That sound you heard last year was Jurassic Park fans screaming about the oddities in the Jurassic World trailer. Specifically, the fact Chris Pratt‘s character apparently has control of a pack of Velociraptors, those unstoppable, evil dinosaur from the first three movies. The Super Bowl trailer for the Colin Trevorrow film showed even more of this relationship, with Pratt’s character dinosaur whispering the dominant creatures (seen above).
Well, a Reddit user has pointed out the idea behind this relationship isn’t exactly new at all. In fact, it was in Michael Crichton‘s original Jurassic Park book, conveyed by a character we know for a fact is returning for Jurassic World. Read the quotes that tease the Jurassic World raptor squad below. Read More »
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Raiders of the Lost Art, Jaws, Star Wars, Jurassic Park, Ghostbusters, Die Hard — these are some of the most popular films ever made. They also have some of the most recognizable posters of all time. So, as an artist, attempting to make a poster for one is no easy feat. Do you just put everyone’s face in the frame? Maybe you try to sum up the story with one image? The options are endless, and sometimes not that appealing.
Artist Anthony Petrie has quietly been perfecting a unique, very cool way to approach well-known films. Over the past year or so, he’s been making posters for iconic movies that look like charts or maps of each movie. So, for example, he did Ghostbusters as a New York City subway map, filled with references. Die Hard became a set of Nakatomi Tower blueprints and Aliens became a readout on a motion tracker. Each poster represent these amazing movies in subtle ways, specific to the movie, without going overboard on character likenesses. They showed something more artistic and fun.
January 9 at Gallery 1988 West in Los Angeles, Petrie is presenting a whole new exhibit of new work in that mode. It’s called Charts, and he’s doing maps for some of the movies mentioned above and many more. Below, check out just a few of the Anthony Petrie Gallery 1988 Charts including an exclusive from a galaxy far, far away. Read More »
Stan Winston School has released a video showing how the Raptor suits were developed and created for Steven Spielberg‘s 1993 classic Jurassic Park. While the movie will be remembered for its innovation and inclusion of computer generated visual effects, only 4 minutes of the 14 minutes of the film featuring dinosaurs were entirely created using CG.
The rest was a mix of animatronics and “man in suit” puppets. Notably, the raptors were created using a man in a suit puppeteering the head. All of the tests were videotaped and have been compiled into this video showing how the raptor effect evolved before making it into the final film. Hit the jump to see Stan Winston’s Jurassic Park raptor suit evolution video, narrated by John Rosengrant, which reveals the magic behind this amazing practical effect.
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I was watching Steven Spielberg’s 1993 film Jurassic Park over the weekend and my friend Reza had a question that I never actually thought about before: Why was the triceratops sick in Jurassic Park? Did it tie into the bigger plot of the film? We researched the answer, and I thought you might enjoy the result. Find out why the Triceratops was sick in Jurassic Park after the jump.
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Most people know and cite Drew Struzan as the greatest movie poster illustrator of all time, but if there were a list of the top few guys, John Alvin would also be up there. Alvin is responsible for over 100 movie posters, some of which have become iconic imagery that we imagine when we think of the classic movies of the last 4 decades. His career began with Mel Brooks’ 1974 film Blazing Saddles. His posters include E.T. the Extra-Terrestrial, Blade Runner, Aladdin, Beauty and the Beast, The Little Mermaid, The Lion King, The Color Purple, Gremlins and the anniversary posters for Star Wars. Alvin’s last work was on Disney’s Enchanted, released a year before his death after suffering a bout of myocardial infarction.
The Art of John Alvin will be released on August 26th 2014, a retrospective collection of his finest movie poster work, along with previously unseen comprehensives and in progress sketches and commentary from Alvin’s widow. To promote the book, the publisher has released online Alvin’s unused Jurassic Park posters designed for the original Steven Spielberg film. After the jump we’ve collected the best of over two dozen new images released of unused Jurassic Park posters concepts.
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We get to see a lot of computer generated special effects breakdowns these days, but nothing like this. Today I came across a video showing the before and after shots from Steven Spielberg‘s Jurassic Park. While the film is known as one of the first blockbuster films to extensively employ computer generated effects, there are actually only 15 minutes of dinosaurs in the film: 9 minutes of which are Stan Winston’s animatronics, and only 6 minutes of ILM’s computer animated versions. But those six minutes are quite impressive for a film released over 20 years ago (1993). After the jump you can watch a six minute video which breaks down the Jurassic Park special effects showing how the computer generated dinosaurs were added to shots in post production.
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Today is the 21st anniversary of the release of Jurassic Park, which hit theaters on June 11, 1993. With those twenty-one years in the rear view mirror, it can be difficult to remember just how groundbreaking the film was at the time.
In ’93 there were only a few films that used digital effects, and not even a handful that used them as extensively as audiences saw in Jurassic Park. Now, when digital effects are used so pervasively that they can be impossible to distinguish from “real” images, it is good to mentally return to the days when a few seconds of animated T-Rex footage could blow the minds of some of the movie industry’s most powerful figures.
A ten-minute installment of ‘Moments That Changed the Movies,’ produced by the Academy of Motion Picture Arts and Sciences, helps us turn back the clock to the dawn of the digital effects era. Watch after the jump. Read More »
Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first ever solo show at Gallery 1988 West in Los Angeles opening Saturday June 14.
The show, called simply Icon, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Things like Star Wars, Beavis and Butthead, The Shining, Back to the Future, Office Space, Groundhog Day, Arrested Development, Willy Wonka, Jurassic Park, the list goes on and on. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.
Below, check out our exclusive reveal of just eight of the 50 pieces you’ll be able to see and purchase in person Saturday at Gallery 1988. Read More »
John Williams has written multiple iconic scores in his time, and one of the best is getting the Mondo Vinyl treatment. Mondo just revealed they’ll release two different versions of Jurassic Park, one featuring artwork by JC Richard and another by Dan McCarthy. Both editions, limited to 500 a pieces, will cost $35 and go on sale June 11, almost exactly one year out from the release of Colin Trevorrow’s Jurassic World.
Below, check out the full track list and artwork from each Jurassic Park vinyl edition. Read More »