It’s no secret that Guillermo del Toro‘s Bleak House, his personal home (or “man cave” as he calls it) is a treasure trove of movie props, artifacts, art and collectibles inspired by all the fantasy, horror and sci-fi stories that he loves. We’ve seen pieces of it in video tours over the years. There’s even a book called Guillermo del Toro Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions that takes a look at some of the art that has inspired del Toro’s work over the years, including some of his gorgeous drawings.
Now Guillermo del Toro is bringing his collection of paintings, drawings, maquettes, artifacts, film concept art and more to the Los Angeles County Museum of Art (LACMA) for an exhibition called Guillermo del Toro: At Home with Monsters. The gallery featuring a bunch of del Toro’s goodies opens today provides some insight into del Toro’s creative process, but for those who can’t attend, the filmmaker has posted a ton of photos from the exhibition online for everyone to see.
Check out the gallery of photos from the Guillermo del Toro LACMA exhibition after the jump. Read More »
Usually when I go to a Live Read, I know the movie like the back of my hand. Ghostbusters, Pulp Fiction, The Usual Suspects, American Beauty, these are all movies I’ve seen dozens of times and know backwards and forwards. However, the November reading was a film I’d never seen until this week: Barry Levinson‘s Diner. It totally deserves to be mentioned among those films, but it somehow fell through the cracks in my years as a film fan. It’s as timeless, funny and poignant as any movie I’ve ever seen.
Watching the film, I began to worry about the Live Read. Sure this was a movie with dynamic characters based on a razor sharp script, but Levinson’s film also created such a perfect atmosphere. The movie was 1959 Baltimore, from the weather to the locations, outfits and the music. Oh, the music. Diner is a jukebox full of awesome tunes and the Live Reads don’t play music during the read. Was it going to work out?
Presenter and director Jason Reitman had an answer for that. To make the script move at a clip worthy of its amazing original cast, and to make the audience forget there was no music or settings to enhance it, he’d need actors who are incredibly familiar with each other. Actors with an ability to deliver filthy dialogue very fast, have perfect chemistry, talk a ton of crap and dish about football. How about the cast of FXX’s The League?
Yes, almost the entire cast of The League read Barry Levinson’s Diner at latest Jason Reitman Live Read, presented Film Independent at LACMA. Below, read what the cast brought to the script and what the script revealed about itself. Read More »
It’s a shame only 600 people got to see Jason Reitman‘s Live Read of American Beauty on Thursday. If more people saw it, they’d be lining up to see Men, Women and Children this weekend. The cast proved they are wonderful together.
As the kickoff to the 4th season of Live Reads at LACMA, Reitman presented Alan Ball‘s Oscar-winning 1999 script. For all the roles, he chose actors from his latest film. (Which happens to open wide this weekend.) In the role of Lester Burnham, for which Kevin Spacey won an Oscar, Reitman cast Adam Sandler. The wife Carolyn, originally played by Annette Benning, was played by Rosemarie DeWitt. Their daughter Jane, originated by Thora Birch, was played by Kaitlyn Dever. Her best friend Angela, originated by Mena Suvari, was played by Olivia Crocicchia. Buddy the real estate king, first played by Peter Gallagher, was read by Phil LaMarr. Next door, the Colonel, played by Chris Cooper, was read by Dean Norris. DeWitt doubled as his wife (Allison Janney) and their son, the pot-dealer Ricky was Travis Tope. Wes Bentley originated the role.
With a script as good as Ball’s, an infant could read it and it would sound like poetry. What Reitman showcased with his latest cast is prove that good words are one thing, but chemistry and talent are something entirely different and wonderful. Below, read more about the American Beauty Live Read presented by Film Independent at LACMA. Read More »
For Jason Reitman‘s final live read of the 2012-2013 season, he chose a revered, Oscar-winning screenplay: Christopher McQuarrie‘s The Usual Suspects. When that title was announced I was initially skeptical. I thought, “The Usual Suspects is so well known for its surprise ending, and that ending is so incredibly visual, how would it come across in a live read setting?” The answer was revealed in two ways. First this read suggests that Bryan Singer‘s direction in the original film is powerful and underrated. Also, as great as the ending to McQuarrie’s script is, some of his true poetry isn’t even on the screen.
Presented by Film Independent at LACMA, read more about the star-studded cast (which included Dexter‘s Michael C. Hall, The League‘s Mark Duplass and original cast member Kevin Pollak) below. Read More »