As you know, Let the Right One In was one of our favorite movies this year. And you might also remember, the Swedish vampire coming of age adaptation is getting an American remake. MTV was able to talk with director Matt Reeves, who gave some details and reassurances about the project.
“I see the film as essentially being the fantasies of this 12 year old who’s having such a hard time. It would never be that overt where you would watch the movie and say that’s a dream but to me that is kind of an organizing principle,” Reeves told MTV. “I had such a personal reaction when I saw the movie and when I read the book. I felt like there was an opportunity to do something incredibly personal while still being in a genre arena.”
Sounds like an interesting take on the material to me. The personal nature of the film has been a big concern of fans of the original. It would be easy for Hollywood to go full out genre, and loose everything that makes the original so special. Reeves also reveals that the remake will be set in the early 1980’s in a snowy locale: “I’ve been thinking of Colorado, maybe Littleton.” Overture Films is shooting for a January 15th 2010 release, which is not so coincidentally – one day before the two year anniversary of Reeves’ Cloverfield.
Posted on Thursday, October 23rd, 2008 by David Chen
The /Filmcast Interview is a series of conversations with actors, directors, and other key figures from the entertainment industry. In this episode, David speaks with Tomas Alfredson, the director of Let the Right One In, about his film’s success, its aesthetic, and its reception at international film festivals. Let the Right One In will be in NY and LA starting Friday, October 22nd. CLICK HERE for a list of U.S. release date and locales. We’ll also be reviewing this film on the /Filmcast on Monday night.
Have any questions, comments, or suggestions? Want to be interviewed on the /Filmcast? Feel free to e-mail us at firstname.lastname@example.org. You can also call and leave a voicemail at (781) 583-1993.
Rotten Tomatoes has a new trailer for Let The Right One In, the Swedish vampire coming of age film which is receiving a lot of buzz on the film festival circuit. The new trailer is red band, so you get an uncensored look at some of the bloodier moments in the film. the trailer is a bit misleading because the film is more of a relationship story than a horror film. But I also understand they need to hook the American horror audience in.
Watch the trailer in high resolution on RottenTomatoes.com . Let The Right One In hits theaters starting on Friday, October 24th 2008. Plot synopsis and release schedule after the jump.
In this episode of the /Filmcast, Dave, Devindra, and Adam are joined by the Onion AV Club’s Amelie Gillette and together they tear apart the notion of a Blade Runner sequel, try to figure out if they trust James Cameron more than McG, and spend some time discussing the finer points of religion while reviewing Bill Maher’s Religulous.
Have any questions, comments, concerns, feedback, or praise? E-mail us at email@example.com or call and leave a voicemail at 781-583-1993. Join us next next week as we review Ridley Scott’s Body of Lies.
A couple weeks ago, I saw and fell in love with the swedish vampire film Let The Right One In, freaked out, and posted a raving mini-review along with the international trailer. Magnet has now released the American trailer, which you can watch below. LEt me stress again that while this film is technically a horror film, it certainly transcends the genre and is something much more. It’s a coming of age tale between two young children, one of which just happens to require blood to live.
Watch the trailer in High Definition on IGN.com. Let The Right One In hits theaters starting on Friday, October 24th 2008.
10/24/2008 West Hollywood, CA: Sunset 5 New York, NY: Angelika Film Center
11/7/2008 San Diego, CA: Hillcrest Cinemas
11/14/2008 San Francisco, CA: Embarcadero Center Cinema Chicago, IL: Landmark’s Century Centre Cinema Minneapolis, MN: Lagoon Cinema Nashville, TN: Belcourt Theatre Seattle, WA: Varsity Theatre
11/21/2008 Denver, CO: Mayan Theatre
11/28/2008 Santa Fe, NM: The Screen
Official Plot Synopsis: A fragile, anxious boy, 12-year-old Oskar is regularly bullied by his stronger classmates but never strikes back. The lonely boy’s wish for a friend seems to come true when he meets Eli, also 12, who moves in next door to him with her father. A pale, serious young girl, she only comes out at night and doesn’t seem affected by the freezing temperatures. Coinciding with Eli’s arrival is a series of inexplicable disappearances and murders. One man is found tied to a tree, another frozen in the lake, a woman bitten in the neck. Blood seems to be the common denominator – and for an introverted boy like Oskar, who is fascinated by gruesome stories, it doesn’t take long before he figures out that Eli is a vampire. But by now a subtle romance has blossomed between Oskar and Eli, and she gives him the strength to fight back against his aggressors. Oskar becomes increasingly aware of the tragic, inhuman dimension of Eli’s plight, but cannot bring himself to forsake her. Frozen forever in a twelve-year-old’s body, with all the burgeoning feelings and confused emotions of a young adolescent, Eli knows that she can only continue to live if she keeps on moving. But when Oskar faces his darkest hour, Eli returns to defend him the only way she can… Swedish filmmaker Tomas Alfredson weaves friendship, rejection and loyalty into a disturbing and darkly atmospheric, yet poetic and unexpectedly tender tableau of adolescence. LET THE RIGHT ONE IN is based on the best-selling novel by John Ajvide Lindqvist.
The film is the inaugural release in Magnet’s “Six Shooter Film Series,” a series of six films highlighting the vanguard of genre cinema from around the globe. Five films will follow over the coming months: Nacho Vigalondo’s TIMECRIMES (Spain), Ollie Blackburn’s DONKEY PUNCH (UK), SPECIAL (US), BIG MAN JAPAN (Japan), and EDEN LOG (France).
If you’ve been following /Film, you’ve heard about a little Swedish coming of age vampire film which transcends the horror genre. Let The Right One In hits theaters next month, but a English-language remake is already in thew works with Cloverfield director Matt Reeves at the helm. Tomas Alfredson, director of the original Swedish adaptation, isn’t too happy:
“Remakes should be made of movies that aren’t very good, that gives you the chance to fix whatever has gone wrong,” Alfredson tells Moviezine. “I’m very proud of my movie and think it’s great, but the Americans might be of an other opinion. The saddest thing for me would be to see that beautiful story made into something mainstream.” … “I don’t like to whine, but of course – if you’d spent years on painting a picture, you’d hate to hear buzz about a copy even before your vernissage!””
American audiences aren’t going to flock to a subtitled movie, so I understand the value of a English-language remake, as it could potentially expose millions upon millions of more people to a fantastic story they wouldn’t otherwise have experienced. I have a lot of faith in Matt Reeves, but at the same time, I’m concerned that an American adaptation will get everything I loved about the original Swedish film wrong. Alfredson’s film is subtle and Hollywood usually doesn’t get subtle right. But on the other hand, we’ll always have the original Swedish film on DVD…
Discuss: What is your opinion on English language remakes?
It seems like only last week that I declared Let The Right One In was one of 2008’s must see movies. I was since informed that the film is already getting an English language remake by Hammer Films and Spitfire Pictures. And tonight Variety announced that Cloverfield director Matt Reeves has signed on to helm the film. Overture Films is fast-tracking the project, so expect the movie to be released sometime next year.
In the meantime, please mark October 24th on your calendars, because if you live in New York or Los Angeles, you’ll be busy that night watching the original Swedish film theatrically. Magnet/Magnolia will expand the release into more markets in the weeks that follow.
I’m not sure how the remake will stack up against the original, but having Reeves on board gives me hope. Reeves’ television background is proof that he is good at directing stories with a natural emotional core. And Let The Right One In is just that type of film. Lets just hope that Overture and Hammer don’t try to turn the remake into a more conventional horror film.
Yesterday I wrote about an incredible film called Let The Right One In (read here). A lot of readers have written in to share their love for this film festival favorite. And among the responses, Reamwe also received some noteworthy updates.
Neoufo51 called Magnet Releasing and found out the film will be released on DVD on March 10th 2009.
I also contacted Magnet reguarding the film’s theatrical release, and they told me that the film will be released in New York City and Los Angeles on October 24th. In the weeks following, the movie will roll out into more cities. I’m not sure what cities exactly, but I’d guess that chances are good if you have a Landmark Theater in your city (as Magnolia/Magnet and Landmark have a distribution relationship).
Also, /Film reader Brian noticed that IMDB has a listing for another movie with the Let The Right One In title. Turns out that Hammer Films and Spitfire Pictures has acquired the english-language remake rights for a reported seven-figures. A projected 2010 date was announced, but no director or writer has been named. I’m not sure an American or British remake would capture the magic and sweetness of the original Swedish film. It would be too easy to turn the story into your typical horror film, or even worse, a Twilight like teen romance. I hope that doesn’t happen.
Official Plot Synopsis: A fragile, anxious boy, 12-year-old Oskar is regularly bullied by his stronger classmates but never strikes back. The lonely boy’s wish for a friend seems to come true when he meets Eli, also 12, who moves in next door to him with her father. A pale, serious young girl, she only comes out at night and doesn’t seem affected by the freezing temperatures.
Coinciding with Eli’s arrival is a series of inexplicable disappearances and murders. Blood seems to be the common denominator – and for an introverted boy like Oskar, who is fascinated by gruesome stories, it doesn’t take long before he figures out that Eli is a vampire. But by now a subtle romance has blossomed between Oskar and Eli, and she gives him the strength to fight back against his aggressors. Oskar becomes increasingly aware of the tragic, inhuman dimension of Eli’s plight, but cannot bring himself to forsake her. Frozen forever in a twelve-year-old’s body, with all the burgeoning feelings and confused emotions of a young adolescent, Eli knows that she can only continue to live if she keeps on moving. But when Oskar faces his darkest hour, Eli returns to defend him the only way she can …
Rarely does a film transcend its genre in the way that Tomas Alfredson’s Let The Right One In does. Based on a novel by John Ajvide Lindqvist, this must see Swedish coming of age vampire film is about a twelve year old boy who befriends a girl in the apartment next to him. But little does he know, she’s actually a vampire. Don’t let that scare you away. The movie is not a traditional horror film, it’s a relationship story about an introverted girl who teaches a shy bullied kid how to stand up for himself. It’s sweet in every way you wouldn’t expect. Beautiful and haunting, Let The Right One In is a film you must see.
The film is currently making the film festival rounds, but I’m not sure the extent of its theatrical run. I’m guessing it will be released in a few art houses. I know that it will be playing in New York City on October 24th. Magnolia’s genre arm Magnet owns the distribution rights, so it will eventually be released on DVD. I’ll try to update the site when the information becomes available, so that everyone will have a chance to see this film. Stick it on your netflix list RIGHT NOW!
I’ve included the movie’s film festival trailer below, but believe me, it’s much better than the sum of the clips below.