On July 21st 2014, I was lucky to visit the New Orleans set of Jurassic World. (You can read a list of over 50 things I learned on the Jurassic World set here.) While on set, we got the chance to have an extensive sit-down interview with Jurassic World director Colin Trevorrow, which was conducted during the crew lunch break on a recreation of the famous visitors center from Jurassic Park. (A location which, in the film’s story, is now abandoned.) Producer Frank Marshall joined us late in the conversation.
Our conversation spanned a variety of topics, including the use of performance capture to create the dinosaurs in the new film, the idea of Weird Al having a song in the new film, bringing an independent style to the shoot, and the evolution of the Jurassic Park 4 script over the last ten years. We went into the reasons for the infamous production delay, input from Steven Spielberg, and what to expect from the new dino species.
There were fun details, too, like how a conversation with his son about Star Wars resulted in major change to the script, allegories to Black Fish and Sea World, the dinosaur stand-ins on set, and how Brad Bird not directing Star Wars resulted in Steven Spielberg finding Colin.
As I said before, the interview is extensive and so you’ll want to carve out some time to read this. Trust me, its good.
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If you’ve been to a convention, odds are you spent some time drooling at a Sideshow Collectibles booth. Their large convention space consists of glass cases filled with the kind of high-end collectibles and figures most of us only dream of owning. Last weekend’s Star Wars Celebration was no different. Sideshow had a beautiful booth filled with goregeous merchandise. However, one big different this time was a huge selection of R2-D2’s that had been customized by various artists.
The exhibit was called R2-Me2 and consisted of efforts from almost 100 different artists – including composer Michael Giacchino – each using R2-D2 as a canvas for various interpretation of the character. Below, see a few our of favorite R2-Me2 images. Read More »
At Comic-Con, I usually spend most of my days camped out in the big convention hall Hall H (some people call it “Hall Hell”) but this year I spent Thursday pursuing some Pixar and Disney presentations in some of the smaller halls. First up was a presentation on Pixar’s upcoming holiday special Toy Story That Time Forgot. After the jump you can find out what I learned about the next installment of the Toy Story series.
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When two popular filmmakers hop on Reddit together, anything can happen. And lots did happen Wednesday night when Matt Reeves and Michael Giacchino did a simultaneous AMA to promote the excellent Dawn of the Planet of the Apes.
First up, the director dropped some super-interesting information about the making of the film and how he plans on working toward the 1968 original. Later, he got Giacchino to confirm he’ll be back for Dawn of the Planet of the Apes 2, or whatever it’ll be called. Both said they’d love to do a Star Wars movie (as long as they could do it together), and talked about future projects like The Invisible Woman and Jurassic World, the work load possible for a composer and so much more. It was a lively, interactive AMA and we’ve got some of the highlights below. Read More »
Composer Michael Giacchino has been known to have a little fun with the titles of the songs he creates for movies, but his original motion picture score for Dawn of the Planet of the Apes is particularly full of puns. For example, one of the tracks in titled “Close Encounters of the Furred Kind”, while his end credits score is titled “Planet of the End Credits”. Check out the full Dawn of the Planet of the Apes soundtrack listing after the jump. Don’t worry, the track listing it spoiler free (unless of course you consider a track title like “Enough Monkeying Around” a spoiler).
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Cool Posts From Around the Web:
With J.J. Abrams using John Williams to score his big 2015 release, Abrams’ frequent collaborator is stepping into Williams shoes. Oscar-winning composer Michael Giacchino will write the score for Colin Trevorrow‘s Jurassic World. Read More »
Briefly: Michael Giacchino just can’t quit the world of Brad Bird. The Oscar-winning composer has written the music for every Bird film except The Iron Giant, up to and including his upcoming film Tomorrowland. Among those is the similarly Oscar-winning film Ratatouille, which is getting a theme park ride at Disneyland Paris later this year. The ride is called Ratatouille: L’Aventure Totalement Toquée de Rémy (or, “The Totally Zany Adventures of Remy) and will feature music by none other than, you guess it, Michael Giacchino! The Ratatouille ride is expected to open later this year. Click here for more info. [Instagram]
Posted on Wednesday, October 23rd, 2013 by Angie Han
As with anything Star Wars related, the rumors are flying fast and heavy about Star Wars: Rebels. This time, they’re about who might score the TV series, with names like Michael Giacchino, J.J. Abrams, and John Williams being bandied about. Also after the jump:
- Seth Green explains what’s happening with Star Wars: Detours
- Peek at a viral recruitment site for Sienar Fleet Systems
- Peruse some pages from The Making of Return of the Jedi
- Scope out a new Star Wars exhibit at The Tech in San Jose
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Briefly: No surprise here. Director Brad Bird revealed on Twitter that Oscar-winning composer Michael Giacchino will compose the music for his 2014 Disney film, Tomorrowland. This marks Giacchino’s fourth straight collaboration with Bird. The pair worked together on The Incredibles, Ratatouille and Mission: Impossible Ghost Protocol.
Tomorrowland, starring George Clooney and Hugh Laurie, opens December 12, 2014. Read more about it here.