Director/screenwriter Diane Bell‘s Obselidia is one of 16 films selected from 1,058 submissions for the Dramatic Competition for the 2010 Sundance Film Festival. Described as a “save-the-world love story”, the film tells the story of a lonely librarian believes love is obsolete until a road trip to Death Valley with a beguiling cinema projectionist teaches him otherwise. Shot on the Red Camera, featuring a score by UK musician Liam Howe (Spin Spin Sugar, 6 Underground) and starring a mostly unknown cast Gaynor Howe (Home and Away), Michael Piccirilli, and Frank Hoyt Taylor. Sundance calls the film “soft spoken, profound, and disarmingly charming” offering a “rare and humane lens through which we can view a world increasingly preoccupied with and inhabited by extinction.” A few more photos, trailer and poster, after the jump.
This Week In Trailers: What’s Up Lovely, Blood Creek, Seven Days (Les 7 Jours De Talion), Obselidia, ALiCE
Posted on Saturday, December 12th, 2009 by Christopher Stipp
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?