Briefly: One of the best films of 2014 so far, Richard Linklater‘s Boyhood, will now get a release right in the middle of summer. IFC, which has backed Boyhood for over ten years, has given the film a July 11 release date. Linklater began shooting the film in 2002, and brought the cast together once a year to shoot a couple days between 2002 and 2013. The last shoot took place in October of last year, just a couple months before the film’s premiere at Sundance.
Boyhood stars Ellar Coltrane (above), with Ethan Hawke, Patricia Arquette and Lorelei Linklater playing his parents and sister. While the film is primarily about the boy (eventually a young man) played by Coltrane, it really chronicles the shifting fortunes of a loosely connected family as they journey through more than a decade of life. [Variety]
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The Incredible Mr. Limpet, which in the ’60s had Don Knotts voicing an animated fish that helped the US Navy seek out Nazi subs during WWII, is one of those projects that has been developed as remake fodder for years. There was a point when Steve Oedekerk might have directed, and Brad Bird was a choice to succeed him. At that point the studio wanted Jim Carrey to voice Limpet — and even knocked together some concept art featuring Carrey’s face on a fish. It was the stuff of unpleasant dreams, if not exactly nightmares.
Now Mr. Limpet is swimming upstream towards the big screen again, with Richard Linklater set to direct after being rumored for the gig a few years ago. And Linklater has his old compatriots in rotoscoped animation along for the ride: Femke Wolting and Tommy Pallotta, who both worked on Waking Life and A Scanner Darkly. Read More »
Richard Linklater has truly created something special with his new film Boyhood – a remarkable, beautiful, cinematic achievement, like nothing you have ever seen before. Filmed over short periods from 2002 to 2013, the film chronicles a family over the course of 12 years, with the actors reprising their roles through the progression of time.
At the center of the story is Mason (Ellar Salmon), who with his sister Samantha (Lorelei Linklater), makes the journey from childhood to adulthood. As the film begins, we see that they are living with their single mother (Patricia Arquette) and that their father (Ethan Hawke) has long since left the family. The film takes us through their evolving relationship with their mother and father over many years, moves, and life changes.
I don’t want to give away many specifics or plot points, and keep this as more of a reaction than review. After the jump you can read more or watch a video blog I recorded after the screening with Russ Fischer.
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2014 will be the second year in a row to host the premiere of a highly-anticipated Richard Linklater movie. Last year it was Before Midnight, which continued the story told in Before Sunrise and Before Sunset.
This year, the film is Boyhood, the ambitious and unusual film that Linklater shot over the course of more than a decade. The film stars Ethan Hawke, Patricia Arquette, Ellar Coltrane and Lorelei Linklater. The festival describes it as follows: “Filmed over short periods from 2002 to 2013, Boyhood is a groundbreaking cinematic experience covering 12 years in the life of a family. At the center is Mason, who with his sister Samantha, are taken on an emotional and transcendent journey through the years, from childhood to adulthood.” Read More »
Posted on Monday, December 30th, 2013 by Angie Han
2013′s given us all it has to offer at this point, but 2014 is just around the corner with a whole new slate of promising films. The movies I’m most looking forward to are all over the map, running the gamut from provocative arthouse flicks to big-budget superhero movies. After the jump, check out the ten titles that have me giddy with anticipation for the next twelve months.
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There are long-gestating films that take forever to make due to complications and circumstance. Then there’s the rare one that takes years by design.
Richard Linklater has been making Boyhood since 2002. The film isn’t delayed or in trouble or anything like that. Boyhood is designed to chronicle the growth of a boy from age 6 to his last year of high school at 17 or 18. Ellar Salmon plays the boy through the entire film, because Linklater has shot the movie essentially in sequence, creating new scenes each year since ’02 as Salmon grew.
Ethan Hawke plays the boy’s stepfather and Patricia Arquette his mother. There are similar projects to this one — Paul Almond and Michael Apted’s Up series qualifies — but no dramatic narrative quite like Boyhood. We’ve known about the film for a long time but didn’t know when we’d be able to see it. Now, Hawke says it should hit next year, in 2014. Read More »
Richard Linklater gets lots of love for his smaller movies like Dazed and Confused, Before Midnight, Bernie and Waking Life. Rightfully so. But one of his films that is sometimes overlooked is also, by far, the biggest grossing film of his career. That would be 2003′s School of Rock.
Written by Mike White and starring Jack Black, the film follows a slacker who poses as a substitute teacher, then turns his class into a world-class rock band. It’s one of those crowd-pleasing films that don’t really exist anymore; I dare you to turn it off if it’s ever on cable. The film’s 10 year anniversary is coming up in October and, to celebrate, Odd City Entertainment has commissioned artist NE to immortalize the film in screenprint. It’ll be exclusively available at an Austin-based anniversary screening of the film.
Check out the poster, and how to get tickets, below. Read More »
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Julie Delpy and Ethan Hawke have an easy, familiar chemistry on screen; it’s no wonder their third pairing, Before Midnight, stands out as one of the best films of the year so far.
Now the two have been recruited (along with their offscreen cinema partner Richard Linklater) to take part in a “don’t talk or text” PSA for the Alamo Drafthouse theater chain. The result is great, as it features the two perfectly in character as seen in the Before films, but also because it plays with the fourth wall and expresses some of the vitriol that many audience members feel when someone else is being inconsiderate in a movie theater. Read More »