Posted on Friday, May 18th, 2012 by Angie Han
Even as we dive into the heart of the summer movie season, some of the most promising imminent releases could be titles that aren’t new at all. Pixar is re-releasing four of its recent hits — Toy Story 3, Ratatouille, Up, and Wall-E — into AMC theaters for four days over Memorial Day weekend, from May 25 through May 28. The films will be be up against the horror Chernobyl Diaries and the sci-fi sequel Men in Black 3. Yeah, given those options, I may just opt to revisit one of the Pixar classics too.
Especially since tickets will be going for as low as $6 each. Considering that regular screenings generally cost twice that in my area, that’s quite the bargain. Further sweetening the deal, each screening will also include a classic Pixar short and a behind-the-scenes sneak peek at Pixar’s next project, Brave. Head to the AMC website for more info on locations, pricing, and showtimes.
And speaking of Brave, hit the jump for details on its world premiere, which will coincide with the debut of Hollywood’s Dolby Theatre.
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Going to big conventions is a lot of fun until a few days later and you hear what you missed. Recently, this happened at Comic Con when I heard what happened at the Lost panel. Speaking of Lost, that show’s composer, Michael Giacchino, apparently had an amazing panel at the D23 Expo. Which we missed. Giacchino’s panel, The Music of Pixar, unfortunately ran up against Disney’s epic movie panel but, thanks to the magic of YouTube, we can now all watch the Oscar-winning composer talk about his inspiration, and music for, the Pixar films The Incredibles, Ratatouille, Up and Cars 2. We’ve got the full panel embedded after the jump. Read More »
Posted on Tuesday, August 2nd, 2011 by Angie Han
For the past seven months, Kees van Dijkhuizen‘s been releasing tribute videos for his yearlong “[the films of]” project, each showcasing the work of a different director via a montage, and we at /Film have been with him since the beginning. For his newest installment, however, van Dijkhuizen chose to go a slightly different route: Rather than select one auteur to focus on, he’s chosen an entire company. Watch “[the films of] Pixar Animation Studios” after the jump.
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Posted on Tuesday, March 29th, 2011 by Angie Han
We’ve featured a handful of director montages here on /Film recently, and while this “25 Years of Pixar” compilation isn’t quite that, it’s actually pretty similar. In terms of look, tone, and quality, I’d say Pixar is as consistent as many directors.
For the video, NkMcDonalds pulled scenes from works spanning over decades — from ’80s shorts to this year’s Cars 2. If you like Pixar as much as I do, it’ll definitely make you smile and it might even make you tear up a little tiny bit. Watch it after the jump.
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/Film reader Derek Stettler has compiled a video titled “Reel Wisdom: Lessons from 40 Films in 7 Minutes,” which does just what it claims. Here is more from the editor:
I made this video because I love films and I think there is great wisdom inherent in the film medium. This video represents some of the best wisdom from films, edited together as a single coherent piece of advice on everything from life, death, and purpose, to anger, regret, and destiny. In creating this video, I tried to feature a broad array of films, from action/adventure and sci-fi films, to dramas and traditional/CG animated films in order to show how all genres of film have something important to say.
Watch the video embedded after the jump.
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The United States Postal Service announced today that they will release a series of Pixar image stamps in 2011.
Based on that success, the Postal Service was eager to work with the Walt Disney Company again, choosing to explore the Disney*Pixar films, which offer exciting, contemporary characters and strong themes involving family and friends. This pane of 20 stamps includes five different designs featuring Pixar characters: Lightning McQueen and Mater from Cars (2006); Remy the rat and Linguini from Ratatouille (2007); Buzz Lightyear and two of the green, three-eyed aliens from Toy Story (1995); Carl Fredricksen and Dug from Up (2009); and the robot WALL*E from WALL*E (2008). Since the Academy Award for Best Animated Feature was introduced in 2001, all seven Pixar films released since that time have been nominated and five of the seven have won, including Ratatouille, WALL*E and Up.
I’ll need to buy some of these for my rare snail mail usage. The 2011 Disney/Pixar Send a Hello stamps will be released on August 19th 2011.
Pixar has already returned to the money-regurgitating well twice now with 3D re-releases of Toy Story and Toy Story 2, which returned to theaters simultaneously last year. Now it appears as though other entries from Pixar’s library may be getting a similar treatment, according to a recent interview with the studio’s stereoscopic (3D) imaging supervisor, Bob Whitehill.
Ratatouille is the current contender being taken into consideration, and apparently director Brad Bird is open to the process. More info after the break. Read More »
Chilean-based graphic designer Juan Pablo Bravo put together an awesome infographic showing “100 pixar characters” with their estimated sizes. While it is not perfect (For example, I think Flick from A Bug’s Life is a few times bigger than a normal ant), the graphic gives you a good idea of how most of the Pixar characters measure up.
Bravo created this piece of awesomeness without the help/assistance/encouragement of Pixar, as a personal exercise. It features characters from all of Pixar’s productions — both the short films and the feature films. It even features some of the new toys from the yet-to-be-released Toy Story 3. Check out the full poster after the jump. Click on the image to enlarge.
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Yesterday, CBS News aired a segment on an “ongoing blogger debate” over the representation of black people and negative stereotypes in Disney’s The Princess and the Frog. Of course, after previous and longer segments on the failing economy and Air France, even the way in which Katie Couric mentioned “bloggers” carried a decidedly trivial tone connoting birds-on-a-wire. Snob. However, given that hardly anyone has seen a near-complete version of the fourth-quarter film, I have to agree that any “chirped” anger, feigned or genuine, is premature. Also: the world is mad, get over it.
But heated discussions about Disney’s movies, especially in this case, do have precedent: clips from the studio’s infamous 1946 film, Song of the South, are forever available to support and fan the issues of political correctness. Moreover, theories about sociological, hidden and subliminal messages in Disney films and characters are so prevailing that I have enjoyed intriguing classes on the very subject in junior high (for free) and at university (for a repossessed Porsche).
Which brings me to Disney’s Pixar, where animated films are made to awe kids and—and arguably more-so—adults. Feted, beloved, and at times “progressive” as it may be, Pixar is not immune to similarly “bloggy” issues regarding political correctness; a debate over the absence of female lead characters in their films began earlier this year and remains a valid and popular talking point.
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