The films of Edgar Wright are known for their eclectic musical choices, but it’s the pop song choices that are typically revered. The scores are highly underrated, to the extent the score for Wright’s first film, Shaun of the Dead, has never been available anywhere in any format.
That changes this weekend at MondoCon in Austin, TX. Mondo will release the Shaun of the Dead score by Daniel Mudford & Pete Woodhead on vinyl as part of a carnival style, record-tossing booth. There are two editions, too, both with cover art by Jock.
But that’s not all. Previously announced, Mondo will release LPs of Nathan Johnson‘s score to Rian Johnson‘s Looper and Alex North‘s abandoned score for 2001: A Space Odyssey. Both have art by Jay Shaw.
Below, check out looks of all the LPs and read more information about them. Read More »
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In Part 1 of our FilmAid broadcast, Rian Johnson discusses his work on Looper and Breaking Bad, drops some hints at his next project, weighs in on the digital vs. film “debate,” and explains why it’s fun to make dog fart sounds with his mouth.
If you want to support the cause we’re promoting, please head over to filmaid.org/slashfilm and donate! You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993.
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Posted on Friday, February 15th, 2013 by Angie Han
In a weird way, special effects are never less noticeable than when they’re done really well. The best artists are able to blend the real and the unreal so seamlessly that it’s all but impossible to tell where one ends and the other begins. So it’s cool to get a chance to see the painstaking labor that goes into enhancing these films, as we do in two new VFX reels for Looper and The Hobbit.
In a similar vein, we also have behind-the-scenes featurettes from Brave and Life of Pi, which not only explore the making-of processes but also offer commentary from directors Mark Andrews and Ang Lee (respectively). Watch all four videos after the jump.
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In 2012, nitpicking movies became the latest online craze. Everyone got wrapped up in it. Some may blame the movies, but I blame fans with video editing skills who make videos like the ones below.
Three of the year’s most discussed movies – Rian Johnson‘s Looper, Ridley Scott’s Prometheus and Christopher Nolan‘s The Dark Knight Rises – are the latest to get “Everything Wrong With In 3-4 Minute” videos from CinemaSins. And while the latter two are mostly warranted, the former is such a stretch, even the director spoke out about it. Check it out below. Read More »
Posted on Friday, January 4th, 2013 by Angie Han
With just days to go until Oscar nominations are announced, the Writers Guild of America has unveiled its list of nominees for their top screenplay awards. As expected, many of these are films that have picked up plenty of accolades already. It’ll surprise no one to see that Zero Dark Thirty, Moonrise Kingdom, and Lincoln are among the contenders. But they’ve made room for some more offbeat choices as well, including Looper, Perks of Being a Wallflower, and The Master. (Jason Reitman should be pleased.) Hit the jump to see the list.
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Heading into 2012, two films many of us were looking forward to were the new movies from Rian Johnson and Judd Apatow: Looper and This is 40. Now that we’ve seen them, why not see a bit more? After all, whether or not you loved or loathed either film (read my review of each at these links) it’s difficult to dispute that everything Johnson or Apatow does is worth watching.
Two deleted scenes from This is 40 have been posted, including a really funny one with Green Day’s Billie Joe Armstrong, and another with indie songwriter Mark Oliver Everett of Eels. Then there’s a tense scene from Looper featuring Emily Blunt, Garret Dillahunt and a hamper. Check them out below. Read More »
Posted on Friday, December 21st, 2012 by Angie Han
It’s practically tradition among geeks at this point to bemoan the lack of recognition for genre movie come Oscar season each year. Even within the screenplay categories, which often give recognition some of the year’s more offbeat offerings, sci-fi films rarely seem to make the cut. And Jason Reitman thinks that’s just not fair.
In a new essay, Reitman makes the case for giving writer-director Rian Johnson (his archnemesis) a Best Original Screenplay nod for Looper. Read it after the jump.
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Posted on Wednesday, December 19th, 2012 by Angie Han
At their core, all narrative features are lies. We can will ourselves to believe we’re watching superheroes save Manhattan, but we know deep down that what we’re really seeing is costumed actors zipping around on wires and jumping in front of green screens. And like all great, big whoppers, the more moving parts there are, the more difficult it gets to keep everything straight.
The folks at MovieMistakes.com delight in pointing out the tiny mistakes that slip through, whether it’s a costume that’s been sloppily rearranged between takes or an anachronistic prop that’s been dropped into a period piece. Just as they did in 2011, they’ve just released a list of their favorite goofs of the year, as well as a tally of the most error-prone films of the year. Read them both after the jump.
[UPDATE: One of the filmmakers mentioned, Rian Johnson, has since responded to Looper‘s inclusion at #8 on the list. Hit the jump to see his tweet.]
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One of our most anticipated films of 2012, and subsequently one of the most analyzed, had to be Rian Johnson’s Looper. The time-traveling sci-fi action film with heart was entertaining but left us with lots and lots of unanswered questions. The director himself not only acknowledged that, but embraced it, which suggests he’d enjoy the latest video from the How It Should Have Ended team. Here, they animate the end of Looper and present an alterative version of what actually happens in Johnson’s film. Spoilers for Looper follow. Read More »