Posted on Monday, September 22nd, 2014 by Angie Han
Amber Heard and Jada Pinkett-Smith will also star in Magic Mike XXL, despite being rather ill-equipped to play male strippers. Plus, see a new photo from behind the scenes of Magic Mike XXL. And also after the jump:
- Star Trek 3 is reportedly shooting in mid-February
- … and Simon Pegg says J.J. Abrams is “all over it”
- Expendables 3 downloaders are being told to pay up
- Justin Long wants more Galaxy Quest and Zack & Miri
- Elizabeth Banks drops more hints about Pitch Perfect 2
- Amityville: The Awakening loses its release date
- Get a load of the new poster for V/H/S: Viral
- The Insidious Chapter 3 poster involves a lot of reading
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Kevin Smith‘s Tusk is a prime example of a filmmaker in the midst of reinvention. Every since the disaster that was Cop Out, Smith has been on a quest to become a new director. First he shunned Hollywood and self-distributed Red State, a welcome departure from his off-the-wall comedies of the past. Now he’s delving deep into horror with Tusk, the story of a man named Howard (Michael Parks) who kidnaps a podcaster named Wallace (Justin Long) and attempts to turn him into a Walrus.
Much like Smith’s up-and-down career path, Tusk has a fascinating trajectory. Everything starts off well with the director slowly but surely building a very specific, intriguing and foreboding tone. Even as the story begins to border on the ridiculous and the gore gets exponentially more intense, we buy it because the film has won us over with its sharp writing, well-timed humor, inventive plot and layered storytelling.
Unfortunately, about two-thirds into the movie, Smith apparently saw some brake lights in front of him because the film comes to a screeching halt. It stops being fun so suddenly and so painfully it’s almost unfathomable. Things never quite recover from that narrative roadblock and, by the end, it all feels arbitrary and amateurish. Read More »
In Tusk, Justin Long plays a douchebag podcaster who travels to Canada in search of a story, and gets a hell of a lot more than he bargained for. The film is nuts, because it veers from horror to comedy in broad strokes. The end credits of the film (no spoiler) actually play some of the audio from the podcast that spawned the film, and that’s kind of the rosetta stone for deciphering the film’s disparate tones. This Tusk featurette is also a good thing to watch before seeing the movie, because it will help you understand just how seriously (or not) Kevin Smith approached the story. Read More »
Kevin Smith‘s latest film Tusk premiered Saturday night at the 2014 Toronto International Film Festival as part of the festival’s Midnight Madness selection. The first reactions have been flooding twitter, and it seems like everyone agrees: the movie is fucked up. Is that a good thing? The film reportedly received a standing ovation, and most of the reactions seem to be positive. Hit the jump to read the Tusk early buzz and see the first tweet reactions to Kevin Smith’s new horror indie.
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Kevin Smith‘s latest film, Tusk, premieres at the Toronto International Film Festival this weekend. That means we’ll finally get word of exactly how far Smith pushed the envelope in his new horror film, which stars Michael Parks as a man trying to turn another (Justin Long) into a walrus. Haley Joel Osment, Genesis Rodriguez and maybe even Johnny Depp co-star as people looking for Long’s character.
We’ve seen a disturbing teaser trailer from the film and now, five new stills have been released. Everyone above (minus Depp) is represented and yes, they’re very creepy. Check out the new Tusk photos below. Read More »
1999 was an amazing year of movies. One of the best ever. Being John Malkovich, The Matrix, Fight Club, Magnolia, Eyes Wide Shut, American Beauty, the list goes on and on. A film that also belongs on that list, but is rarely mentioned in the same space, is Galaxy Quest. The smart, hilarious send-up of geek culture with a sci-fi twist was a modest hit, grossing $91 million worldwide, but continues to be popular because it struck a cultural chord and was so ahead of its time.
The idea of a Galaxy Quest sequel has been batted around for years. In a recent oral history of the film done by MTV, several members of the cast jumped on board. Tim Allen, Sigourney Weaver, Sam Rockwell, Justin Long – along with director Dean Parisot, producer Mark Johnson and writer Robert Gordon all talked about it. They would do a Galaxy Quest sequel in a heartbeat. Read their quotes below. Read More »
“I don’t want to die in Canada.” That’s Wallace, (Justin Long), a guy who interviews people to learn their odd stories, but he becomes the subject of one after talking to the wrong Canadian. In Tusk, the new film from writer/director Kevin Smith, we follow Wallace as he finds a new story through an old sailor (Michael Parks). This sailor, as it turns out, has different ideas about dying — he doesn’t want to die alone — and it doesn’t seem to be human companionship that he seeks. When Wallace turns up at the sailor’s house, things go from odd to weird to really, really bad in a pretty short span of time. And then, the sailor tries to turn Wallace into a walrus. Watch the Tusk trailer here. Read More »
Imagine you’re watching your relationship on TV. It is playing on five channels, with each channel airing a different stage of the relationship. When things get too uncomfortable, awkward or emotional, you just flip the channel. On that next channel, you’d continue to watch your relationship unfold, maybe from a point a few years later. The cumulative result of the experience would probably put into perspective the whole of what you and another person can be together. Loving in one moment, hateful in another, caring, selfish and more.
That metaphor is an elaborate attempt to describe Comet, the directorial debut of Sam Esmail, which had its world premiere at the Los Angeles Film Festival this weekend. Comet stars Emmy Rossum and Justin Long as the central couple. While there is absolutely no TV channel surfing involved, the film’s complex and fascinating structure feels like that, from the audience perspective. It’s a dense, funny, insanely well-written and well-acted film. Unlike most romantic films, it keeps you guessing. Simultaneously, it raises questions about the nature of love, life, and truth, all disguised in an semi-conventional love story told in the most unconventional of ways. It’s a special movie. Read More »
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