It was just a few weeks ago that we talked about the fact that Michael Haneke is putting together a new film. Called Flashmob, the movie is one he conceptualized a few years ago, before setting it aside to make Amour. The concept has evolved a bit since then, but the basic core still seems to be that it “the fragile relationship between media and reality,” and features a set of characters who meet via the Internet. While early reports said the film would shoot this summer, it now seems that Flashmob will be delayed, as Haneke wants to wait for the availability of one particular actress.
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This year’s Cannes Film Festival may have come and gone without a new film from Austrian director Michael Haneke (who won the 2012 Palme d’Or with Amour), but it looks like the filmmaker could hit the 2015 festival with his next film. Haneke is prepping to shoot a movie called Flashmob this summer, which means it should be rolling soon. This sounds like it is probably the culmination of ideas Haneke was toying with starting back in 2010, and we’ve got more details below. Read More »
Posted on Tuesday, March 5th, 2013 by Angie Han
Carrie Fisher gets ready to star in another Star Wars movie, while George Lucas considers the exciting world of museum curating. Also after the jump:
- Billy Dee Williams wants in on Episode VII
- … as does Darth Vader voice James Earl Jones
- Obama doesn’t know Star Wars from Star Trek
- Disney delays the Star Wars 1313 video game
- See a trailer for the Boba Fett pinball table
- Watch part of a doc about Empire Strikes Back
- What if Michael Haneke directed Star Wars?
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For the 70th year, the Hollywood Foreign Press handed out their Golden Globe Awards Sunday night. Hosts Tina Fey and Amy Poehler entertained an audience of TV and movie fans there to bestow awards to shows like Girls, Modern Family, Smash, Breaking Bad, Homeland and Downton Abbey and films like Lincoln, Argo, Django Unchained, Life of Pi, Silver Linings Playbook, Zero Dark Thirty and Salmon Fishing in the Yemen. Yes, I said Salmon Fishing in the Yemen.
That’s just one example of surprise nominees that make the Globes such a wild card each and every year. Check out all the winners below along with live commentary.
UPDATE: We’ve embedded a lot of the special moments from the show below. Read More »
This morning Megan Fox, Ed Helms, and Jessica Alba announced the nominations for the 2013 Golden Globes. The Hollywood Foreign Press Association, the organization behind the event, is famous for nominating films and performances simply based on their star factor — if there’s an actor that members of the HFPA want to hang out with, they’re sure to get a nomination.
But the HFPA is great at putting on a show, and so the Golden Globes generate a lot of attention every year. And, as the NY Times points out, with the Globes nominations coming just days before Oscar nomination voting starts, there’s a possibility that nominations here could affect Oscar voting. The Best Picture nomination set includes what is already becoming a standard set of awards favorites, such as Lincoln, Silver Linings Playbook, and Zero Dark Thirty, but there are also nominations for Salmon Fishing in the Yemen, and Django Unchained. Salmon Fishing in the Yemen picked up a few nominations, actually, which was one of the big surprises.
The Golden Globes will air on January 13, 2013, hosted by Amy Poehler and Tina Fey. The full nomination list is below. Read More »
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There’s a lot to be said for timing when it comes to film awards, and in that respect things couldn’t have worked out better for Kathryn Bigelow‘s Zero Dark Thirty. While most audiences won’t even have a chance to see the film until early next year, the first screenings of the movie have drawn rave reviews. And now it has picked up what will likely be the first of many awards.
Today the New York Film Critics Circle voted on awards for 2012, and Zero Dark Thirty and Lincoln were the big winners, with nothing scored by The Master, Django Unchained, Les Miserables, or other potential awards faves. Kathryn Bigelow took Best Director and her movie won Best Film, which is the same dual wins the filmmaker enjoyed in 2009 before The Hurt Locker went on to Oscar success. Get the full list of recipients below. Read More »
Michael Haneke‘s latest film Amour (aka Love) is probably the saddest happy movie ever made. It tells the harrowing story of an elderly couple’s long time love for each other and how their bond is tested when one of them falls incredibly ill. Depressing? More than you can imagine. But Haneke’s realism and the unbelievable performances of his leads, Jean-Louis Trintignant and Emmanuelle Riva, somehow takes terrible pain and transforms it into an affirmation of life.
Audacious in its attempt to make opposite ends of the emotional spectrum into perfect complements, Amour is a true feat that’s not to be missed. The film won the Palme D’Or at this year’s Cannes Film Festival and just played AFI Fest presented by Audi. Read more after the jump. Read More »
At a time when even the most basic films feature once-impossible and now all but invisible digital effects and editing, it’s easy to look past the fact that the power of cinema lies in the simplest things: image and sound, and the way that two or three small elements can be combined to create a complex and very powerful effect.
One of the best moments in the trailer for Michael Haneke‘s new film Amour was a combination of an edit between two simple shots and an action in the latter shot. The edit cuts across time and through memory, and the action — a simple, mundane little thing — turns the construction into a montage that communicates deep, inescapable sadness.
Two clips of Amour are now online, and one highlights that moment. It’s one that should be studied by anyone interested in the construction of a film, because it is a lesson in pure cinematic storytelling delivered in one minute. If someone asked me what movies are, as a medium, I might point towards this clip. Read More »
Over the weekend the top Cannes prize, the Palme d’Or, was awarded to Amour (Love), the latest film from Austrian director Michael Haneke. It’s Haneke’s second Palme d’Or in a stretch of two films; his movie The White Ribbon took the award in 2009. (Other films of his, Cache and The Piano Teacher, have been nominated for the prize, too.)
Today Sony Pictures Classics set a December 19 release date for the film. While that seems like a serious attempt to court Oscar votes, the serious end-of-life story will have an uphill battle come Oscar time. Still, Haneke’s films, somber though they may be, are often extremely powerful, and reviews of Amour out of Cannes were positive. Check out a great trailer below. Read More »