Posted on Monday, September 19th, 2016 by Jacob Hall
Paul Verhoeven has a unique talent for getting a rise out of audiences. RoboCop is a goofy action movie…that is also about the inner rot eating away at American culture. Starship Troopers is a wild science fiction action movie…that is also a vicious parody of fascism and military propaganda. Basic Instinct is a sexy psychological thriller…that leaves you feeling disgusted with yourself on just about every level. And Showgirls is…well, it’s Showgirls.
Excluding 2012’s crowdsourced experiment Tricked, Elle is Verhoeven’s first feature film since 2006’s exceptional World War II drama Black Book and it certainly looks like he’s up to his old tricks. Here’s a thriller that looks standard on the outside, but promises all kinds of provocative nastiness on the inside. The trailer and the talent involved is more than enough to grab my interest, but I’ll be honest: I’m dreading this movie as much as I’m looking forward to seeing it.
Watch the Elle trailer after the jump.
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Posted on Friday, February 5th, 2016 by Jacob Hall
It takes a village to make a movie. A director needs a producer or two with good heads on their shoulders. The cinematographer needs a team of dedicated electricians. Grips and script supervisors and production assistants and caterers and countless other professionals all contribute to the finished product. A film crew is an army and in some cases, a family.
But what happens when a director opens the doors to his village and lets the population explode? Paul Verhoeven‘s Tricked looks like a very traditional thriller, but it’s actually an ambitious and bizarre experiment. Only four pages of the screenplay were crafted by Verhoeven – the rest were cobbled together by crowdsourcing, allowing countless other writers to submit thousands of their own pages. So what does a movie written by a literal mob of contributors look like? The new trailer gives us a clue.
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week we talk goat testicles, bask in the glory of a scruffy looking Tim Roth, fantasize about a life outside the fabric store, go down the thunder road of gore and violence with the peeps behind V/H/S, and catch up with Paul Verhoeven.
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We’ve featured plenty of work from artist Matt Ferguson, from his Lord of the Rings poster set to his Star Wars trilogy collection and his art show in Brooklyn this past spring. Now we have one more cool piece to add to his impressive line-up, and it pays tribute to Paul Verhoeven’s contemporary action classic, RoboCop.
See the full Robocop print and find out where you can get one after the jump! Read More »
When it comes to modern sci-fi movies, RoboCop has to be one of the best. Part machine, part man, the 1987 film by Paul Verhoeven is a satirical, violent masterpiece. At its center is the gorgeously designed, iconic lead character who returned for two much lesser sequels, and was redesigned for a reboot released earlier this year.
So how did RoboCop come to be? What’s the story behind the silver and chrome character? A new book called RoboCop: The Definitive History hits shelves Tuesday. Written by Calum Waddell, it has all the answers. To celebrate its release, we’ve got a set of amazing RoboCop behind the scenes photos like the one above. Check them out below. Read More »
Cool Posts From Around the Web:
It’s Cannes time, which means the marketplace is opening in France, and producers, sales agents, distributors, and other money-traders are converging to make deals to produce and exhibit new films. Two of the first big filmmakers who will be selling their new projects at the festival are Paul Verhoeven and Gaspar Noé. We’ve got what little info is available on their new projects, after the break. Read More »
Posted on Wednesday, May 1st, 2013 by Angie Han
Watch out, Texas: Michael Bay‘s Autobots and Decepticons are coming to destroy your towns. Also after the jump:
- Woman in Black: Angels of Death adds two young Brit stars
- Sorry romcom fans, Bridget Jones 3 isn’t coming anytime soon
- Transformers 4 continues casting; Bay talks character redesigns
- Ray Liotta chats about the Sin City and The Muppets sequels
- Paul Verhoeven had fun watching the Total Recall remake fail
- Cozy up to the cutest cast member from The Hangover Part III
- Disney parks reveal big summer plans for Monsters University
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Remakes live, die and get defended in this edition of Remake Bits. After the jump, read about the following:
- David Lindsay-Abaire gives an update of the Poltergiest remake.
- Sharlto Copley eases fan misconceptions about Spike Lee’s remake of Oldboy.
- Chris Tucker is in talks for the remake of the French smash The Intouchables.
- Larry Clarke said a remake of Mona Lisa is dead.
- Paul Verhoeven believes the failure of the Total Recall remake could have killed a Starship Troopers remake.
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Paul Verhoven, the dual-sided filmmaker whose Hollywood career is broadly split between highly aware genre fare (RoboCop, Starship Troopers, Black Book) and gleeful, exploitative silliness (Showgirls, Basic Instinct, Total Recall), has long wanted to make a film about Jesus. Yes, that Jesus, the carpenter. He co-wrote a book on the subject, Jesus of Nazareth, and has tried for some time to raise money to do a film version.
Now he’s a couple steps closer, perhaps thanks to a climate that is more favorable than usual towards big films with religious origins. (Think Aronofsky’s Noah and Spielberg’s Gods and Kings.) Roger Avary (Pulp Fiction, Beowulf) has been hired to script, and Muse Productions is ready to finance the picture. Read More »