Dave, Devindra, and Joanna Robinson from Pajiba delve deeper into the mysteries of Room 237, praise the remake of Evil Dead, and get excited about Man of Steel. Special guest Inkoo Kang joins us from the Village Voice.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993.
Read More »
Please Recommend /Film on Facebook
Walking out of Oblivion, you’ll probably have a few questions. Not plot questions, mind you. Director Joseph Kosinski makes what happens in the movie very clear. The questions are more about the director’s process. His mindset. Was Kosinski deliberatly echoing sci-fi films of the past? How much input did uncredited screenwriter Michael Arndt (Star Wars Episode VII) have? How did he pull off some of the film’s seamless visual effects? Did changing studios alter the movie? Is he offended by the Wall-E comparisons? Has he started thinking sequel? And which Disney property is next for the director, Tron 3 or The Black Hole?
Luckily, Kosinski was kind enough to give /Film a few minutes on the Universal Studios Backlot the week before the film’s opening to answer those questions, and a whole lot more. Check it out below. Read More »
The Matrix. 2001: A Space Odyssey. Independence Day. Star Wars. Wall-E. If you know and like those movies (and at least one more we won’t mention to avoid spoiling anything) you’re going to find Joseph Kosinski‘s Oblivion incredibly familiar. The filmmaker’s second film directly references and was indirectly influenced by a plethora of classic films, giving his “original” story a not-so-original feel. It’s almost as if Kosinski’s love of sci-fi was so big, he simply had to stuff it all into one big movie.
Yet even with those influences bursting from its seams, Oblivion is a delight. It is a gorgeous, exciting and satisfying film filled with beautiful visuals, eye-popping action and confident storytelling.
Read More »
Mondo, best known for being the limited edition poster boutique of the Alamo Drafthouse, is well on its way to becoming a big limited edition vinyl boutique as well. It has only released a handful of scores so far, but more are coming and each has been more beautiful than the last. The biggest release so far was last month’s Drive release with hot pink vinyl and artwork by Tyler Stout.
Next up is their first new release, the score for Joseph Kosinski‘s Oblivion. Much like Kosinski did with his first film, Tron: Legacy, he employed a very talented, but very non-traditional composer for his sci-fi film: Anthony Gonzalez of M83. Gonzalez, along with Joseph Trapanese (who worked on Legacy, The Raid: Redemption and more) has created a unique, exciting and pulse-pumping score combining electronics and orchestra. It’s score that you’ll soon be able to pick up on vinyl the gorgeous artwork of Killian Eng thanks to Mondo. Check it out below. Read More »
Universal is releasing a steady flow of featurettes about the making of the Tom Cruise film Oblivion, many of which focus on the unique aspects of crafting a future version of Earth. For the new one, as with some of the other behind the scenes looks at the film, there’s a focus here on the degree to which the film avoided using CG to create the landscapes and scenery that we see in many scenes.
Last week we saw a featurette for Oblivion that followed the crew of Joseph Kosinski‘s film during the first day of shooting in Iceland. This week there’s another that catches up with the production after it has been in the country for a while, and which really focuses on the logistics of shooting in a remote locale. Vague shades of the crafting of Middle-Earth here. Not that Peter Jackson was by any means the first director to take a crew off the grid, but he has set the tone of late as far as documenting the process. Kosinki’s crew seems to be doing good work, however, even with a far more constrained cast. Read More »
Cool Posts From Around the Web:
The first track released from the Oblivion score, crafted by Anthony Gonzalez of M83 and Joseph Trapanese, was a big layered cake of swelling synth sounds powered by a slow but rising drum beat. The new track is the title tune, which will likely play over the end credits. Like that first track, it features Norwegian singer Susanne Sundfør, and is a more upbeat track right off the bat.
This one doesn’t do as much for me, as has the tenor of a lot of end credit songs that are tailored to be broadly appealing. Your mileage may vary, however, so have a listen below — it’ll send a lot of people dancing out of the theater, at the very least, and Sundfør’s voice is quite pretty.
Along with that tune, we’ve a new featurette, on the film’s Sky Towers. (We’ve also embedded one on the Bubble Ship that we hadn’t highlighted before, just to give you more from Joseph Kosinski‘s new film.) Read More »
Posted on Monday, March 25th, 2013 by Angie Han
If action heroes are your thing, you’re covered this spring. G.I. Joe: Retaliation‘s nine-month delay finally comes to an end this weekend, while Joseph Kosinski‘s gorgeous sci-fi adventure Oblivion opens a few weeks later. New spots for both have just hit the web, and you can check them out after the jump.
Read More »
Many who watched the trailer for Joseph Kosinski‘s upcoming sci-fi film Oblivion might have had the same lingering question. “Haven’t we seen this movie before?” The aesthetic is certainly similar, but many sci-fi films are. It’s the story that rings a bell. A lone wolf, cleaning up a desolate Earth after the planet was destroyed. Hmm. Wait a minute, it’s the same thing as Wall-E!
Andrew Stanton’s Oscar-winning 2008 Pixar film seems to share a very similar DNA with the upcoming Tom Cruise action film, and YouTube user Giant Mimosas took the visuals from the former and audio of the latter creating an eerily perfect mash-up that’s both funny and clever. Check it out below. Read More »
Universal recently revealed that plans to open Joseph Kosinski‘s Oblivion early in IMAX theaters has been scuttled, but other plans for the movie are going forward at full speed. Anthony Gonzalez of the electronic/dance band M83 has been recording the score for the film with Joseph Trapanese, and the first track from that effort is now online. Check it out below, and you’ll find that the feeling conveyed by the track is just as big and sweeping as you’d hope.
In addition, we’ve got news of the composer Michael Giacchino working again with Andy and Lana Wachowski. This time he’ll be scoring their new film, Jupiter Ascending. Read More »