Every couple months there seems to be an incremental update on the feature film version of 24. Most of these updates amount to saying that the project isn’t dead yet, but that it isn’t really moving full steam ahead, either.
Now Mark Bomback (Unstoppable, Live Free or Die Hard, Total Recall) is about to turn in a new draft that would put Kiefer Sutherland back in the Jack Bauer role, and Deadline says that Fox has a director shortlist with about five names. Yeah, there’s always a director shortlist when a project is at this stage, and even the most notable fact of this update, that Tony Scott is no longer attached and isn’t part of that shortlist, isn’t really a surprise given the fact that his attachment always seemed very loose at best. The site says Kiefer Sutherland is available starting in April 2012, and that’s when Fox wants to shoot the movie. Read More »
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After seeing the trailer for Touch, I officially have a new show I’m excited to watch. The latest show from Heroes creator Tim Kring stars Kiefer Sutherland, back on Fox after 24, as the father of a young mute boy who has some kind of superhuman ability to predict the future through patterns in numbers and the universe. It sort of looks like Numbers meets Lost , or Knowing meets The X-Files. Also featuring Danny Glover and Titus Welliver, Touch has already been picked up for at least 13 episodes that will air Spring 2012 and you can get your first look at it after the jump. Read More »
About sixteen months have passed since Fox’s hit action series 24 ended its successful eight season run. Since then, star Kiefer Sutherland and the show’s creators have been asked ad nauseum about a long rumored movie that would continue the story of American hero Jack Bauer who saves the world in 24 hours. Every few months, a little bit more is added to the rumor mill be it a rejected script, release window, possible start date, rumored directors and more. The latest news comes from Sutherland himself who not only spoke about the difficulties in adapting the show for the big screen but said a script is almost done. When does that mean we might see the movie? Read what he had to say and figure it all out after the jump. Read More »
Lars von Trier detractors often accuse the Danish director of being little more than a provocateur, and his impetuous demeanor when dealing with the media doesn’t dispel that impression. That leads some — even our own Germain, in his review of Melancholia — to suspect that Trier’s actual films are constructed, in part, as nothing more than button-pushing exercises. I tend to believe in the director more as an imp who has a healthy, if perverse sense of humor, and who takes the opportunity to enjoy unorthodox fun when he can.
Such is the case, I suspect, with the new character posters for Melancholia.
In anticipation of the film’s UK release this weekend and October 7 VOD bow in the US (to be followed by a November 11 theatrical release) there are six new character posters for the film. They feature actors Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Alexander Skarsgård and John Hurt. But there’s also a poster for Lars himself, which is even stamped with a ‘persona non-grata’ seal, mocking his expulsion from the Cannes Film Festival this past May. See all six below. Read More »
Posted on Friday, September 23rd, 2011 by Angie Han
We’re just now getting to see the first new shows of the fall, but it seems there’s at least one reason to start looking forward to spring already. Fox has just given a thirteen-episode order to Touch, a drama created and written by Heroes‘ Tim Kring and starring 24′s Kiefer Sutherland.
The series revolves around dad Martin (Sutherland) who comes to the realization that his mute autistic son Jake (David Mazouz) has an extraordinary ability to pick up patterns between seemingly unrelated events. Using numbers, Martin must communicate with his son in order to uncover the true meaning behind the mysterious connections. More details after the jump.
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There’s not a whole lot in this first official domestic trailer for Lars von Trier‘s Melancholia that we haven’t seen in previous trailers and clips. (Such as the great UK trailer we just saw a few days ago.) But what the hell, the film is among our most-anticipated of the year, and this trailer offers up a great HD look at the gorgeous and subtle cinematography from Manuel Alberto Claro.
So hit the jump and get one more look at the ways in which sisters played by Kirsten Dunst and Charlotte Gainsbourg deal with the possibility of the impending end of life on Earth. Read More »
It’s been a big, loud year for Lars von Trier, thanks in part to his new film Melancholia, and more so to the Cannes press conference comments that saw the director banned from the festival. But getting beyond that controversy, there’s the fact that Melancholia is one of the best-reviewed films of the director’s career, and remains one of my most-anticipated films of the fall.
We’ve seen one trailer for the film, in which Kirsten Dunst and Charlotte Gainsbourg play sisters with very different dispositions who are staring down the end of the world on the eve of Dunst’s character’s wedding. Now here’s the UK trailer, which nicely shows off the ensemble cast (which also includes Kiefer Sutherland, Charlotte Rampling, John Hurt, Alexander Skarsgård, Stellan Skarsgård and Udo Kier) and opens on a surprisingly upbeat note before settling into the anxious mode that you’d expect from a film about the end of the world. Read More »
On August 8, 1986 director Rob Reiner began an incredible five film run by releasing a seemingly simple adaptation of a Stephen King novella called The Body. Reiner’s film was called Stand By Me and starred River Phoenix, Wil Wheaton, Corey Feldman and Jerry O’Connell as four young friends who, in 1959, set out on a journey to see a dead body. After initially opening in limited release, the film expanded a few weeks later and became a box office hit, raking in just over $50 million.
As a young boy, though, none of that was important. What was important is when I finally saw Stand By Me, I was at an impressionable enough age that Reiner’s film, so expertly crafted and filled with perfect dialogue and performances, taught me things my parents never would have thought of. I was schooled in the ways of Fifties pop music. I learned what a leech was. I learned how to use “dodge” as verb and I learned how many you got for flinching. What was, on the surface, a seemingly simple adaptation was obviously much more than that and has stood the test of time.
After the jump, read fifteen silly and serious things Stand By Me still teaches us 25 years after its initial release. Read More »
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