untitled new film for summer 2012. Now there is a flood of new release dates for the studio, for a diverse array of films. Hit the jump for release info for Safe House, The Dark Tower and more. Read More »
Ryan Reynolds has a huge slate of projects lined up, which has led to obvious questions about whether any one or the other might have to give way due to scheduling issues. His two big comic book-derived films are Deadpool, long in development, still without a director, tangentially related to X-Men Origins: Wolverine, and possibly a pretty crazy film.
And there’s R.I.P.D., to be directed by Robert Schwentke, helmer of Red. But there’s only so much time in the world, and it sounds like one of those films could well have to give way to the other. Read More »
Briefly: It’s Ryan Reynolds day! There was just talk of Green Lantern sequels, Deadpool and R.I.P.D., and now there’s word that Reynolds is the ‘top choice’ to work opposite Denzel Washington in the thriller Safe House. Deadline says that Reynolds is the frontrunner in a giant pack of young actors that want the role. Shia LaBeouf, Taylor Kitsch, Chris Pine, Sam Worthington, Garrett Hedlund, Zac Efron, Channing Tatum, Chris Hemsworth and Jake Gyllenhaal are all said to be in contention for the part. Note that there’s no offer yet, so this is just talk for now.
Reynolds (or whoever gets the gig) would play a young CIA agent tasked with transporting a criminal (Denzel Washington) to safety. As we reported before, David Guggenheim’s story was snagged by Universal in a bidding war, and has Snabba Cash director Daniel Espinosa set to helm. The basic setup for the script goes as follows:
Set in South America, Safe House follows a young U.S. intelligence agent who must go on the run with a newly arrived prisoner (Denzel’s potential role) after his titular safe house comes under attack — think of a mix between Collateral and Three Days of the Condor.
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Denzel Washington can make a hell of a bad guy, and he’s now negotiating a new role where he’d play the antagonist — a lethal prisoner, in fact — in a buzzed-about script called Safe House. Read More »
Universal has purchased David Guggenheim‘s spec Safe House for $600k against $900k, winning out against two other movie studios in a bidding war. The action thriller tells the story of a CIA agent who becomes the only survivor after a CIA safe house attack, and must help a dangerous prisoner avoid being killed as they escape to a second safe house, “outmaneuvering various forces that want them both dead.”
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