Posted on Thursday, April 4th, 2013 by Angie Han
A couple generations after Brian de Palma first brought it to the big screen, Stephen King‘s Carrie is getting a new cinematic interpretation this fall by director Kimberly Peirce. The first teaser trailer hit all the way back last year, and we’ve had plenty of blood-soaked posters since then, but now we finally have a full-length trailer that offers a better idea of Peirce’s updated vision.
This version of the tale stars Chloë Grace Moretz as the telekinetic teen, and Julianne Moore as her unhinged religious mother. Gabriella Wilde, Portia Doubleday, Ansel Elgort, Alex Russell, and Judy Greer also appear. Hit the jump to watch the trailer.
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Posted on Tuesday, February 19th, 2013 by Angie Han
It’s not always a bad sign when a film gets shelved. Sometimes a perfectly good film gets tangled in legal woes, or becomes the casualty of a studio’s financial setback. Other times, though, the delay is exactly the vote of “no confidence” it appears to be.
I don’t know precisely why The Weinstein Co. decided to delay Måns Mårlind and Björn Stein‘s horror thriller 6 Souls indefinitely in the U.S., but the new trailer suggests it may be in the latter category. Julianne Moore stars as a psychiatrist whose patient Adam (Jonathan Rhys Meyers) suffers from multiple personality disorder. But his case is unusual in that his extra personalities are people who actually existed — murder victims, to be exact. Watch the video after the jump.
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For the 70th year, the Hollywood Foreign Press handed out their Golden Globe Awards Sunday night. Hosts Tina Fey and Amy Poehler entertained an audience of TV and movie fans there to bestow awards to shows like Girls, Modern Family, Smash, Breaking Bad, Homeland and Downton Abbey and films like Lincoln, Argo, Django Unchained, Life of Pi, Silver Linings Playbook, Zero Dark Thirty and Salmon Fishing in the Yemen. Yes, I said Salmon Fishing in the Yemen.
That’s just one example of surprise nominees that make the Globes such a wild card each and every year. Check out all the winners below along with live commentary.
UPDATE: We’ve embedded a lot of the special moments from the show below. Read More »
Posted on Monday, December 3rd, 2012 by Angie Han
The Big Lebowski co-stars Jeff Brides and Julianne Moore are back on set together, but their latest project couldn’t be further away from the Coen Brothers’ sun-bleached SoCal landscape. Directed by Sergei Bodrov, The Seventh Son unfolds in a fantasy universe where demons, ghosts, and witches tread.
Ben Barnes (The Chronicles of Narnia) stars as Tom Ward, who becomes apprenticed to a Spook named John Gregory (Bridges) and battles supernatural forces. Moore plays the villain of the piece, the powerful witch Mother Malkin. The first photos have just hit the web, and you can check them out after the jump.
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MGM and Screen Gems just debuted footage from Kimberly Peirce‘s new film version of Stephen King‘s debut novel Carrie at the New York Comic Con over this past weekend, but isn’t wasting any time getting something online. While fans often have to wait months (or more) before seeing trailers that play at the San Diego Comic Con, a teaser trailer for Carrie is now online.
The trailer cuts right to the chase, too, with a slow flight in to the burning hell unleashed by Carrie White (Chloe Grace Moretz) after her first high school prom experience goes, er, badly.
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Part of the narrative surrounding the creation of Kimberly Peirce‘s new adaptation of Stephen King‘s debut novel Carrie is that the film will hew closer to the novel than did Brian De Palma’s classic version, and therefore differ substantially from it. That may end up being true, and yet the first two official photos from the film highlight the similarities between Peirce’s new version and De Palma’s original.
Which is to say, here we’ve got one photo showing Carrie (Chloë Grace Moretz), after being doused in pig blood at the climax of her first prom experience, which is also the beginning of the story’s violent explosion of repressed young sexuality and frustration. The other shows Julianne Moore as Carrie’s rigidly religious mother, who acts as the girl’s primary repressor. See both images in full below. Read More »
Posted on Monday, June 18th, 2012 by Angie Han
Jennifer Connelly was one of the earliest names being rumored for Darren Aronofsky‘s Noah, with The Tracking Board preemptively announcing her casting as Naameh, wife of Noah (Russell Crowe) all the way back in April. However, while a slew of other names including Logan Lerman, Douglas Booth, Emma Watson, and Ray Winstone have boarded the cast over the past several weeks, her status has remained uncertain. As of several days ago, we were even hearing that Julianne Moore was in consideration for the role originally said to Connelly’s.
But sometimes even apparently unfounded rumors turn out to have some truth to them, and this is one of those times. Various outlets are now reporting that Connelly has finally received an official offer, and is now in negotiations to join Aronofsky’s Biblical epic. More details after the jump.
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With a few exceptions, the idea of remaking a classic horror film has proven to be one that faces many pitfalls. And when the original in question is Brian De Palma’s version of the Stephen King story Carrie, a film crafted with impressive style and quite a lot of moxie, there might be more pitfalls than usual. De Palma’s favored split-screen technique has been put to work telling many stories over the years, but the use of the device in Carrie is particularly good. The film is one of the director’s best, and one of the best adaptations of King’s work. It’s a tough act to follow.
But Boys Don’t Cry director Kimberly Peirce is an interesting choice to tackle a new version of Carrie, and she’s got a good start with the cast, as Chloe Moretz is the titular young girl whose telekenetic powers and emerging puberty put her at odds with her fundamentalist mom, played by Julianne Moore.
Portia Doubleday (Youth in Revolt) and Judy Greer (Arrested Development) were also added to the lineup today. More info on their roles, as well as Moretz’s comments about the Black Swan-like tone of this version, are below. Read More »
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