Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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At one point or another, we’ve probably all thought about the possibility of owning an exotic pet. How awesome would it be to terrorize your enemies with a 20-foot boa constrictor, or have a lion ready to back you up when a thief breaks in in the middle of the night?
For most of us, those thoughts remain simply thoughts. But for thousands of Americans around the country, exotic pets are a frightening reality. Director Michael Webber’s film, The Elephant in the Living Room, explores the implications of exotic pet ownership through the eyes of the man that pet owners call when things go wrong. It recently screened at the Independent Film Festival of Boston. Hit the jump for my thoughts on his film, and my interview with Webber.
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