“The year is 1985. Rad Miracle is a shy, 13-year-old white kid obsessed with two things: Ping-Pong and hip-hop.” That’s the first sentence of the Sundance description of Ping Pong Summer, a new film by writer/director Michael Tully. The instant I read that, I had to see the film. It just so happened that the screening was my final film of the festival. I couldn’t have asked for a more appropriate send-off. The film blends sports and coming of age traditions, wrapped in Eighties nostalgia, resulting in a sweet, funny film that just feels right. Read More »
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Can’t make it to Utah this month for the 2011 Sundance Film Festival? Here are your options. One – keep it locked right here to Slashfilm.com because myself, Peter Sciretta and David Chen will be on the scene reporting daily. Two – head to one of the cities that’s hosting a Sundance Film Festival USA screening. Or three – just click the On Demand button on your remote and join in to the Direct from the Sundance Film Festival initiative. Five specially selected films – four world premieres and one U.S. premiere – that will be playing at the festival will be available for a limited time on demand in on most major cable systems.
They are Mad Bastards, directed by Brendan Fletcher, Septien, directed by Michael Tully, These Amazing Shadows, directed by Kurt Norton, Uncle Kent, directed by Joe Swanberg and Kaboom, directed by Gregg Araki. Read full descriptions of each film and see stills after the jump. Read More »
It’s a crazy, mixed up world and we are thankful for movies, sans New Moon, that offer proof. Weekend Weirdness cocks its disoriented, nappy head to examine such flicks, whether it’s a new trailer for a provocative indie, a review, or news of an excavated cult classic. The works discussed herein tend to make cinema a little more interesting, and in the best and worst cases do the same for life. In this installment: Final Flesh is a real life Videodrome with porn actors from the co-creator of Wonder Showzen; Dirty is the forthcoming, surprisingly solid doc on the late Wu-Tang Clan rapper Ol’ Dirty Bastard; [adult swim]‘s Aqua Teen Hunger Force plops out a spicy Meatwad of a Xmas album, and more, G. The “G” is courtesy Nic Cage’s bad lieutenant.
Nearly a decade after he worked as a writer for Late Night with Conan O’Brien, the career of Vernon Chatman continues its fascinating flush-parade down and around comedy’s perverse bowels. With a new film, Final Flesh, he subverts the acting prowess of real life porno D-listers to match the success of his respected twists on tween teevee (MTV’s Wonder Showzen) and low-rent, fantasy animation (Xavier: Renegade Angel). The irony is that even though the DVD for Final Flesh arrived at my door with a tie-in golden condom packet filled with antibacterial lotion, Chatman ostensibly kept his hands clean of the filth. Flesh is what resulted after he commissioned four online companies that produce adult movies from scripts submitted by paying customers. Instead of sending the companies various scenarios too obscene for Roller Girl, Chatman’s screenplays mostly ditch sex in favor of a murky end days subplot complete with an Atomic Bomb.
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