Hans Zimmer and John Williams are probably my two favorite film composers of all time, so I was very keen to see how Zimmer would tackle the job of crafting a score for the new Superman film, Man of Steel. The soundtrack for the latter was suitably epic, and I actually think the way it’s structured says a lot about the themes of the film.
After the jump, you’ll find my thoughts on an excerpt from each score. I tried to point out patterns and elements in each track that I thought were important but I’m not particularly well-versed in musical theory so I’m open to your constructive feedback. If you disagree with my thoughts, feel free to put forward alternate explanations (e.g. just saying “you are reading too much into the music” does not add anything to the conversation). Have at it!
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In today’s trip to a galaxy far, far away, read about how one law firm sought out Star Wars fans to help solidify the deal between Disney and Lucasfilm, as well as the following:
- John Williams confirms he’s spoken to J.J. Abrams about scoring Star Wars Episode VII.
- Edgar Wright doesn’t think he’ll ever direct a Star Wars movie.
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Producer/director J.J. Abrams and film composer Michael Giacchino have often worked together over the years, but for Abrams’ next film it looks like he’ll be working with another influential composer. After the promotion period for Star Trek Into Darkness ends, Abrams will begin work on Star Wars: Episode VII in earnest, and at this point it would be odd for a Star Wars film to be scored by anyone other than John Williams.
And while having a new composer tackle the new Star Wars chapter would be another good way to push the series in a new direction, Abrams said recently that he expects to work with Williams on the film. Read More »
Posted on Thursday, April 25th, 2013 by Angie Han
We have lots of Star Wars-related odds and ends for you after the jump, including:
- J.J. Abrams says Star Wars and Star Trek are “very different”
- Michael Arndt gets writer’s block, just like the rest of us
- Michael Giacchino wants John Williams to do Episode VII
- Watch a teaser for the fan-made movie Star Wars: Uncut
- Billy Dee Williams really, really, really wants to return
- Another, possibly final, round of layoffs hits Lucasfilm
- Darth Vader choking victim Richard LeParmentier has died
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For Zack Snyder‘s Man of Steel, composer Hans Zimmer an unenviable task. Unlike in 2006′s Superman Returns where composer John Ottman was able to use John Williams‘ iconic 1978 Superman theme, Snyder preferred to distance his film from all of the previous Superman films. That meant Zimmer was tasked with writing music that would work to inspire in the context of the new film, but also wouldn’t be totally overshadowed by Williams.
Like I said, unenviable.
The Oscar-winning composer behind Gladiator, Pirates of the Caribbean and The Dark Knight spoke to CNN about this new score. He explained he was inspired by middle America, that Christopher Nolan provided some input, and that the score features an A-List drum line of celebrities. Read about that and more below. Read More »
Posted on Monday, February 18th, 2013 by Angie Han
Speculation about which Star Wars talents might return for Episode VII have been swirling since the moment Episode VII was announced, and talk has only heated up since J.J. Abrams was formally announced as director. Last week, we got word that Harrison Ford could reprise his role as Han Solo, and today we’ve learned that another, possibly even more iconic figure is eager to come back.
According to a new report, composer John Williams has voiced his interest in working on the next trilogy. Williams’ work for the original remains one of the best loved movie scores of all time, so this seems like great news all around. Unless, that is, you’re Michael Giacchino, who’d probably be the favorite to score if this were any other Abrams project but Star Wars. Hit the jump to keep reading.
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Say what you want about Star Wars Episode I: The Phantom Menace as an overall film, but John Williams‘ score is fantastic. Duel of the Fates is one of the most exhilarating pieces of music in the entire Star Wars series; Anakin’s Theme is beautifully weaved through the film; and The Flag Parade is an amazing build up to a huge action setpiece. The unfortunate side is that listening to the score could be a reminder that the film doesn’t live up to the music.
If you can separate the two (which shouldn’t be too difficult now, going on 15 years later) Williams’ score is now being released as a limited edition vinyl on March 4. Check out the specs and a few images below. Read More »
Cool Posts From Around the Web:
As photo (or video) ops go, this one is among the best: video footage of Steven Spielberg and John Williams tapping out an early draft of the main E.T.: The Extra-Terrestrial theme on a piano. Whether the camera just happened to be there, or if this was designed specifically as a publicity stunt matters to some extent — it would be nice to know this was really a spontaneous moment — but either way it’s neat to see the birth of one of the more recognizable ’80s movie themes.
Watch below. Read More »