We just mentioned the fact that Beyonce will direct her own bio-doc for HBO, but there are a few other biopics in development, too. Andrew Dominik has only released two films to date: Chopper, and The Assassination of Jesse James By the Coward Robert Ford. The former got worldwide attention, and the latter quickly developed a fervent cult following despite being a relative failure at the box office. This week Dominik releases his third film, Killing Them Softly, and with any luck, Dominik’s next film will arrive a lot sooner. Before making Killing Them Softly he was working on the Marilyn Monroe biopic Blonde, and that film is moving forward once again, with Naomi Watts (above) still set to play Marilyn.

Dominik told The Playlist, “It’s about her whole life. It starts when she’s seven and it ends when she dies… It’s sort of a Polanski descent-into-madness-type movie. It’s about this orphan girl who gets lost in the woods.” That latter statement is interesting, especially since the film comes from Joyce Carol Oates‘ book about Marilyn, but taking the eccentricities of Killing Them Softly into account, it isn’t all that surprising. Dominik clearly has more than the mundane in mind. In fact, he says “fantasy and reality become very blurred in the story.”

Dominik hopes to shoot the film next year, and says “It’s my dream project and I’ve been working on it for years and years and years.” But let’s move on. After the break,

  • Lenny Kravitz will play Marvin Gaye,
  • and Fox Searchlight is developing a Susan Boyle biopic,
  • and Michael Hutchence of INXS is the subject of dueling developments.

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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?

Read More »

Mini-LOL: Is Disney trying to sell their latest animated film Tangled with subliminal sex messages? [brew]

What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 40 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!

Read More »

Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?

Read More »

kinks

Before he fathered the young actress Juno Temple, filmmaker Julien Temple became known for music videos and films like The Great Rock’n'Roll Swindle, in which he looked at the Sex Pistols from manager Malcolm McLaren’s point of view. Pistols singer John Lydon decried much of Swindle as put-on bullshit spun by McLaren, but there’s no denying the film’s weird potency. Hell, I even like Absolute Beginners, the bizarro mid-’80s musical Temple directed, featuring David Bowie. And Temple’s Joe Strummer: the Future is Unwritten, a 2007 documentary about the former Clash bandleader, is great.

What will the filmmaker do with the story of The Kinks? Temple is working now with founder Ray Davies to come up with an angle for a feature film called You’ve Really Got Me. Read More »

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