A lens flare is something that happens all the time in photography and filmmaking, simply because of how light travels through and reflects inside of a lens. But any good photographer or cinematographer knows how to use it effectively so it’s not just an accident. After all, lens flares can be avoided, but in films such as Scott Pilgrim vs. The World, There Will Be Blood, Looper, Gravity, The Wolf of Wall Street, Guardians of the Galaxy and more, they make some shots look fantastic.
A new lens flare supercut runs through dozens of movies featuring the side effect of bright light shining into the lens. Some are better than others, but it just goes to show you how abundant they are. And before anyone tries to make a joke: No, this isn’t just footage from J.J. Abrams movies. Read More »
Posted on Tuesday, October 27th, 2015 by Jacob Hall
Music has always been a vital component in the films of Paul Thomas Anderson, and he has a habit of returning the favor to the musicians and artists who so frequently lend his films so much power. Avant-garde folk artist Joanna Newsom played Sortilège in Anderson’s 2014 stoner-noir-comic-mystery Inherent Vice, and her offbeat voiceover narration gives the film much of its flavor. So of course the music video for Newsom’s new single is directed by Anderson, and of course both the song and the video itself are totally lovely and mesmerizing affairs.
Watch Paul Thomas Anderson’s “Divers” music video after the jump.
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Nicolas Cage is a worker. Sometimes I wonder if him and Samuel L. Jackson have a bet on which one of them can appear in the most movies in a year. Of course there’s nothing wrong with liking to work. Sometimes working at that rate just means a filmography becomes more about quantity than quality, which has been the case with Cage’s career over the past few years. Don’t bother worrying about the actor, though, because Nicolas Cage has no regrets. The only regret might be never working with director Quentin Tarantino — but will a Nicolas Cage Quentin Tarantino collaboration ever happen?
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Posted on Thursday, September 24th, 2015 by Angie Han
A new Paul Thomas Anderson movie is coming before the end of the year, but not to theaters. Junun, a documentary following Radiohead guitarist Jonny Greenwood and Israeli composer Shye Ben Tzur on a trip to India, will play exclusively on subscription streaming service MUBI, after debuting at the New York Film Festival.
Get details on the Paul Thomas Anderson Junun premiere after the jump. Read More »
Whatever is in the air that led to three major filmmakers doing low key or even “secret” documentaries this year, we love it. Christopher Nolan just debuted Quay, his 8-minute short about animators the Quay Brothers. Noah Baumbach worked with Jake Paltrow on De Palma, a portrait of director Brian De Palma which will premiere at the Venice Film Festival.
And now there’s a new Paul Thomas Anderson documentary — a secret documentary, even. Anderson’s film is called Junun. The movie, which Anderson shot without any fanfare, runs just under an hour, and follows Anderson’s regular musical collaborator Jonny Greenwood as he travels to India to record a record with Israeli composer Shye Ben Tzur.
The good news is that Junun premieres soon, at the New York Film Festival. The bad news is we don’t know how long those who can’t go to the fest will have to wait to see it. Read More »
Paul Thomas Anderson has a good history of making music videos between feature films, and now he has collaborated with one of his Inherent Vice actors on a new video project. Joanna Newsom appeared in Inherent Vice as Sortilege, and more importantly narrated the film in a slightly magical way that put Newsom’s voice to great use.
‘Sapokanikan’ is the first new song from Newsom’s forthcoming album, Divers, her first record in five years, which was announced today for an October 23 release. PTA directed the Sapokanikan video, which follows Newsom through the streets of wintery New York, bathed in gorgeous light. Read More »
Paul Thomas Anderson is writing a new movie, and it almost certainly isn’t anything you’re expecting. This isn’t a film of his own, but a for-hire gig working with the guy who nearly starred in Inherent Vice. Anderson will write a new draft of Pinocchio, the live-action film Robert Downey Jr. is pulling together based on the classic story of a wooden puppet who dreams of being a real boy. In addition, there’s a chance Anderson will end up directing as well. Get the details on the potential Paul Thomas Anderson Pinocchio project, below. Read More »
Interviews with Paul Thomas Anderson are still cropping up left and right as he’s out in the public eye doing promotion for Inherent Vice, and we’re not complaining. In a couple of new talks, the director expressed his enthusiasm for Edge of Tomorrow, a film we felt strongly about last year, and also talked about the process of choosing the excellent collection of music that brings additional life to Inherent Vice. Read More »
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Paul Thomas Anderson is definitely considered a champion of cinema. He’s a guy who shot his last film on 70mm film, loves the medium, and makes movies with deep characters and complex themes. Recently, he’s began eschewing strict narrative in favor of a looser structures, too. In short, he sounds like exactly the kind of person who’d be opposed to the boom of massive superhero movies at the box office.
But, you’d be wrong. In a new interview, Anderson defends the genre. Read the Paul Thomas Anderson superhero movie quotes below. Read More »
Some of the most inspirational filmmaking stories are tales of failure. Not the sort of failure that shuts down a production, but the sort that makes people look at a scene or a problem in a new light. It’s impressive to see a film that works in a near-perfect manner, but more so to realize that it didn’t just happen that way. Making a film like There Will Be Blood may seem impossible, until you realize Paul Thomas Anderson and everyone else involved just built it step by step, dealing with setbacks along the way, and using intuition and imagination to solve problems.
Or take Anderson’s new film Inherent Vice. One scene that works really well is a long conversation between Joaquin Phoenix and Reese Witherspoon — you’ve seen it excerpted in trailers and in the image above. They talk for a few minutes, and the whole thing is one shot in which the camera slowly pushes in on a dolly to add movement and a changing perspective. It works so well that a lot of people won’t even think about the shot the first time.
But that’s not how Anderson initially conceived and shot the scene. He first did it in a way that didn’t work, spending a lot of time and energy before realizing that a different, simpler approach was the way to go. He talks about the process in a new interview, which you can watch below. Read More »