Ever since I started working on the /Filmcast, there have been two people I’ve always wanted to get onto the show that I haven’t been able to. Today, I cross one of those two names off my list (As for the other one, hopefully one day I can still get Heather Havrilesky to notice me…).
Shawn Ryan is one of the most exciting people working in the entertainment industry today. With an ear for crackling dialogue and a penchant for labyrinthine, satisfying plots, Ryan re-invigorates any genre he touches. He created the hit FX show The Shield, and was the showrunner on Lie To Me, Terriers, and The Unit. His newest show, The Chicago Code, airs on Fox on Monday nights and it’s one of my favorite new shows of 2011. In addition to watching it on TV, you can also see The Chicago Code on Hulu, Amazon, or iTunes. It’s well-worth your time to catch up now!
After the jump, read a full transcript (edited for clarity) of my 40-minute conversation with Shawn Ryan. It’s rare, in-depth look into what it’s like to create and manage a big-budget broadcast TV show and I’d urge you to give it a look. You can also download the audio from the interview through the /Filmcast.
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Fox has announced the channel’s 2009-2010 midseason schedule. The highlights include:
- American Idol returns with a two-night season premiere Tuesday, January 12th and Wednesday, January 13th
- Lie to Me got picked up for a full season
- The winter finale of Fringe airs on February 4th, and the show returns April 1st (not an April Fools Day joke, we hope)
- The winter finale of Glee is December 9th, and the show returns on April 13th
- The Jackie Earle Haley comic book crime drama Human Target premieres on Sunday, January 17th.
You can read the full press release after the jump.
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This Week in DVD & Blu-ray is a column that compiles all the latest info regarding new DVD and Blu-ray releases, sales, and exclusive deals from stores including Target, Best Buy and Fry’s.
Please don’t take the commentary on the movies and TV shows too seriously, as they’re meant not to be reviews but rather previews that include the general thoughts and ramblings of a twice-committed DVD addict. The categories represent solely the author’s intentions towards the films at hand, and are in no way meant to be a reflection on what he thinks other people should rent or buy. So if he ends up putting a movie you like in the “Skip it” section without having seen it, please keep in mind that the time you could spend leaving a spiteful but ultimately futile comment could instead be used for more pleasant things in life. Like buying DVDs.
Adventureland does not redefine coming-of-age movies. It tells a familiar tale, and it does so with a number of story elements that we’ve seen many times before.
It’s also far better than most of its competition.
Watching Adventureland, it’s obvious that this is a very personal film for writer/director Greg Mottola. It’s real. It’s relatable. It’s charming, sweet and thoroughly engaging from start to finish. The film has plenty of laughs too, but making “silly gags” the focus of the film’s marketing campaign was a mistake. As much as the studios may want to make the film look like the next Superbad (which Mottola also directed), it simply isn’t. The jokes don’t feel like calculated gags intended to make you burst into tears with laughter. The humor has a more natural flow, always present in the interactions of the characters and the inherent comedy of the situations, but never detracting from the heart of the story: the relationship between the two young leads, played to perfection by Jesse Eisenberg and Kristen Stewart. If you’re going into the film expecting something else, you’re setting yourself up for disappointment.
Notable Extras: DVD – Commentary with director Greg Mottola and actor Jesse Eisenberg, deleted scenes, a Just My Life: The Making Of Adventureland featurette, and a Picture Music Selection feature. Blu-ray – Everything on the DVD, plus 3 additional features (“Frigo’s Ball Tap”, “Lisa P’s Guide To Style”, “Welcome to Adventureland”), and a digital copy of the film.
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|Amazon – $19.49
|BEST BLU-RAY PRICE
|Amazon – $25.99
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Jason Schwartzman (Rushmore, Spun, Coconut Records) will play an aging Brooklynite/alcoholic writer who experiences a nasty breakup and finds himself in the position of a Philip Marlowe-ish gumshoe in the new HBO series Bored to Death. Written by former New York Press columnist and novelist, Jonathan Ames, the half-hour comedy will go into production this September. Seth Gordon, director of The King of Kong, will work as a consultant on the show.
Schwartzman’s character “takes out an ad pretending to be a private detective and starts taking cases — solving some and making others worse.” You may remember that back in 2004 Schwartzman starred in the failed Fox sitcom, Cracking Up, from writer Mike White (The School of Rock). Ames also began developing a semi-autobiographical pilot for Showtime the same year, but it was never picked up. Based on the logline, it’s easy to picture Schwartzman making the role and premise into an irreverent hit.
HBO also has the series, Hung, in development from creator/director Alexander Payne and weeks ago I took a look at the pilot script for Cocaine Cowboys, the rumored series for HBO from Jerry Bruckheimer and Michael Bay.
via Hollywood Reporter / Buzz Sugar
The iffier logline belongs to Lie to Me, a one-hour drama for Fox starring Tim Roth as a “scientist/human lie detector, skilled at reading the human face, body and voice to uncover the truth in criminal and private investigations.” Shades of House: the character’s talent/gift makes it difficult for him to maintain personal relationships.
As long as Lie to Me isn’t peppered with computer-generated eyeball schematics of various suspects in the vein of Robocop, we’ll check it out. Variety reports that the material is inspired by the real life science and life long studies of psychologist/deception specialist Dr. Paul Eckman. Brian Grazer is exec-producing the show, which has been picked up for 13 eps, and begins shooting in August.
Discuss: Good day for TV, no? Which show sounds more appealing?