Briefly: There has been a change to the untitled new film that Spike Jonze is putting together. For his first feature since Where the Wild Things Are, Jonze wrote a script about a man (Joaquin Phoenix, presumably) who falls in love with the voice of a computer. Think of someone getting a bit too attached to Siri on the iPhone. Amy Adams and Samantha Morton are in the movie, and Carey Mulligan had planned to play a role as well.
Now Mulligan has had to back out, reportedly due to scheduling issues, and Rooney Mara (The Girl With the Dragon Tattoo) will take her place. Mara would lock the cast, and this would turn into the project she shoots after Steven Soderbergh’s The Bitter Pill, in which she plays the lead role. She’s also got a part in Terrence Malick’s untitled new movie, formerly called Lawless, opposite Ryan Gosling. Carey Mulligan, meanwhile, has got the Coen Brothers’ Inside Llewyn Davis and Baz Luhrmann’s The Great Gatsby this year, so she’s in a good place. [Variety]
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One of the last two films Steven Soderbergh plans to shoot before retiring from directing is The Bitter Pill, a thriller scripted by Scott Z. Burns (The Informant!, Contagion) that follows a troubled and highly medicated woman (Rooney Mara) who is dealing with her anxiety pending the release of her husband (Channing Tatum) from prison.
The promising actress Vinessa Shaw (Two Lovers, pictured above, and 3:10 to Yuma) is now set to play the wife of one of Mara’s doctors, who will be portrayed by Jude Law. After The Bitter Pill, Soderbergh will move on to his Liberace biopic for HBO, and then he’s done. (So he says.) [Deadline]
After the break, Ray Liotta lives with chemistry and Stanley Tucci joins two Harry Potter veterans. Read More »
Posted on Wednesday, February 8th, 2012 by Angie Han
After taking a hiatus for the birth of her son, Natalie Portman is gearing up to get back to work. Portman, who won Best Actress at last year’s Academy Awards, has found her first post-Oscar roles in two upcoming Terrence Malick films, Knight of Cups and Lawless. Details on the two films are still scarce, but given the combination of Malick, Portman, and her co-stars on the two projects, I’m pretty excited all the same. More details after the jump.
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Steven Soderberg is prepping a movie called Side Effects, a film that he plans to shoot this spring and which will be one of his last two movies. The project ran into a snag recently when financier Megan Ellison and her Annapurna Pictures started to pull away. Part of the problem with the deal was reportedly the fact that Soderbergh wanted to cast Blake Lively in the lead female role. He was trying to push forward with that idea, but was willing to go with someone else if that casting proved problematic with other financiers.
We might assume that it did, because Lively’s role has now been given to Rooney Mara, star of David Fincher’s remake of The Girl With the Dragon Tattoo. Read More »
Over the last couple weeks, one studio announcement has been conspicuously absent.
With the launch of most major film franchises — that is, the opening of a film that is envisioned as a gateway to more of the same — it doesn’t take long at all for studios to greenlight the second entry. With films based on existing properties like comic books, that announcement can come before even the end of the first film’s opening weekend. Studio accounting, shady as it is, has been refined to a science, and Thursday, Friday and Saturday numbers are often all that it takes when the time comes to pull the trigger on a sequel, or to put the gun against the temple of the young franchise.
So where’s the press release announcing that David Fincher will direct The Girl With the Dragon Tattoo sequel The Girl Who Played With Fire for Sony/Columbia? It hasn’t hit yet. But Sony says the film is still in development and that it will get made. We’ve known that Steven Zaillian is busy on the screenplay, and there has been vague talk of shooting the second and third films back to back. But will David Fincher direct? Read More »
Awards and top ten lists and all of that be damned: months after its release people are still talking about Terrence Malick‘s The Tree of Life, and with good reason. Dispute the effectiveness of the bookending Sean Penn sequences, sure, but the core of the movie is a powerful family story that works precisely because of Malick’s characteristic approach.
The film has that small, solid family center, but also has much bigger things at the fringes, and recently released storyboards clue us in to plans that would have put another layer of narrative into The Tree of Life. The boards show a sequence featuring Adam, Eve, Cain and Abel — a story that could have either provided more thematic weight for the film, or bogged it down with a too-obvious layer of allegory. Likely the latter, given that the scenes didn’t end up in the film, and may not have even been shot.
Regardless, check out the boards below. Read More »
Posted on Thursday, December 22nd, 2011 by David Chen
In this episode, Dave Chen, Devindra Hardawar, Angie Han, and Adam Quigley discuss The Girl with the Dragon Tattoo (2011). Do screenwriter Steven Zaillian and director David Fincher find something profound or interesting to add to the pulpy source material? Tune in to find out!
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Live broadcasts will resume in 2012.
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(This review originally ran last week when Sony lifted the review embargo, but we’re running it again today to coincide with the film’s wide opening.)
Something at the center of Stieg Larsson’s Millennium novels has captured the attention of millions. Actually, make that ‘someone.’ The first novel, Män som hatar kvinnor (Men Who Hate Women, softened to The Girl With the Dragon Tattoo in many countries) spins around an unlikely nucleus: counterculture heroine Lisbeth Salander, a determined outsider possessed of keen investigative skills, a vengeful spirit and a strong sense of fairness. In the 2009 Swedish film adaptation, Noomi Rapace played Salander as a character just different enough to be a forceful vision, and familiar enough to become nearly iconic. But the film in which she lives is a routine potboiler of a thriller.
The directly translated Swedish title is promising in a way, as ‘men who hate women’ hints at a thriller that will use the conventions of a serial killer story to explore the ways in which abuse and violence shape people and their relationships to one another. The first film didn’t skimp on the intersection of sex, power and violence, as a dethroned magazine publisher is hired to discover the truth about the murder of an industrial magnate’s niece, but it was never any good at getting under the skin of the story.
Enter David Fincher and screenwriter Steven Zaillian with their own take on The Girl With the Dragon Tattoo. Fincher also doesn’t skimp on sex and violence, and in the middle of his dark, frosty film is a strange but tightly controlled performance from Rooney Mara as Salander. This film trims minor players and subplots to focus, in a slightly more effective manner, on these characters who have been molded by violence. And yet it remains merely a routine thriller. The Girl With the Dragon Tattoo is a technically proficient piece of work, but it is almost as bloodless as an old murder victim. Read More »
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