I’m still haunted by Lynne Ramsay‘s last film, We Need to Talk About Kevin, which I believe is one of the best horror films of the last few years. And so “We Need to Talk About Moby Dick in Space” is a great title for the announcement that Ramsay now has financial backing for Mobius, the film in which she’ll launch a version of Herman Melville‘s novel Moby Dick into space. But BAD already took that one, so we’ll go with something more basic.
Regardless, Ramsay and Kevin co-writer Rory Kinnear may now get to make their “psychological action thriller set in deep space.” With many other directors on board, that might sound like a pretty routine effort, but from Ramsay Mobius could become one of the films I’m most excited to see in the next few years. Read More »
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Posted on Monday, June 11th, 2012 by Angie Han
It’s been a while since we’ve received any significant updates on Timur Bekmambetov‘s action-oriented Moby Dick adaptation, but the project’s apparently still simmering over at Universal and has just brought in a new writer to help with one specific stumbling block: the budget.
Over the past year, we’ve seen several big action adaptations get scrapped or put on hold for financial reasons, including Disney’s Lone Ranger, Warner Bros.’ Akira and Arthur & Lancelot, and Legendary’s Paradise Lost, and it seems Universal is also treading carefully. Aaron Guzikowski, who previously wrote Universal’s Contraband, is in negotiations to rewrite the Moby Dick script with the specific aim of trimming costs. More details after the jump.
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I’m a big fan of Lynne Ramsay based on her first two films, Ratcatcher and Morvern Callar. The conversations about her third, We Need to Talk About Kevin, have been extremely tempting to read, but I’m waiting to delve into those until I’ve had a chance to see the film for myself. Suffice to say that the film is polarizing, and sounds like a distinctive piece of work at the very least.
The director has said that she is mulling two possible projects, a drama set in Glasgow, and a bigger sci-fi film. The prospect of the latter is one of the more exciting things I’ve heard in a while — a strong female director moving into sci-fi? Yes, please. Now it seems as if that sci-fi film is her likely next project, and it is a re-telling of Herman Melville‘s landmark novel Moby Dick. How’s that for a surprise? Read More »
We’ve wondered for quite some time what film Timur Bekmambetov might direct next. At one point, it seemed like he would follow his last movie, Wanted, with a direct sequel. But that is taking time to come together, and recently his prioritites have shifted to adapting the novel Abraham Lincoln: Vampire Hunter, which he is also producing with Tim Burton. Now the director confirms that as his next effort, while offering updates on quite a few other projects to which he’s been linked. Read More »
It’s rare that I look at a TV project and wish that it were a $100m theatrical production instead of a much smaller television affair. I like seeing what creative teams can do with ingenuity rather than money, so almost never think something should be more expensive. But I do wish the $25m television version of Moby Dick, currently shooting, had more cash to work with. Oceangoing stories look amazing on the big screen, and we get so few of them. Still, with the cast assembled for this version of Herman Melville’s novel, I’ll take what I can get. Read More »
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In what the trades are dryly referring to as a “reimagining” and “splashy,” Universal Pictures has hired Timur Bekmambetov (Night Watch) to direct a new version of the literary classic, Moby Dick, that will “apply the visual flourish he displayed on the [studio’s] summer hit Wanted.” So, 360 flips and Angelina Jolie’s ass? It’s pointless to feign outrage about this announcement (books, meh), but note that screenwriters, Adam Cooper and Bill Collage, have taken liberty with Herman Melville‘s opus, exercising the first-person narration of Ishmael so “the whale can fuck up way more shit, dudes.” They previously penned Accepted and the Olsen Twins’ New York Minute.
Also, Captain Ahab “will be depicted more as a charismatic leader than a brooding obsessive.” I’m no longer paraphrasing and you have to wonder if this choice was made due to the tepid fanboy reception of Peter Parker in Spider-Man 3. If you recall, Ahab’s Biblical emo-ness was a focal point…
All that most maddens and torments; all that stirs up the lees of things; all truth with malice in it; all that cracks the sinews and cakes the brain; all the subtle demonisms of life and thought; all evil, to crazy Ahab, were visibly personified, and made practically assailable in Moby Dick.
No longer. As someone who enjoyed Wanted and anticipates the cinematic giant shark mind-fryer that is MEG, I guess I should propose an upside to blowing off dusty works of literature like NES cartridges and inserting them into Hollywood’s puckering slot. So be it. If the filmmakers rig Ahab’s peg leg into a 3D harpoon, that could be schweeet.
Discuss: The producers are the writers of both National Treasures and I Spy.