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It’s a good day for those who like to see films based on some of the more serious and/or challenging comics out there. We got word that a film adaptation of the first arc in Ed Brubaker’s great Criminal series is still in the works, now with Kim Jee-Woon (I Saw the Devil) directing. And now the once-dead adaptation of Charles Burns‘ wild and very unsettling graphic novel Black Hole is back on, with David Fincher again set to direct.

This Black Hole has nothing to do with space, or with a Disney sci-fi film. It is sourced from a serialized graphic novel in which Charles Burns visualized a set of Seattle high school kids who are all touched by “the bug,” a sexually-transmitted mutagen that has some pretty shocking effects on those that carry it. Picture a hybrid of Dazed & Confused and Less Than Zero filtered through early Cronenberg and you’ll kinda get the idea. Read More »

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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?

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