Here are the first images from the final James Gandolfini film, The Drop. Once called Animal Rescue, the tense Brooklyn-set drama also features Tom Hardy, Noomi Rapace and Matthias Schoenaerts, under the direction of Bullhead helmer Michael Roskam. Dennis Lehane (Gone Baby Gone) scripted the crime drama, which features Gandolfini as a former criminal whose cousin, played by Tom Hardy, is trying to go straight and having a pretty bad time doing so.
Four more images are below. Read More »
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Another big Cannes premiere this year was the crime drama Blood Ties, co-written by Two Lovers director James Gray, and the first English-language film directed by Guillaume Canet (Tell No One). The film has quite a cast, and a period ’70s setting in Brooklyn, as it remakes the 2008 French thriller Les liens du sang by Jacques Maillot.
The cast includes Matthias Schoenaerts and Marion Cotillard reuniting from Rust & Bone, but the prime cast members are Clive Owen and Billy Crudup, with Zoe Saldana, Mila Kunis, and James Caan. The plot relies on an old conceit: two brothers on opposite sides of the law. But there’s some changing of sides, and the ensemble cast expands the scope of the production by involving far more people than the two brothers.
Keep in mind, the trailer is not safe for work thanks to language. Read More »
Posted on Tuesday, September 4th, 2012 by Angie Han
Three years after the excellent prison thriller A Prophet, director Jacques Audiard is back with the romantic drama Rust and Bone. Bullhead star Matthias Schoenaerts plays a young father named Ali who meets a beautiful orca whale trainer, Stephanie (Marion Cotillard). As tragedy (or ludicrous plot twists, if you’re feeling less generous) strikes for both of them, the two imperfect beings fall in love. Watch the first UK trailer after the jump.
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Posted on Tuesday, January 31st, 2012 by Angie Han
Good news for those eager to find out exactly why Benicio del Toro is picking on Blake Lively in that first image from Savages: Universal has just shifted the opening date for Oliver Stone‘s latest from September 28 to July 6. Savages is the only film currently scheduled to go up against Marc Webb’s The Amazing Spider-Man, which hits three days before on Tuesday, July 3. It’s a bold move on the studio’s part, but it may also be a smart one — Savages could be ideal counter-programming to the comedies, actioners, and superhero flicks due out around the same time this summer.
Based on a book by Don Winslow, Savages stars Taylor Kitsch and Aaron Johnson as a pair of small-time pot dealers who get roped into working for a Mexican cartel that kidnaps their shared girlfriend (Lively). The impressive cast also includes Uma Thurman, Salma Hayek, John Travolta, Demián Bichir, and Emile Hirsch.
After the jump, new release dates for Clint Eastwood’s Trouble With the Curve, Drafthouse Films’ The FP, and lesser known Oscar nominees Bullhead (also from Drafthouse Films) and Chico & Rita.
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Though Fantastic Fest still has three days left packed with movies, the best of the best have been revealed. Monday night, the awards for the best films, actors, writers and directors of the festival were announced in several different categories. Some of the winners are films I’ve already reviewed and loved. The Audience Award went to A Boy and His Samurai by Yoshihiro Nakamura, the AMD Dell Next Wave Spotlight Competition winner was Bullhead directed by Michael R. Roskam (review coming soon) and You’re Next by Adam Wingard swept nearly all the horror awards. Read all the winners after the jump. Read More »
Film festivals are about three things. First is seeing huge, buzzed about films that no one has seen yet. Second is about discovering movies no one has heard of yet. And the third is seeing films no one will ever see again. After three days at the AFI Fest in Hollywood, CA, I’d hit one film in each category. The big film was Oscar contender The King’s Speech (read our review here), the discovery was the inspiring true life story of a deaf mixed martial artist called Hamill (pictured above) and the film no one will ever see is called Pulsar, a boring Belgian love story mixed with technological paranoia. Read reviews of the latter two films after the jump. Read More »
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