Posted on Wednesday, October 12th, 2011 by Angie Han
Sometime last summer, a report surfaced that Jim Carrey had been offered a part, possibly the lead, in the magician comedy Burt Wonderstone. Steve Carell has since landed the title role, but now it seems Carrey may be interested in climbing aboard in a different capacity.
Carrey has entered negotiations for the film, which will be directed by 30 Rock‘s Don Scardino. Chad Kultgen first drafted the film, then John Francis Daley and Jonathan Goldstein did a rewrite, and Jason Reitman was recently hired to polish the script. The story follows a Vegas magician who breaks up with his stage partner and finds himself upstaged by a younger, hipper illusionist. Carrey’s potential character in the film has not been revealed, though I suppose the most obvious guess is that he’ll play Wonderstone’s former partner. [Deadline]
After the jump, Eduardo Noriega takes on the Governator, while two Immortals stars head to Asia.
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It’s an action/thriller casting break this evening, featuring the return of some classic actors to familiar old stomping grounds. So after the break you’ll find:
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- Anthony Hopkins will hunt a serial killer in Solace,
- and Chuck Norris, Jean-Claude Van Damme and John Travolta may be confirmed for The Expendables 2.
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Violent revenge flicks are pretty much heroin for most film fans. We inject the works of Park Chan-Wook and Takashi Miike directly into our veins, swooning in the delights of violence and hyperkinetic cinema. In comparison, Kim Jee-woon is relatively new to the scene. His film, The Good The Bad and the Weird, certainly made a significant blip on film fan’s radar and now with his latest film, I Saw the Devil, Jee-woon has crafted an even more visceral experience. After getting rave reviews as a secret screening at Fantastic Fest 2010, I Saw the Devil has taken the Sundance Film Festival and in turn it’s taken the revenge film, turned it on its head and drenched it with blood. Read more after the break. Read More »
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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